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The Writing Life: Writers On How They Think And Work
 
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The Writing Life: Writers On How They Think And Work [Paperback]

Marie Arana (Author)
4.5 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

May 6, 2003
Featuring a gathering of more than fifty of contemporary literature's finest voices, this volume will enchant, move, and inspire readers with its tales of The Writing Life. In it, authors divulge professional secrets: how they first discovered they were writers, how they work, how they deal with the myriad frustrations and delights a writer's life affords. Culled from ten years of the distinguished Washington Post column of the same name, The Writing Life highlights an eclectic group of luminaries who have wildly varied stories to tell, but who share this singularly beguiling career. Here are their pleasures as well as their peeves; revelations of their deepest fears; dramas of triumphs and failures; insights into the demands and rewards.

Each piece is accompanied by a brief and vivid biography of the writer by Washington Post Book World editor Marie Arana who also provides an introduction to the collection. The result is a rare view from the inside: a close examination of writers' concerns about the creative process and the place of literature in America. For anyone interested in the making of fiction and nonfiction, here is a fascinating vantage on the writer's world--an indispensable guide to the craft.

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The Writing Life: Writers On How They Think And Work + Writers on Writing: Collected Essays from The New York Times + Writers on Writing, Volume II: More Collected Essays from The New York Times (Writers on Writing (Times Books Paperback))
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Editorial Reviews

From Publishers Weekly

Arana instituted the "Writing Life" column at the Washington Post Book World in 1993 shortly after assuming the editorial reins, and she collates here articles from several top names she's enlisted as contributors over the past decade. Her lavish introductions sometimes run nearly as long as the essays; after the buildup she provides Stanley Elkin, though, his vacuous rambling is a severe disappointment. There are other notable clunkers: James Michener recalls banal advice he has given aspiring writers, while Joanna Trollope's essay, though excellently written, says little more than that creative writing courses might be able to teach writing, but they can't teach creativity. But the best contributions make slogging through the worst worthwhile. Some of the better stories are already well known: Ray Bradbury's account of how he came to write the screenplay for Moby-Dick, for example, or Donald E. Westlake's story of the creation of the pseudonym Richard Stark for his hard-boiled novels. But there are new treasures to discover as well. Jane Smiley discusses why she disavows her most famous novel, A Thousand Acres: "I am no longer attracted to the dire mechanism of tragedy," while Julian Barnes turns in a droll account of his experience as literary executor for close friend Dodie Smith. Though some of the authors do pass on practical wisdom to would-be writers, this collection is ideally suited for those who want to enjoy the "literary life" vicariously.
Copyright 2003 Reed Business Information, Inc.

From Booklist

From Mary Higgins Clark to David Halberstam, 55 writers talk about where they get their ideas and how they make them into books. Some of the voices are flat, betraying the authors' discomfort with speaking publicly on matters of private inspiration. With others, there's a different problem: they've done this kind of thing so often they have little new to say. But many are brilliant. Julia Alvarez tells how she found her Latino voice when she read Maxine Hong Kingston's The Woman Warrior (1976). Anita Desai writes movingly about being "bicultural, adrift, and wandering." Ray Bradbury is exuberant about the inspiration he finds in movies, Shakespeare, and Melville. The essays first appeared in the Washington Post Book World over the last 10 years, and best of all are editor Marie Arana's introductions. Sometimes better than the writers' self-conscious pieces, her lively, highly readable, fairly lengthy bios capture each subject's essence and make you want to read their books. Keep this on hand for book discussion groups. Hazel Rochman
Copyright © American Library Association. All rights reserved

Product Details

  • Paperback: 432 pages
  • Publisher: PublicAffairs; 1 edition (May 6, 2003)
  • Language: English
  • ISBN-10: 1586481495
  • ISBN-13: 978-1586481490
  • Product Dimensions: 8.2 x 5.5 x 1.1 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #351,775 in Books (See Top 100 in Books)

More About the Author

www.mariearana.net
Marie Arana was born in Lima, Peru, the daughter of a Peruvian father and an American mother. She is the author of an acclaimed memoir "American Chica," which described her bicultural childhood between North and South Americas. The book was a finalist for the National Book Award, the PEN-Memoir Award, and winner of the Books for a Better Life Award. Her novels, "Cellophane" and "Lima Nights," are dramatically different works, the first being a rich, lush satire of the Amazon jungle, the second being a stark, urban love story set in contemporary Latin America. Her book "The Writing Life," is a collection from her well-known column for The Washington Post, which explores the way writers think and work. You can find more information about Marie at www.mariearana.net.

 

Customer Reviews

8 Reviews
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Average Customer Review
4.5 out of 5 stars (8 customer reviews)
 
 
 
 
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14 of 14 people found the following review helpful:
4.0 out of 5 stars A mixed bag, but inspirational for any writer, March 27, 2004
This review is from: The Writing Life: Writers On How They Think And Work (Paperback)
This selection of pieces that originally appeared in the Washington Post is a mixed bag - some of the articles are about the writing process, others about becoming a writer, but many of them are inspirational, and will help any writer feel more comfortable about what they strive to achieve. The selection of authors is eclectic, so no matter what type of writing interests you, you'll find something that fits your style.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars More Than Meets the Eye, October 12, 2005
This review is from: The Writing Life: Writers On How They Think And Work (Paperback)
I love reading other authors' takes on "the writing life" and how they cope with or find inspiration from daily life to continue nurturing their creativity, motivation, and changing goals. This book surprised me with an extremely varied mix of writing advice and insight.

From dealing with publishers and the importance of self-marketing to dealing with the slack you get for your chosen genre not being as academically accepted or how to maintain a personal life along with your career...the authors in this collection cover it all. There's enough here to touch on any aspect of writing you may be dealing with or thinking about and will, no doubt, include many surprises you haven't realized you do need more information about.

Reading the collection introduced me to new authors, some with writing styles I fell in love with and intend to read more from, and made me think about so many aspects of the art of writing that I've since realized keys for improving my own novel and new directions I want to go in in my own career.

This is the perfect gift for any writer you know...even if you have no idea what their own writing style or interests are. You'll make a better writer of them.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Great Anthology of Writers..., September 4, 2005
This review is from: The Writing Life: Writers On How They Think And Work (Paperback)
Over the years, I've read 'The Writing Life' segment found in many a Washington Post "Book World" section. Last spring, a writing instructor assigned Arana's collection of these articles for our outside class reading. I was pleased to find many of the articles I had previously enjoyed plus plenty I had not read combined in one volume, thus allowing me to purge the accordian file folder where I store such items.

Arana has selected some of the best pieces for her volume, and prefaced each with a short introduction of the author. In some cases I reread segments by favorite authors, and in other cases I had never read the author.

One author I've been meaning to try is Barbara Mertz. Haven't heard of her? She writes under the pen name Elizabeth Peters, and is the author of the the tales of the exploits of Amelia Peabody-Emerson, archeologist and sleuth. Now, I had thought about reading Peters, but had not done so because I have been trying to curb a hopeless addiction to mysteries and force myself to read things that "improved my mind." Peters, i.e. Mertz, says at age 60, she figures her mind "is about as good as it's going to get" and that statement and others she wrote made me laugh. Being from a long line of folks suffering from a bad case of the "Protestant ethic" I've always needed permission to have fun, and now that I am 63 I have it.

I read my first Peters novel (reviewed elsewhere) and ordered 6-7 more. Is this frivoluous, you bet. Will I keep it up, Hopefully!!
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