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8 of 9 people found the following review helpful:
4.0 out of 5 stars Good information, but not the best reference on the subject
With all the screenwriting books on format and career success on the market it seems odd that there are only a handful of books devoted to the most important element of any good story--the CHARACTERS. Halperin's book is a welcome text on the subject, but it lacks the depth of Linda Seger's "Creating Unforgettable Characters. The chapters touch on essential elements...
Published on September 5, 1997

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7 of 9 people found the following review helpful:
1.0 out of 5 stars Do NOT buy this awful book.
As an aspiring screenwriter, I have devoured most of the commonly read texts currently available on the topic. Halperin's book does _not_ stand up favorably. In fact, not only is his writing style stilted and vague (e.g., non-specific use of "it" and "they", and more dumped quotes than you can shake your mouse at), his ideas are nothing more than lame...
Published on June 16, 1998


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8 of 9 people found the following review helpful:
4.0 out of 5 stars Good information, but not the best reference on the subject, September 5, 1997
By A Customer
This review is from: Writing Great Characters : The Psychology of Character Development in Screenplays (Paperback)
With all the screenwriting books on format and career success on the market it seems odd that there are only a handful of books devoted to the most important element of any good story--the CHARACTERS. Halperin's book is a welcome text on the subject, but it lacks the depth of Linda Seger's "Creating Unforgettable Characters. The chapters touch on essential elements found in successful stories such as myth, culture, and interior lives, but the examples and in-depth analysis are minimul. Many exercise questions at the end of each chapter fail to get the mind to develop the skills and ideas presented previously. The final chapter details what the author considers great characters from Citizen Kane to Forrest Gump, but I would have preferred more intense study of these characters within the subjects of each chapter. While I like this book for its contribution to a little written about subject I finished it feeling a bit shortchanged.
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7 of 9 people found the following review helpful:
1.0 out of 5 stars Do NOT buy this awful book., June 16, 1998
By A Customer
This review is from: Writing Great Characters : The Psychology of Character Development in Screenplays (Paperback)
As an aspiring screenwriter, I have devoured most of the commonly read texts currently available on the topic. Halperin's book does _not_ stand up favorably. In fact, not only is his writing style stilted and vague (e.g., non-specific use of "it" and "they", and more dumped quotes than you can shake your mouse at), his ideas are nothing more than lame banalities. For more info on writing pick up any of Syd Field's books, and for info on psychology any basic primer will do. His examples are not illustrative and his film analysis is at the middle-school level. Don't waste your money on this book like I did.
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2 of 2 people found the following review helpful:
1.0 out of 5 stars Don't bother, October 8, 2003
By A Customer
This review is from: Writing Great Characters : The Psychology of Character Development in Screenplays (Paperback)
You might find this book interesting if you've never read another book on screenwriting or human behavior. If you've read any of the other books in the field you will find this one inferior. Linda Seger's books on characterization are much better. I'm only glad I bought this title used from Amazon.com -- and I waited to sell it before I posted this review.
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4 of 8 people found the following review helpful:
5.0 out of 5 stars More than pleased with this book., July 24, 1998
By A Customer
This review is from: Writing Great Characters : The Psychology of Character Development in Screenplays (Paperback)
Well, I must say that =I= find Michael Halperin's book an essential screenwriting reference. Dr. Halperin was one of the best screenwriting instructors I had at USC's School of Cinema-Television, where he taught the future pros of the industry. His advanced screenwriting classes were some of the toughest in the school--and therefore the most worthwhile.

What's so good about Halperin's book? For one thing, he doesn't talk down to you as a screenwriter. In fact, he presumes that you know what you are doing. Imagine that! So he's not going to hold your hand through the elementary parts of introductory screenwriting. Try Syd Field for that. Instead, Halperin shows the already competent writer how to improve his or her script's ultimate impact by significantly improving characterization.

Although I may agree that script consultant Linda Seger's books are excellent and beneficial, it should be pointed out that she has never written a single screenplay in her life.! Dr. Halperin is a =working= writer in the film industry, and his book is a winner. Enough said.

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