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Most Helpful Customer Reviews
22 of 24 people found the following review helpful:
1.0 out of 5 stars
Offers no insights,
By A Customer
This review is from: Writing the Second ACT: Building Conflict and Tension in Your Film Script (Paperback)
I really have to go side with the disappointed people here.The second act is often called the "mountain" that screenwriters have to climb and it is indeed a daunting task. So any offer of help is much sought after. A total novice screenwriter might find this book of interest, but a writer who knows the basics and looking for tips and insights particular to the second act will be sorely disappointed. The section on building conflict can be summed up as "Building conflict in the second act is a good idea. Here are some examples of conflict in the second act...." As I read this book, I became angry at the almost blatant disregard for the intelligence of the reader and I only finished it in order to be qualified to offer a review. The fact the type is presented in a large size, double spaced and with thick margins shows that the printers knew they had to hide a lack of content.
9 of 9 people found the following review helpful:
2.0 out of 5 stars
No help here,
By A NYC Screenwriter (NY, New York United States) - See all my reviews
This review is from: Writing the Second ACT: Building Conflict and Tension in Your Film Script (Paperback)
Apparently, the one thing harder than writing the second act is writing a book on writing the second act. The authors gives some examples of good second acts, uses wide margins, and there you go, a book about writing the second act. Or so he claims.
15 of 17 people found the following review helpful:
2.0 out of 5 stars
A bit thin and watery,
This review is from: Writing the Second ACT: Building Conflict and Tension in Your Film Script (Paperback)
While the premise of the book, the concept focusing on the second act, is a very good one, what you actually get is rather watered down and a bit too basic. It always helps to learn from those who are themselves successful, and unfortunately I knew nothing about Halperin before reading his book. His resume includes basically being a staff writer for Star Trek Next Generation, Falcon's Quest, Quincy, and the Masters of the Universe cartoon, none of which stands out as a pillar of literary depth or quality (also note - none of these are FILMS, about which the book is supposed to teach.) There are many books out there written by more serious and talented writers that would be of much more use to an aspiring screenwriter.
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