Enter your mobile number or email address below and we'll send you a link to download the free Kindle Reading App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your email address or mobile phone number.
For more than twenty years Natalie Goldberg has been challenging and cheering on writers with her books and workshops. In her groundbreaking first book, she brings together Zen meditation and writing in a new way. Writing practice, as she calls it, is no different from other forms of Zen practice -"it is backed by two thousand years of studying the mind."
This new edition, which marks almost twenty years since the original book's publication, includes a new preface in which Goldberg expresses her trademark enthusiasm for writing practice, as well as a depth of appreciation for the process that has come with time and experience. Also included is an interview with the author in which she reflects on the relationship between Zen sitting practice and writing, the importance of place, and the power of memory.
A splendid combination of Zen wisdom and down-to-earth advice about writing.
Natalie Goldberg lived in Brooklyn until she was six, when her family moved out to Farmingdale, Long Island, where her father owned the bar the Aero Tavern. From a young age, Goldberg was mad for books and reading, and especially loved Carson McCullers's The Ballad of the Sad Cafe, which she read in ninth grade. She thinks that single book led her eventually to put pen to paper when she was twenty-four years old. She received a BA in English literature from George Washington University and an MA in humanities from St. John's University.
Goldberg has painted for as long as she has written, and her paintings can be seen in Living Color: A Writer Paints Her World and Top of My Lungs: Poems and Paintings. They can also be viewed at the Ernesto Mayans Gallery on Canyon Road in Sante Fe.
A dedicated teacher, Goldberg has taught writing and literature for the last thirty-five years. She also leads national workshops and retreats, and her schedule can be accessed via her website: nataliegoldberg.com
In 2006, she completed with the filmmaker Mary Feidt a one-hour documentary, Tangled Up in Bob, about Bob Dylan's childhood on the Iron Range in Northern Minnesota. The film can be obtained on Amazon or the website tangledupinbob.com.
Goldberg has been a serious Zen practitioner since 1974 and studied with Katagiri Roshi from 1978 to 1984.
Natalie Goldberg's insights about writing as a spirtual practice are just as valid today as they were in 1986 when this book was first published. Her suggestions to writers work, both for beginning writers and for writers who depend on words in order to make a living. I recommend this book to the emerging writers I mentor as a must-have reference second only to a good dictionary. As a professional writer who has written over 20 books and 500 magazine articles, I've given Writing Down the Bones away several times after mistakenly deciding that I'd outgrown it. Just as often I've had to go out and buy another copy to remind myself that there's more to the writing life than rejections, and royalties. Every time I reread it, I find something new. Last year I read Goldberg's memoir, Long Quiet Highway: Waking Up in America, which provides insights about how she came to her beliefs about writing and spirituality. I suggest reading both books.
Was this review helpful to you?
I align myself more with the negative reviews of this book. It's easy to get caught up in some of the philosophical warm-fuzzy rhetoric of Ms. Goldberg. Akin to watching Oprah pull at an audience's heartstrings, Ms. Goldberg pulls readers in with story after story trumpeting the same message of writing from the heart. The initial reaction is to feel that there's nothing to question about what Ms. Goldberg says. When I purchased the book, I saw nothing to indicate that it was specific to one particular form of writing, but after reading it, I feel that the author speaks much more to poetry than other forms of writing. The author on several occasions admonishes us to write in the moment and not dwell on ideas we've had in the past. She relates an experience of one student who had a fully-formed idea while out jogging but couldn't reproduce it when s/he got home to the blank page. Goldberg went into a spiel about how we should just let go of those thoughts that are not inspired or conceived in the moment that we sit down to write. That's where I have a fundamental disagreement with her and feel her philosophy becomes almost destructive to new writers. Perhaps poetry functions that way. Perhaps someone has to have that spontaneous quality about their work in order for it to be fresh and exciting. I don't know. I'm not a poet. However, for novels, short stories, and longer works, you would be a fool to let great ideas get away. Personally, I like to let some of those ideas percolate for weeks and even years. Yes, we mature and our perspectives change, but in a lot of cases that only means that we can approach a subject in a different way as we grow older. It doesn't make the subject any better or worse to write about. Bottom line: I came away from the book with mixed feelings.Read more ›
A few months ago, around the time when I bought Goldberg's 'Writing Down the Bones', I was just starting to consider myself a serious writer. At first, I was attracted to Goldberg's warm and friendly voice and I felt like a member of her free-spirited writing posse, along for the magic carpet ride, venturing to far away cafes. I once thought of this book in the same frame of mind that so many kind, uncritical reviewers here have; as a kind of 'writer's bible.' Now that I am a few months older and wiser, I am able to see that the book is just a string of well-meaning encouragements that when putting pen-to-paper, are not as instrumental and helpful as you might think. One good thing happened as a result of my reading this book; I have made writing a practice, using notebooks as Natalie suggested. The best, and if I may say, most fruitful and promising path to good writing is reading the words of those who have walked before us. Read and absorb the styles of others, THEN let the pen write directly and honestly from your heart. Write your own 'writer's bible.'
When I took a creative writing course a few years ago, Natalie Goldberg's "Writing Down the Bones" was a required text. It was so good I couldn't put it down. Natalie points out that all beginning writers are controlled by their "inner censor" and therefore write what they think other people want to hear, or they put a false face on their writing. Natalie does indeed "free the writer within," by giving us permission to "just write sh--" (her words,not mine). The gist of the book is this: just write. Go for volume, not quality. The quality will come as you gain experience and lose your inhibitions. Natalie says everything you write, not just the good stuff but the bad as well, creates a "compost heap of the mind." It stays in your subconscious and mellows and ripens, ready to fertilize your skills and imagination for future writing projects. I actually put Natalie's suggestions into practice and kept a writer's journal for several years (and still do), and wrote thousands of words. I feel that my writing skills did indeed improve and even shine. Natalie also discusses some things to try, like writing in different places, and discusses useful topics like metaphor and simile. Her book is not a technical manual, but rather an easy read, a personal insight into the joy and freedom from uninhibited writing. I always recommend this book first to anyone who expresses an interest in learning to write.
Was this review helpful to you?