For some devoted readers in the late nineteenth century, Walt Whitman was a 'man magnified to the dimensions of a god,' and
Leaves of Grass a divinely inspired gospel. In a series of entertaining and acutely observed biographies of the 'Whitman disciples,' Robertson situates their fervor in a complex religions landscape. -- New Yorker
Michael Robertson's
Worshipping Walt...introduces us to a handful of the 'hot little prophets' who made a cult of Whitman, and also reminds us of the religious purpose of his poetry--with
Leaves of Grass as gospel. -- Adam Begley, New York Observer
Robertson's collection of reflective biographies brilliantly illuminates Whitman's life and the wider life of his poetry. It is a book of the physical, intellectual and spiritual adventures, and the author's own adventures with Whitman are not the least of its pleasures. -- Michael Schmidt, Financial Times
Robertson brings [Whitman's] devotees to life without the scorn that earlier critics placed on them, and the effect is like seeing a negative image of Whitman. Their lives take shape around his. Whitman's poetry shines brighter as a result. By studying these 'hot little prophets,' Robertson indirectly puts
Leaves back into this original context, and by doing so he makes the poet easier to grasp. -- Tom DePoto, Newark Star-Ledger
...[t]he biographical chapters are fascinating portraits written in an accessible style. Robertson covers the historical, religious, sexual, and social movements in the United States and England during the 19th century in great detail, and he successfully illuminates not only Whitman's life but the lives of those whom he influenced. -- Morris Hounion, Library Journal
While Whitman's work has been studied exhaustively, this book brings the people around him to life and gives a voice to these ghosts of his spiritual surrounding. Based upon large amounts of correspondence and diaries, Michael Robertson very ably demonstrates the influences that Whitman had on people on two continents. -- Philadelphia Gay News
Thoroughly researched, gracefully written, Worshipping Walt represents literary scholarship at its best. -- Frank Wilson, Philadelphia Inquirer
In this enchanting book, Robertson presents an original, provocative look at 19th-century America's most colorful poet. Looking at Whitman through the eyes of a range of acquaintances--from Anne Gilchrist and Horace Traubel to John Burroughs and Oscar Wilde, all of whom regarded the poet as a spiritual guide--the author meticulously examines the seductive qualities of Whitman and his verse. . . . This deft portrait provides an illuminating look at the almost-worshipping respect of some of Whitman's staunchest devotees, who regarded him as a religious prophet, a mystic poet, and a sexual libertarian. -- D.D. Knight, Choice
It is a singular accomplishment of Robertson's unusual but compelling study, blending the academic and the personal, that not only does it recover for this century the life-altering impact of Whitman's poetry on a fascinating group of his first generation of readers, but it also reminds readers of all poetry--not just Whitman's--that more can be at stake in the reception of a poem than intellectual satisfaction. -- David E. Anderson, Religion and Ethics Newsweekly
One impression that becomes stronger as one reads
Worshipping Walt is that little was perfunctory, hyped, or rose-colored in the discipleship Robertson lays before us. Intelligence plus genuine and heartfelt personal conviction always seem to shine through, banishing any temptation to dismiss these disciples as cranks. The same can be said of this book itself. Robertson fully earns the right to reveal himself, on the last page of his afterword, as a disciple too. -- Gary Schmidgall, Quarterly Review
Robertson's writing is compellingly clear, without sacrificing complexity. . . .
Worshipping Walt has appeared at a moment when questions about fundamentalism and democracy are being debated worldwide; it has much to contribute to those debates, and to understanding one of that world's best-known poets. -- Matt Cohen, Biography
Robertson's examination of the evolution of the disciples' ideas, and how they reflect their indebtedness to Whitman's poems, makes for a detailed, concise, and elegantly written account of the scene's intellectual history. -- Nicholas Sabloff, Common Review
Robertson offers a valuable analysis of the troubled relationship between Whitman worshippers and literary critics who, in canonizing Whitman, reduced 'the eagle to a songbird.' -- Jason Stacy, American Literature
Michael Robertson has written a fascinating book on those who thought of themselves as nearest and dearest to Walt Whitman--incontestably 'America's greatest poet'. We've seen quite a few substantial biographies of Whitman, and they score the various points their authors intended to score, but Mr. Robertson's book takes a new and altogether refreshing direction by introducing us, in some depth, to Whitman's true-blue disciples. Mr. Robertson illuminates...the poet's enduring appeal over the generations [and] has written a rich, memorable book. He wears his considerable erudition lightly, and he writes like a dream. -- Michael Redmond, Princeton Packet
The temptation to irony must have been overwhelming in the writing of this book, but Robertson's critical sympathy and generosity are impeccable. -- Ellis Hanson, Victorian Studies
