The Writer of Modern Life: Essays on Charles Baudelaire (Paperback)

~ (Author), Michael W. Jennings (Editor), Howard Eiland (Translator), Edmund Jephcott (Translator), Rodney Livingstone (Translator), Harry Zohn (Translator)

Editorial Reviews

Review

In these essays, written in the 1930s, German critic Benjamin masterfully succeeds in changing our perception of French poet Charles Baudelaire as a late Romantic dreamer. Instead, he shows Baudelaire to be a thoroughly modern writer involved in a life-and-death struggle with that urban commodity, capitalism, which had begun to emerge in Paris in the 1850s. Benjamin portrays Baudelaire as a flaneur--a stroller who roamed the lonely Paris streets lost in the faceless crowd--as well as a lone modern hero searching for a means of selling his poetry. In the urban crowds, all traces of individuality are erased, and Baudelaire's famed "spleen" is actually disgust at that defining aspect of the modern condition. Indeed, in "The Painter of Modern Life," an essay Baudelaire wrote in 1863, he makes several acute observations about his sense of alienation that definitely establish him as a modern writer. Stimulating reading.
--Bob T. Ivey (Library Journal 20061030)

Brilliant essays.
--Richard Wolin (The Nation 20070301)

It's depressing to be a critic within a hundred years of Benjamin: he got there first on so many things. The poet Charles Baudelaire died twenty-five years before Benjamin was born, in 1892, but Benjamin writes about him as if they were there together in nineteen-twenties Berlin, making a ruckus. For Benjamin, Baudelaire represented 'the modern.' That doesn't mean that he claims Baudelaire wrote 'about' modernity but that his poetry embodies it. For example, Benjamin notes the influence on Baudelaire of new technologies such as photography, and writes that 'Baudelaire was his own impresario,' an artist who knew that his poems were commodities even before they were done.
--Sasha Frere-Jones (New Yorker 20070301)

Now comes The Writer of Modern Life: Essays on Charles Baudelaire, edited by Princeton University professor Michael Jennings, and based on the writings of Walter Benjamin, a long dead German genius. Benjamin dissects the author of Les Fleurs du Mal (The Flowers of Evil) with a Marxist scalpel, among other unusual literary procedures. Why is all this happening? Maybe because in a unique way we fearful and confused souls recognize that Baudelaire's mordant and yet often exquisitely beautiful poetry and screwed-up life are a kind of mirror noir of our own teetering times. The same violent deaths, political treacheries, religious confrontations--and yet brief Roman candle bursts of loveliness are there.
--Leslie H. Whitten Jr. (Washington Times 20070420)

This is an excellent collection of essays by one of the greatest critics of the first half of the 20th century about one of the greatest poets of the 19th century. In presenting Baudelaire in these landmark studies, Benjamin situates the first truly modern poet against the backdrop of the first truly modern city. From wide brushstrokes about the figure of the flaneur to close readings of specific poems, Benjamin's acumen makes clear that he was that rare breed of critic who could deftly weave the macro and the micro in seamless discussions.
--S. Whidden (Choice 20070420)

This is an excellent collection of essays by one of the greatest critics of the first half of the 20th century about one of the greatest poets of the 19th century. In presenting Baudelaire in these landmark studies, Benjamin situates the first truly modern poet against the backdrop of the first truly modern city. From wide brushstrokes about the figure of the flaneur to close readings of specific poems, Benjamin's acumen makes clear that he was that rare breed of critic who could deftly weave the macro and the micro in seamless discussions...Jennings' supporting critical apparatus, complete with useful notes at every turn, frames these important texts in a way that reveals not only Benjamin and Baudelaire but also the intersections of modernity, poetry, history, urbanism, and many other fields.
--S. Whidden (Choice )

Benjamin planned to write a book on Baudelaire, but it never materialized. With the exception of 'On Some Motifs in Baudelaire,' which appeared in a journal edited by Max Horkheimer and Adorno in 1939, his Baudelaire essays were published posthumously. In the past thirty years, some of them have surfaced in English translations, but all of them have now been retranslated and brought together in a single volume entitled The Writer of Modern Life: Essays on Charles Baudelaire, complete with a valuable introduction and notes by Michael W. Jennings.
--Eric Bulson (Times Literary Supplement )

Benjamin's work continues to fascinate and delight because it has something for everyone: the literary critic, art historian, philosopher, urban theorist and architect. Whether he is talking about children's toys, Mickey Mouse, Surrealism, photography, or Kafka, Benjamin has a knack for figuring out what they can tell us about the wider world that produced them.
--Eric Bulson (Times Literary Supplement )

Product Description

Walter Benjamin's essays on the great French lyric poet Charles Baudelaire revolutionized not just the way we think about Baudelaire, but our understanding of modernity and modernism as well. In these essays, Benjamin challenges the image of Baudelaire as late-Romantic dreamer, and evokes instead the modern poet caught in a life-or-death struggle with the forces of the urban commodity capitalism that had emerged in Paris around 1850. The Baudelaire who steps forth from these pages is the flâneur who affixes images as he strolls through mercantile Paris, the ragpicker who collects urban detritus only to turn it into poetry, the modern hero willing to be marked by modern life in its contradictions and paradoxes. He is in every instance the modern artist forced to commodify his literary production: "Baudelaire knew how it stood with the poet: as a flâneur he went to the market; to look it over, as he thought, but in reality to find a buyer." Benjamin reveals Baudelaire as a social poet of the very first rank.

The introduction to this volume presents each of Benjamin's essays on Baudelaire in chronological order. The introduction, intended for an undergraduate audience, aims to articulate and analyze the major motifs and problems in these essays, and to reveal the relationship between the essays and Benjamin's other central statements on literature, its criticism, and its relation to the society that produces it.

(20060915)

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Product Details

• Paperback: 320 pages
• Publisher: Belknap Press of Harvard University Press (November 15, 2006)
• Language: English
• ISBN-10: 0674022874
• ISBN-13: 978-0674022874
• Product Dimensions: 8.1 x 5.5 x 1.1 inches
• Shipping Weight: 14.4 ounces (View shipping rates and policies)
• Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
• Amazon.com Sales Rank: #648,840 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

6 of 31 people found the following review helpful:

3.0 out of 5 stars Benjamin On Baudelaire, January 26, 2008

By	Michael Gunther (Maryland, USA) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

It is difficult to review a book that, however important, one disagrees with so profoundly. Walter Benjamin, an early 20th century (between WWI and WWII) German socialist, is justifiably considered one of the most influential critics of Baudelaire. But reading his essays with an open mind (honest!), all I could think of was how silly those old-time, Marxist and Freudian notions appeared to me, and how little they illuminated Baudelaire's poetry for a 21st-century reader.

On the good side, Michael Jennings' editorship is superb: the best modern scholar of Benjamin, he's given us an excellent redaction of Benjamin's German text into modern English, with fine and clear translations by several authors and a complete and illuminating 80 pages worth of notes.

Anyone who really loves poetry should avoid, at any cost, contaminating their minds with 20th century lit crit. But if, for whatever reason, you can't help yourself, and you absolutely must have an English translation of Walter Benjamin's essays on Baudelaire, then this is the edition to get!