Product Details

• Actors: Rock Hudson, Lauren Bacall, Robert Stack, Dorothy Malone, Robert Keith
• Directors: Douglas Sirk
• Writers: George Zuckerman, Robert Wilder
• Producers: Albert Zugsmith
• Format: Anamorphic, Closed-captioned, Color, DVD, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: Unrated
• Studio: Criterion
• DVD Release Date: June 19, 2001
• Run Time: 99 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (41 customer reviews)
• ASIN: B00005BCK0
• Amazon.com Sales Rank: #11,722 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #4 in	Movies & TV > Classics > Classic Directors > Sirk, Douglas
  #26 in	Movies & TV > Drama > Family Life > Fathers & Daughters
  #61 in	Movies & TV > Drama > Love & Romance > Star-Crossed Lovers

• For more information about "Written on the Wind - Criterion Collection" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Douglas Sirk puts the opera back into soap opera in this exquisitely baroque melodrama, the epitome of Technicolor gloss. Rock Hudson (as wonderfully wooden as ever) and Lauren Bacall play stalwart examples of altruism, clean living, and good old American ambition, but Robert Stack and Dorothy Malone steal the film as white trash millionaire siblings stewing in self-pity. The plot reads like an episode of Dallas: Texas oil-baron playboy Stack steals good girl Bacall from best friend Hudson while Stack's sister Malone puts her slinky moves on Hudson, the strapping poor boy made good. Toss in impotence, jealousy, alcoholic binges, emotional blackmail, and backstabbing nastiness, mix vigorously with high style and expressionist flourishes, and you've got the most potent melodrama cocktail of the 1950s. Stack twists his arch delivery into the practiced bravado of a boozing womanizer nursing an inferiority complex while Malone sashays and flirts her way through an Oscar-winning performance as a slutty, sassy good-time girl. It's so over the top that it might seem kitschy at first glance, but former theater director Sirk subtly shades his vision in the shadows of film noir and uses the portentous angles and gaudy color to create a vivid, vivacious world of glossy surfaces and social masks cracking under the pressure of responsibility and the pain of lost love. --Sean Axmaker

Product Description

Bathed in lurid Technicolor, melodrama maestro Douglas Sirk's Written on the Wind is the stylishly debauched tale of a Texas oil magnate brought down by the excesses of his spoiled offspring. Features an all-star quartet that includes Robert Stack as a pistol-packin' alcoholic playboy; Lauren Bacall as his long-suffering wife; Rock Hudson as his earthy best friend; and Dorothy Malone (who won a Best Supporting Actress Oscar© for her performance) as his nymphomaniac sister.

Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

4.0 out of 5 stars Qintessential Douglas Sirk Technicolor 1950s Melodrama, February 4, 2003

By	"purplo" (Santa Cruz, California) - See all my reviews

Rock Hudson and Lauren Bacall star and Robert Stack and Dorothy Malone support in this quintessential 1950s Technicolor melodrama by the Master, imported German director Douglas Sirk. The plot involves a wealthy oil heir (Stack), the secretary (Bacall) loved by both him and his best friend (Hudson) and a bad-girl sister (Malone, in an Oscar-winning role). But neither the story nor the acting are really very good. What makes this film interesting to watch is the cinematography under Sirk's inspired direction, complete with twisted angles, and the symbolic use of color, mise-en-scene, and mirrors. Edward Platt, "Chief" from TV's "Get Smart" also appears as a doctor. The DVD extras are slight for a Criterion Collection, no featurette or commentary track. There is only a lengthy text discussion that allows you to scroll through descriptions and sometimes stills from all of Sirk's films. This text discussion is well-written and well-researched but will take you a long time to scroll through, and the often redundant images of production stills and lobby cards will make you frustrated. All in all, this DVD is worth watching, though I doubt you would want to view it over and over.

13 of 14 people found the following review helpful:

3.0 out of 5 stars A soap opera on the big screen, June 11, 2004

By	Ted "Ted" (Pennsylvania, USA) - See all my reviews (TOP 1000 REVIEWER)    (VINE VOICE)

This review is for the Criterion Collection DVD edition of the film.

This movie was groundbreaking in several ways. It can be descibed best as a soap opera.

It is the story of a family and their relationship with friend of one of the family members. A man falls in love with the sister of his best friend. Later both of them fall in love with a different woman who they fight over. She later marries one of them but when she becomes pregnant, the husband, believing himself to be sterile, accuses his friend of being the father.

The film deals with subjects rarely (if ever) mentioned in movies of the time and sparked controversey as a result.

The DVD has theatrical trailers for both this film and the film "All That Heaven Allows" which was also directed by Douglas Sirk and released by Criterion as well. There is also a huge presentation and slideshow of many of Douglas Sirk's other films.

11 of 12 people found the following review helpful:

5.0 out of 5 stars A melodrama for the ages, March 23, 1999

By A Customer

This review is from: Written on the Wind [VHS] (VHS Tape)

This is director Douglas Sirk's masterpiece, a brilliant work of cinema that functions as both a fiery melodrama and a piece of cool, detached irony. It all depends on how much subtext you want to read into this story of an impotent, alcoholic Texas oil baron and his middle-class nemesis. Although Rock Hudson and Lauren Bacall are little more than vacant statues filling up cinematic space, Dorothy Malone and Robert Stack more than compensate with rich, over-the-top performances that leave you shaking your head in disbelief. That Sirk could get away with this sort of storytelling audacity within the rigid confines of 1950s Hollywood says much about his skill as an artist, just as it does about his desire to bend film genres to the breaking point. He never quite gets there, though, which is what makes his films so fascinating and multi-layered. This is a flick for both film buffs and casual moviegoers. Not to be missed.