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Writing the Breakout Novel Workbook Paperback – June 14, 2004

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Writing the Breakout Novel Workbook + Writing the Breakout Novel + The Fire in Fiction: Passion, Purpose and Techniques to Make Your Novel Great
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Editorial Reviews

About the Author

Donald Maass as a leading literary agent, represents more than 100 fiction writers and sells more than 100 novels per year to top publishers in North America and overseas. He is the author of 14 pseudonymous novels and the books The Career Novelist and Writing the Breakout Novel.

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Product Details

  • Paperback: 240 pages
  • Publisher: Writer's Digest Books (June 14, 2004)
  • Language: English
  • ISBN-10: 158297263X
  • ISBN-13: 978-1582972633
  • Product Dimensions: 8.5 x 0.7 x 11 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (62 customer reviews)
  • Amazon Best Sellers Rank: #80,625 in Books (See Top 100 in Books)

More About the Author

Donald Maass is the author of more than 16 novels. He now works as a literary agent, representing dozens of novelists in the SF, fantasy, crime, mystery, romance and thriller categories. He speaks at writer's conferences throughout the country and lives in New York City.

Customer Reviews

I'd certainly recommend this book to anyone who aspires to become an author.
Idaho Writer
I have used the book as a guide to make my own worksheets and I find them very useful as I am writing.
writer christopher
The book focuses on techniques to develop your characters, plot, and scenes.
Megan C.

Most Helpful Customer Reviews

222 of 227 people found the following review helpful By Amazon Customer VINE VOICE on April 17, 2005
Format: Paperback
If you have "Writing the Breakout Novel," you don't really need the workbook. If you don't, this might be enough. It condenses "Writing the Breakout Novel." Each chapter deals with a topic (such as Exposition or Characterization) with some "workbook" pages at the end of each. The workbook exercises are basically questions with blanks (as opposed to charts or tables), which could just as easily be accommodated at the end of any book.

You certainly don't need both books. In either case, neither book will take you from idea to finished product. More accurately, both expect that you at least already have a work-in-progress, so an accurate title would be "REVISING the Breakout Novel."

I bought both books and I would suggest only one or the other. If you want some in-depth on topics, buy the book. If you want just the essence and a few questions for thought, buy the workbook.
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92 of 92 people found the following review helpful By Dave Schwinghammer VINE VOICE on November 8, 2004
Format: Paperback
Donald Maass is a New York literary agent who seems to spend as much time promoting himself as he does his clients. Maass also does workshops on novel writing throughout the country, and this book, a companion publication for the more-in-depth WRITING THE BREAKOUT NOVEL, incorporates some of the exercises he assigns during those workshops.

I have read dozens of writing books over the years; just about always I glean some valuable nuggets from each of them. Maass's workbook is no different. For instance, he suggests that the beginning novelist put off back story as long as possible to add tension and suspense. Maass stresses THERE CAN'T BE TOO MUCH TENSION in a novel. He suggests the writer add tension on every page!

Another segment I found useful was his section on plot development. He recommends using layers and subplots to add texture and believability to your work. Subplots are plot lines given to characters other than the protagonist; layers are additonal plot lines given to the main character. He uses Mystic River as an example. Sean Devine is a homicide cop who must investigate the murder of his boyhood friend Jimmy Marcus's daughter; his wife has also left him, taking their baby daughter with her; he also flashes back to the day when the principal suspect, Dave Boyle, was kidnapped by child molesters while he and Jimmy stood by and watched.

Maass reinforces his advice by furnishing a sample outline in an appendix. He insists that every novelist, whether he uses an outline in actual practice or not, must provide one for a possible agent or film producer eventually anyway, so he might as well learn how to do one.

Beginning writers should understand that writers never quit learning and that they should continually practice their craft. Baseball players and piano players practice continually, why not novelists? WRITING THE BREAKOUT NOVEL WORKBOOK will help you practice and head off possible mistakes.
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79 of 80 people found the following review helpful By Reader on March 13, 2007
Format: Paperback
Since he published Writing the Breakout Novel in 2001, Maass has taught a seminar of the same name at many writers conferences, and naturally learned from these experiences. The original book is here expanded by nearly three dozen exercises, which seem quite sensible, not hokey as are some by other teachers I've read.

I own the Breakout book and just now am comparing the workbook that I checked out of the local library. They're not the same, not by a long shot, despite what one reviewer here says. Though many sections have identical headers (such as Inner Conflict), they are completely rewritten, using different examples. The original book is 259 pages of 6x9, the workbook is 230 pp. of 8-1/2x11 format, thus it is by no means a condensation as TheCafeWriter asserts, and the original book is not necessarily more "in-depth." Some sections are, some aren't. The structure is substantially rearranged. Yet the concepts and the really fundamental points -- keep your story charged with tension, and so on -- do remain identical. These are essentially two complementary treatments of the same material by the same author

Maass asks his seminar participants to bring their in-process novels to perform exercises on, so the workbook is particularly useful if you are well into writing a novel already. With the discipline of the exercises, Maass teaches you to be your own draft doctor.

For me, there appear to be easily enough new perspectives and ideas here to warrant buying the workbook even though I have read the original and have it on my bookshelf.
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37 of 41 people found the following review helpful By Ruth M. Brown on January 19, 2005
Format: Paperback Verified Purchase
What does an aspiring novelist do when they've read just about all the how-to books out there? This has become my own dilemma, since I've read over 30 of the best fiction writing books (often twice) and am still looking for new insights and pearls of wisdom. It's not a bad idea to read the basics of fiction writing multiple times, since repetition is the surest way to permanently absorb and remember all the many details one must know to succeed in the novel writing market. This is why I heartily recommend Maass' new workbook IF YOU HAVE MASTERED THE BASICS AND ARE READY TO TACKLE THE ADVANCED ASPECTS OF NOVEL TECHNIQUE. Reading his previous book, "Writing the Breakout Novel" is imperative, and having read it twice is even better preparation. By expounding on his previous book's instructions and providing over 500 individual tasks to aid in improving and refining what you've already written, Maass has written a workbook that should make a big difference to anyone willing to spend the time and energy required to write a truly great story. This book is not for beginners, and it's not for sissies, but if you are thoroughly committed to succeeding and have already written a substantial part of your manuscript, it can give you the help you need to put you over the top. Bookstores are full of mediocre novels that somehow got published. Donald Maass has set a new standard for excellence. If you're serious, get "Writing the Breakout Novel" and "The Writing the Breakout Novel Workbook," and go for it!
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