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As a professional writer who has written over 20 books and 500 magazine articles, I've given Writing Down the Bones away several times after mistakenly deciding that I'd outgrown it. Just as often I've had to go out and buy another copy to remind myself that there's more to the writing life than rejections, and royalties. Every time I reread it, I find something new. Last year I read Goldberg's memoir, Long Quiet Highway: Waking Up in America, which provides insights about how she came to her beliefs about writing and spirituality. I suggest reading both books.
The best, and if I may say, most fruitful and promising path to good writing is reading the words of those who have walked before us. Read and absorb the styles of others, THEN let the pen write directly and honestly from your heart. Write your own 'writer's bible.'
When I purchased the book, I saw nothing to indicate that it was specific to one particular form of writing, but after reading it, I feel that the author speaks much more to poetry than other forms of writing. The author on several occasions admonishes us to write in the moment and not dwell on ideas we've had in the past. She relates an experience of one student who had a fully-formed idea while out jogging but couldn't reproduce it when s/he got home to the blank page. Goldberg went into a spiel about how we should just let go of those thoughts that are not inspired or conceived in the moment that we sit down to write. That's where I have a fundamental disagreement with her and feel her philosophy becomes almost destructive to new writers. Perhaps poetry functions that way. Perhaps someone has to have that spontaneous quality about their work in order for it to be fresh and exciting. I don't know. I'm not a poet. However, for novels, short stories, and longer works, you would be a fool to let great ideas get away. Personally, I like to let some of those ideas percolate for weeks and even years. Yes, we mature and our perspectives change, but in a lot of cases that only means that we can approach a subject in a different way as we grow older. It doesn't make the subject any better or worse to write about.
Bottom line: I came away from the book with mixed feelings.
... Read more ›Natalie points out that all beginning writers are controlled by their "inner censor" and therefore write what they think other people want to hear, or they put a false face on their writing. Natalie does indeed "free the writer within," by giving us permission to "just write sh--" (her words,not mine). The gist of the book is this: just write. Go for volume, not quality. The quality will come as you gain experience and lose your inhibitions. Natalie says everything you write, not just the good stuff but the bad as well, creates a "compost heap of the mind." It stays in your subconscious and mellows and ripens, ready to fertilize your skills and imagination for future writing projects. I actually put Natalie's suggestions into practice and kept a writer's journal for several years (and still do), and wrote thousands of words. I feel that my writing skills did indeed improve and even shine.
Natalie also discusses some things to try, like writing in different places, and discusses useful topics like metaphor and simile. Her book is not a technical manual, but rather an easy read, a personal insight into the joy and freedom from uninhibited writing. I always recommend this book first to anyone who expresses an interest in learning to write.