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Wrestling with the Muse: Dudley Randall and the Broadside Press
 
 
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Wrestling with the Muse: Dudley Randall and the Broadside Press [Hardcover]

Melba Joyce Boyd (Author)

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Book Description

0231130260 978-0231130264 January 6, 2004

And as I groped in darkness

and felt the pain of millions,

gradually, like day driving night across the continent,

I saw dawn upon them like the sun a vision.

-- Dudley Randall, from "Roses and Revolutions"

In 1963, the African American poet Dudley Randall (1914--2000) wrote "The Ballad of Birmingham" in response to the bombing of a church in Alabama that killed four young black girls, and "Dressed All in Pink," about the assassination of President Kennedy. When both were set to music by folk singer Jerry Moore in 1965, Randall published them as broadsides. Thus was born the Broadside Press, whose popular chapbooks opened the canon of American literature to the works of African American writers.

Dudley Randall, one of the great success stories of American small-press history, was also poet laureate of Detroit, a civil-rights activist, and a force in the Black Arts Movement. Melba Joyce Boyd was an editor at Broadside, was Randall's friend and colleague for twenty-eight years, and became his authorized biographer. Her book is an account of the interconnections between urban and labor politics in Detroit and the broader struggles of black America before and during the Civil Rights era. But also, through Randall's poetry and sixteen years of interviews, the narrative is a multipart dialogue between poets, Randall, the author, and the history of American letters itself, and it affords unique insights into the life and work of this crucial figure.


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Editorial Reviews

Review

While Wrestling with the Muse is clearly an homage [to Dudley Randall], it doesn't slip into sentimentality or fluff.

(Detroit Free Press Jan/Feb 2005)

As his one-time assistant editor and literary executor, poet and professor Melba Joyce Boyd is uniquely qualified to tell the story of Detroit's late poet laureate.

(Detroit Metro Times March 2005)

This is an imaginative work illuminating the life and influence of African American poet and publisher Dudley Randall.

(Anne Martino The Ann Arbor News January 2006)

Boyd has penned this definitive biography and celebration of [Randall's] poetry.

(College and Research Libraries News )

Boyd celebrates the life and times of African-American poet Dudley Randall in Wrestling with the Muse: Dudley Randall and the Broadside Press.... Boyd's sensitive portrait introduces us to a colleague many of us never had the opportunity to know.

(American Libraries )

[ Wrestling with the Muse]... is a memoir within a memoir capturing not only the life of Randall, one of the greatest success stories in American small press history, but also the history of a turbulent century rife with racial injustice and discrimination.

(Ebony Magazine )

Boyd provides an intimate and critical examination...along with a valuable study of many of the personal, politcal, and institutional bases of mid-20th-century African American Poetry...Highly recommended.

(Choice )

her book is an engaging and important contribution.. taking its place alongside the autobiographies of Nikki Giovanni and Amiri Baraka and too few others

(W. Kim Heron Metro Times Detroit )

Muse integrates aesthetics and politics with the vividness of an eyewitness and the conscience of a good journalist.

(Kim D. Hunter Against the Current )

This is an indispensable book for anyone interested in American intellectual and cultural history during the second half of the twentieth century, as it recalls the work of an accomplished poet largely missing from contemporary anthologies and convincingly recounts the development and impact of a crucial cultural institution of the black arts-black power era.

(James Edward Smethurst, University of Massachusetts Journal of American History )

A serious, delightful and unpredictable exursion into the vibrant and volatile social life of Detroit.

(Jonathan Scott Race and Class )

Review

Boyd brings the very challenging art of biography into the twenty-first century with an impressive balance of creative distance, courage, ingenuity, and refreshing honesty. Not only is Melba Boyd's writing style at once sophisticated and totally accessible, but her impressively scholarly biography illuminates Dudley Randall as a Black cultural leader who was successful at his goal of "retrieving African-American poetry." Wrestling with the Muse emerges as an invaluable contribution to American letters that all students and scholars of African-American poetry must read if they are to understand the forces behind the complexity and productivity of Black poetry between 1965 and the beginning of the twenty-first century.

(Joyce Joyce, Temple University, author of Ijala: Sonia Sanchez and the African Poetic Tradition )

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Inside This Book (learn more)
First Sentence:
I MET DUDLEY RANDALL IN THE SUMMER OF 1972. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
new black poets, bawdy poetry, new black aesthetic, black poetry, black unicorn, slave breaker, slave castle, critics series, southern road, cities burning, white poet, second renaissance, white unicorn, black publishers
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Dudley Randall, Broadside Press, Negro Digest, Gwendolyn Brooks, Black Arts Movement, African American, New York, Boone House, Robert Hayden, Margaret Danner, Litany of Friends, University of Michigan, United States, Wayne State University, Etheridge Knight, Langston Hughes, Hoyt Fuller, Poem Counterpoem, Black Bottom, Margaret Burroughs, Margaret Walker, Soviet Union, Belle Isle, Audre Lorde, Ballad of Birmingham
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