- Hardcover: 129 pages
- Publisher: Corgi Childrens; New Ed edition (September 1997)
- ISBN-10: 0552750018
- ISBN-13: 978-0552750011
- Shipping Weight: 1.7 pounds
- Average Customer Review: 4.4 out of 5 stars See all reviews (96 customer reviews)
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Most Helpful Customer Reviews
43 of 43 people found the following review helpful:
5.0 out of 5 stars
All the Disc's a stage--and the players are hilarious,
By Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (HALL OF FAME REVIEWER) (TOP 100 REVIEWER) (VINE VOICE) (REAL NAME)
This review is from: Wyrd Sisters (Mass Market Paperback)
Although we first met Granny Weatherwax in Equal Rites, Wyrd Sisters gives us the three witches-Granny, Nanny Ogg, and Magrat Garlick-in all of their glory. These are my favorite characters in the Discworld, and loud peals of laughter are always to be found when this remarkable coven of witches gets together. The story itself is a thoroughly Pratchett-like concoction of Shakespeare, fairy tales, satire, and infinitely rich comedy. The king of Lancre, much to his surprise, has been murdered by the Macbethian Duke Felmet, and he is not at all happy about this. No one, in fact, is happy, including the very kingdom itself, which physically shows its rage at having a new king who despises his own royal domain. The witches are also not happy, as the Duke works continually to discredit them among the people-Granny Weatherwax just doesn't have any truck with that at all. Of course, in a story such as this, there has to be a long-lost child of the murdered king who will eventually come back to right the wrongs done his father and dethrone the regal malefactor-or something along those lines, anyway. Things are never quite that simple on the Discworld.The antics of the witches are hilarious. Granny Weatherwax is a stalwart personality who never admits she might be wrong or that there is something she is not familiar with. Nanny Ogg is a rather worldly witch who enjoys nothing more than getting blasted and drunkenly singing about hedgehogs or the fact that a wizard's staff has a knob on the end. Then there is young Magrat, quite plain in appearance, who believes the traditional ways of witchcraft are best and whose sometimes naïve, positive nature often conflicts with the thinking of her older cohorts; you have to love her, really. Her romance of sorts with the shy king's Fool is a rather comical yet sweet subplot to the novel. My favorite scene, one of the funniest I have ever read, concerns the witches' trip to the theatre; Granny has no understanding of theatre or drama, and her increasingly raucous reactions to the performance she sees is not to be missed. You don't have to know Shakespeare intimately in order to enjoy the numerous allusions to his work, particularly Macbeth and Hamlet, but I decided to read those two plays before reading Wyrd Sisters in order to make sure I caught as much of the comedy as possible. From the attempts of the duke to wash the blood from his hands to the manipulations of the duchess to the performance of a drama in order to call out the murderous king for his treacherous deeds, this fictional cauldron is swimming with Shakespearean ingredients. It's remarkably witty on a number of levels, yet the constant humor does nothing to take away from an intriguing and not wholly predictable plot. Even if you don't agree that the three "wyrd sisters" are the funniest and most remarkable characters inhabiting the Discworld, I do not see how you could possibly fail to find much enjoyment and humor in this novel.
