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Henry James and the Writing of Race and Nation (Cambridge Studies in American Literature and Culture)
 
 
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Henry James and the Writing of Race and Nation (Cambridge Studies in American Literature and Culture) [Hardcover]

Sara Blair (Author)

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Book Description

January 26, 1996 0521497507 978-0521497503
In this study, Blair challenges Henry James' perceived status as the literary figurehead of an impregnable high culture. Emphasizing James' engagement in forms of popular culture (including ethnography, minstrelsy, photography, and journalism), Blair traces the ways in which his writing, steeped in these forms, acted as a force in the forging of racial, national, and cultural identity.

Editorial Reviews

Review

"There is much to praise in Blair's book: her mastery of the relevant scholarship, her illuminating, often brilliant, analyses of individual texts, her wide-ranging insight into the events, places, institutions, and ideas that engaged James's mind to become the experience he transformed into art." Elsa Nettels, The Henry James Review

"This book is an important contribution to the continuing debates about James's place in literature and about the place of high art in the development of any culture at all." Choice

"...Henry James and the Writing of Race and Nation manifests many of the strengths ofmodern-day criticism...." Jim Barloon, English Literature in Transition 1880-1920

"This excellent study of Henry James marks an important turn in the scholarship of American literature, one that provokes reflection on why it has taken so long to read James through the precarious constitution of racial and national identities. ...Blair candidly describes how competing critical imperatives have enriched her approach.... The reader cannot help but notice how gracefully her writing flows...." The New England Quarterly

Book Description

Mixed Performances describes a new Henry James, who, rather than being paraded as a beacon of high culture, actually expresses a nuanced understanding of and engagement with popular culture. Arguing against recent trends in critical studies which locate racial resistance in popular culture, Sara Blair uncovers this resistance within literature and high modernism. Blair makes a powerful case for reading James with a sense of sustained contradiction and her project absorbingly argues for the historical and ongoing importance of literary texts and discourses to the study of culture and cultural value.

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Inside This Book (learn more)
First Sentence:
In chapter ten of The American, James's eponymous protagonist is formally presented to the family of Mme de Cintre. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
contestatory interest, little bookbinder, racial theater, racial management, cultural filiation, literary nationality, racial panic, cultural mastery, racial romance, racial exchange, racial alterity, racial contact, racial decline, race thinking, racial logic, literary doctrine, documentary project, performative force, authorial power, cultural acquisition, cultural agency, race character, racial inheritance
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Ellis Island, New York, Anthony Trollope, John Brown, United States, Hyacinth Robinson, Julia Dallow, Lady Agnes, Miriam Rooth, American Scenery, Henry James, Nick Dormer, Paul Muniment, Rutgers Street, David Livingstone, Gabriel Nash, Wall Street, William Dean Howells, Atlantic Monthly, Courtesy of the Smithsonian Institution, King Romance, National Museum of American History, Peter Sherringham, Jack the Ripper, Dark Continent
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