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Flow happens, Perry suggests, "when our mind or body is voluntarily stretched to its limit." How you experience flow depends on who you are. If you're a deep sleeper, for instance, you may also be more likely able to enter a deep flow state. For some writers, flow occurs during every writing session; for others, it is more elusive. There are those few who neither experience nor court it. "Nothing flows in my writing process," says John Irving. "My job is to make it flow for the reader, and that is a very deliberate, very slow, very unflowing process." But Irving is plainly in the minority. Most of the writers interviewed here cherish the flow state above all else. "It is the possibility of re-creating these moments," says Faye Moskowitz, "that keeps me going as a writer." Flow "seems to me the way life should always be," adds Lynne Sharon Schwartz, "freed from time and petty daily concerns and all forms of self-consciousness except the very deepest." --Jane Steinberg --This text refers to an out of print or unavailable edition of this title.
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Susan Perry, a social psychologist and writer, decided to do her doctoral dissertation on the subject of flow. She conducted interviews, sent out questionnaires, and collected previously existing information. She wanted to know how writers experienced flow, how they got into flow, and whether their experiences could be generalized to help other writers find their way into flow. The author believes that writers can and do have at least a certain amount of control over whether or not they enter flow, and she presents five "master keys" for achieving flow, along with supporting anecdotes and details.
Even if the author had stopped with those five master keys, this book would be very useful. But she goes on to present much more information. You'll find more material on flow within the context of a writer's life. Frequently asked questions are answered in sidebars throughout the text. Specific techniques for luring the flow state are discussed (ritual and routine, clutter and lack thereof, timing, music, silence, meditation, tools, and more). The author also discusses the concept of writer's block, and, more specifically, what that means, how it affects flow, and what you can do about it.
On the one hand, the wild mix of perspectives is fantastic and extremely educational. There's also the amusement value of seeing several writers self-importantly declare that writing must be done a certain way, only to see several others contradict them. This really is a good lesson in the fact that almost no writing advice is entirely universal. On the other hand, I felt that the author allowed the quotes and interview excerpts to take too much control of the book. Because of this, I sometimes had trouble telling which chapter I was in and which topic the author was discussing. This led to some confusion, and kept some of the author's points from coming through as clearly as they should have.
If you have any interest whatsoever in "writing in flow," I strongly suggest that you read this book. While flow is not necessary in order to write well, and the author does mention authors who told her that they never enter flow, flow is certainly a more fun and pleasurable way in which to write (for most people, anyway). Also, if you're one of those people whose parents or teachers berated them for daydreaming, you might enjoy finding out that such a state can be a job skill. I know I certainly did!
At first, I was taken aback by the idea of having a person who was not intimate with flow, describe it. After much thought on the matter, and many chapters of this book later, I realized that it is much closer to the scientific method. It helped to not prejudice the outcome with a lot of preconceived notions. As such, the author accepted each of the writer's experiences, that she interviewed, as valid. This had the added benefit of not alienating the reader who had a different flow experience and widening the definition. This approach includes so many types of experiences that I am sure that there is one or more of which any creative person can identify with.
Before reading this book, I had no idea that flow could be experienced in so many different ways as described by each of the writer's that were interviewed! I had only my personal perspective and I felt that it was the only way! I found myself entering flow while reading this book! I consciously tried to read it slow and suck out all of the content and absorb it. I was only able to read one chapter at a sitting before I had to run from the room and write something! Reading about flow in this book made me want experience it too badly to wait any longer than that!
This is a one-of-a-kind type book on the creative writers experience. It includes everything a writer needs to know about and experience flow. I rate it A+ and it will remain a treasured reference volume on my bookshelf!
Bob