From Publishers Weekly
Novelist Carey is a two-time Booker Prize winner (Oscar and Lucinda
; True History of the Kelly Gang
), and although his latest work is presented as nonfiction, his fiction readers won't be disappointed. This travel diary reads like a scintillating novella, and Carey has, in fact, added his own fictional embellishments to the real-life events he reports. After his shy 12-year-old son, Charley, began reading English translations of Japanese manga, their Saturday mornings at the Manhattan comic book store Forbidden Planet spurred Carey's own interest. As their "cultural investigation" of manga and anime widened, "the kid who would never talk in class was now brimming with new ideas he wasn't shy to discuss." This father-son bond deepened when they flew to Japan to meet manga artists and anime directors, including Yoshiyuki Tomino (Mobile Suit Gundam
). At publisher Kodansha, they learned of manga's history, and touring Studio Ghibli, they encountered the "most famous anime director in the world," Hayao Miyazaki (Spirited Away
). Their guide to Tokyo's cartoon culture was Takashi, a teenager the narrative says Charley met online (yet, as Carey revealed in a newspaper interview, he created the imaginary character of Takashi because the narrative needed conflict, and Carey wanted to avoid "conflict with anybody in real life"). Carey's fluid and engaging writing style gets a boost from 25 energetic b&w anime/manga illustrations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
With two Booker Prizes to his credit, Carey has little left to prove in literary circles. But he admits straightaway that he’s a horrible reporter. So horrible, in fact, that one of the characters of his new nonfiction book, Wrong About Japan,
is entirely fictional. That reviewers let such trickery slide attests to Carey’s remarkable writing skills, as does the rich variety of critical responses to his book. It’s an homage to his son, a study of dislocation, and an intellectual inquiry into the roots of Japanese animation. A few critics knocked Carey for not being the best travel companion on the page and meandering rather than driving straight at his point. Wrong About Japan
is a slight book, but just as with the best animation, one should not dismiss it as child’s play.
Copyright © 2004 Phillips & Nelson Media, Inc.