29 of 29 people found the following review helpful:
5.0 out of 5 stars
A book where men may read strange matters (1.5.63-4),
This review is from: Wyrd Sisters (A Discworld Novel) (Paperback)
Like Tom Stoppard (amongst others) before him, Terry Pratchett has re-written Shakespeare, shifting focus to a group of secondary characters. Where Stoppard switches the hub of "Hamlet" to Rosencrantz and Guildenstern, Pratchett uses "Macbeth"s three witches, the so-called "Wyrd Sisters". He also replaces Scotland with a giant, interstellar Discworld, perched atop four gigantic elephants, who are themselves perched atop an even more giant turtle. Needless to say, Shakespeare's original does not come away unscathed.Pratchett tosses around numerous parodic references to "Macbeth" (i.e., the opening scene where an eerie voice asks, "When shall we three meet again?" and a deadpan voice replies "Well, I can do next Tuesday"; people are constantly seeing daggers before them, or at least thinking they do). It should be noted that a familiarity with the original text is not important to your enjoyment here. I haven't read the play in about five years, and still caught enough to stay with the joke. References to other plays abound as well. "Hamlet" (a tightfisted theatre director decrees that "the pay's the thing", then swiftly corrects himself), "Romeo and Juliet", and "Richard III" are all prominently featured and lampooned. "Wyrd Sisters" also features the finest example of an ensemble cast so far seen in any of the Discworld books. Each character is distinct and interesting, not to mention integral to the plot. My favourites include: Tomjon, the unknown heir who is a great example of how a passion for the theatre can stand side-by-side with more conventional magic; Hwel (Will?), a dwarf playwright, who at one point almost invents the stage personas of the Marx Brothers (yay!), Laurel & Hardy, and Charlie Chaplin; Granny Weatherwax, who first appeared in "Equal Rites" and now has her own odd but endearing coven to deal with; Verence, late King of Lancre, who is doomed to hang around his old castle as a frustrated and ineffectual ghost; and Greebo, a cat best described as a feline rapist, for his prodigious spreading of the seed. But my favourite character is The Fool, a Shakespearean staple given a surprising amount of depth here. The Fool is allowed to feel love and despair, the former for the young witch Magrat, and the latter for his fated placement in a job that he despises. Normally a device for exposition, here The Fool is a full-fledged, living and breathing character. A wonderful creation. To me, this is the first in the series which gets all the elements right. Pratchett throws in enough references to keep fans of those continually happy. He has created an eclectic and fascinating cast of characters. And fashioned a story that is involving, complex, intriguing, funny, and supremely entertaining. It's not the proper place to start your journey through the Discworld, but for those of you amongst the initiated, don't make the mistake of skipping "Wyrd Sisters".
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Toil and trouble, Pratchett-style,
By
This review is from: Wyrd Sisters (Mass Market Paperback)
When Duke Felmet kills King Verence and names himself the new King of Lancre, Verence's ghost haunts the castle and his young son is smuggled out of the kingdom and taken to a coven of three witches for protection. These witches bestow three gifts upon the baby and place him with the owner of an acting troupe. The new king is an evil one, and the entire kingdom (animal, vegetable, and mineral) expresses its displeasure. How could the witches possibly refrain from using their magic skills to meddle in royal politics, place the rightful heir on the throne, and set things right?"Wyrd Sisters" is the sixth title in the Discworld series, and with each book, author Terry Pratchett keeps getting better and better. The story is a clever parody of Shakespeare from the opening scene onwards. It's a fast-paced romp through a pastiche of scenes, themes, and lines from Macbeth, Hamlet, Julius Caesar, King Lear, As You Like It, and many more, all unified into an entertaining whole. Pratchett also throws in references to Tolkien, Alice in Wonderland, the Wizard of Oz, and Sleeping Beauty (not to mention others I have probably missed). The witches are my favorite Discworld characters, and with good reason. Their personalities are drawn to perfection, and each of them is endearing in her own way. Granny Weatherwax, who was first introduced in "Equal Rites," is the feisty, powerful, no-nonsense witch who believes in headology. Nanny Ogg is the grandmotherly witch who loves drinking and bawdy songs. Magrat Garlick is the young, idealistic New Age witch who likes spells to be performed just so, and who falls in love with the court Fool. The interactions and squabbles between the three witches are hilarious. You don't have to like Shakespeare to appreciate this book, although a passing knowledge of at least Hamlet and Macbeth will enhance the enjoyment. Nor do you have to be a fan of fantasy fiction. You just need a good sense of humor, because this book is wickedly funny all the way through. Even the footnotes will make you laugh. I can't recommend this book highly enough. You will be bewitched by it! Eileen Rieback
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