Customer Reviews

Writing Creative Nonfiction

5 star:		(9)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

I purchased this book as an inspiration for designing the Advanced Feature Writing class and others I teach at Northwestern University. As I read and did some of the exercises suggested in the book, I began to realize how useful this book is not only for aspiring and senior writers of all kinds, but also for those who teach others to write.

It's a compendium of essays and writing exercises written by various authors from poet to essayist to magazine feature article writer, with some selections of their writings at the end of the book.

Don't let the long titles of mini-chapters steer you away from this book. For example, one chapter is entitled "Saying goodbye to once upon a time or implementing postmodernism in creative nonfiction." It may sound daunting, but the chapter is written clearly, creatively and thoughtfully about how fact, truth and fiction often get tangled when we write. The author of this chapter, Laura Wexler, shows us that the only place we can find cold, hard facts is in fairy tales. Yes, that's right. Fairy tales. Because in a fairy tale we can all say with certainty that Cinderella lost her glass slipper and Prince Charming found it and placed it on her foot, and they got married. But life isn't like that. And neither is nonfiction writing.

Wexler writes, regarding the Rodney King beating: "The Rodney King beating cannot be told as a fairy tale. There is no single true version of What Happened. Because everything about it is up for grabs, everything is unstable: motives, actions, and interpretations. It seems we cannot, despite Rodney King's famous plea, 'all get along' -- because we tell different stories about the same events. We always do." Wexler, however, does not leave us perlexed and discouraged about this "fact." Instead she offers insights and advice on how to write while remembering the nebulous qualitites of truth, fact, and fiction.

Incidentally, references to recent events such as the Rodney King beating pepper the essays throughout the book making it "fresh" and "new."

Not every chapter is as captivating as the one described above, and occasionally, some of the authors of the essays tend to become preocuppied with their knowledge of other authors and writing. And although I enjoyed the chapter on humor writing, I had hoped for much more on this subject. We need not be told that irony, satire and exaggeration are tools in humorous writing; rather we need to be shown how to use them, what works, and what doesn't.

The writing and interviewing exercises in the book are worthwhile, and I would have liked more. One example: Interview separately two people who were involved in the same event. Transcribe the interviews and consider the similarities and differences in the two versions.

This exercise is terrific for journalists as well as creative writers.

As a writer and editor, I found the book to be reaffirming as well as challenging. Many of the writing philosophies I've developed over the years are explained in exemplary fashion in this book. I am eager to work with my students on the exercises, and to share some of the chapters with my writing and editing colleagues.

Sheryl De Vore Assistant Managing Editor, Pioneer Press Senior Lecturer, Northwestern University, Journalism Department sdevore@voyager.net

This book is almost uniformly excellent, but the essay by Nicholas Hentoff alone is worth the purchase price. Hentoff, a semi-legendary Arizona criminal defense lawyer and champion of civil rights, offers invaluable advice to nonfiction writers on avoiding legal landmines, and therefore avoiding the tendency towards self-censorship. Every journalist who cares about doing work that matters should have a copy of this essay.

A reviewer lists one of the chapter titles that sounds daunting indeed. However, don't be put off by such things. Gerard has done an excellent job of gathering a group of writers who clearly know what they are talking about. The book is chock full of helpful advice on almost every level of non-fiction. This is one of the books you don't want to simply check out of the public library. Buy it and place it on your shelf. You will be grabbing it now and then for a refresher on some aspect of successful writing.

There are many books on writing, but this is one of the better titles about non-fiction.

The editors found an interesting way to illustrate various topics of writing nonfiction: The first section has articles by teachers of nonfiction followed by actual nonfiction by these same teachers. It reinforces the points they are making. Not only a useful book that holds my interest but one that I will keep to reread.
Natalie Baeer

This book may not be 100% comprehensive (a tad redundant, perhaps), but if there is any other one out there that has more to offer on addressing the varieties of style, structure, form and the creative nonfiction process, I haven't seen it. Being new to the business in 2003 when I began working on Waiting for Westmoreland in earnest, I found the instuctions and insights illuminating, inspiring and confusing all at once. How to choose?! I felt like Alice on her journey after the rabbit. Still, it gave me plenty of techniques to consider--that would not have been as readily discernible had I simply tried to read every book of actual creative nonfiction I could get my hands on.

I am taking a writing course at Duke and this was one of the required books for the course.
The book provides the information a beginning writer needs to improve their writings and make their items more interesting to their audience.

This is one of the best books I have in my library on Creative Nonfiction. The essays and examples are filled with invaluable tidbits. Each chapter is a gem. Spend time with it, take it slow. It is an investment that will be in your library through out your writing career.

In Writing Creative Nonfiction: Instruction And Insights From The Teachers Of The Associated Writing Programs, the editorial team of Carolyn Forche and Philip Gerard present essays by more than thirty contributors focusing on all aspects and elements of the creative writing craft as it applies to nonfiction. This outstanding compendium of presentations ranges from researching ideas and structuring a story to reportage and personal reflection. Along with insightful prompts and exercises, Writing Creative Nonfiction covers every type and category from biography and true-life adventure, to memoir and narrative history. Here is an invaluable reference whose reading will enrich and enable any aspiring writer to significantly advance their skills and expertise at writing nonfiction whatever the extent of their previous experience or training.

I am making a move from fiction into non-fiction. This book has well written articles that talk about the author's expreiences in writing non-fiction but did not contribute greatly to my understanding of the gendre.

Great book. I'd recommend it to anyone who want to write interesting free flowing articles be it stories or anything. This book offers you with knowledge you'd need to write a good essay, story or book. I love this book it has really helped me improve my writing skills. Writing Creative Nonfiction