Amazon.com Review
Though Thekla Clark turned down a marriage proposal from W.H. Auden in the early 1950s, she remained close to the poet and his companion Chester Kallman until Auden's death in 1973. In memoir, Clark follows the lives of this unconventional couple, recalling their home on the Italian island of Ischia, their romps through Europe, and the more troubling times Auden spent in New York. While Kallman embraced his homosexuality and was campily outrageous, Auden was uncomfortable in his and became conservative and conventional. Despite their differences, or maybe because of them, their relationship endured--they met in 1939 and Kallman died less than two years after Auden, seemingly of a broken heart.
From Publishers Weekly
In 1951, Thekla Clark, a 24-year-old American from Oklahoma, sailed to Italy. On the island of Ischia in the bay of Naples, a family friend (the young poet Anthony Hecht) introduced her into a small circle of expatriates, at whose center were W.H. Auden and his companion, the librettist Chester Kallman. Clark became close friends with both men, and "The Visit," as she called it, became an annual summer ritual, first on Ischia and, after 1957, at Auden's house in Kirchstetten, Austria. Recounting particular incidents scattered over more than two decades, Clark casts light on the private lives of these two men as distinct individuals and as a couple. She describes Auden as a disciplined writer, passionate conversationalist and devoted friend who believed that "happiness, like grief, should be private" and who rejected Yeats's dictum that one must chose either "perfection of the life or of the work" with the remark that "perfection is possible in neither." While accepting his homosexuality, he nonetheless professed that homosexuality was wrong. Kallman comes across as a more unbuttoned character, an emotional man of much charm and considerable talent who was undone by his private demons. Clark writes frankly about Auden and Kallman's "extracurricular" affairs, their reliance on alcohol and Kallman's disintegration, but is never titillating or judgmental. Bringing considerable insight to bear on critical debate over the trajectory of Auden's career while defending Kallman's own creative work, this memoir is rich in personal vignettes. By turns humorous, ironic and poignant, Wystan and Chester is a valuable supplement to Humphrey Carpenter's 1982 Auden biography. Photos.
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