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From A to X: A Story in Letters
 
 
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From A to X: A Story in Letters [Hardcover]

John Berger (Author)
4.2 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

September 17, 2008

A beautifully imagined story of love and resistance, by one of the foremost novelists of our age. Longlisted for the Man Booker Prize 2008.

In the dusty, ramshackle town of lives A’ida. Her insurgent lover Xavier has been imprisoned. Resolute, sensuous and tender, A’ida’s letters to the man she loves tell of daily events in the town, and of its motley collection of inhabitants whose lives flow through hers. But the area is under threat, and as a faceless power inexorably encroaches from outside, so the smallest details and acts of humanity — an intimate dance, a shared meal — assume for A’ida a life-affirming significance, acts of resistance against the forces that might otherwise extinguish them.

From A to X is a powerful exploration of how humanity affirms itself in struggle: imagining a community which, besieged by economic and military imperialism, finds transcendent hope in the pain and fragility, vulnerability and sorrow of daily existence.


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Editorial Reviews

From Publishers Weekly

Berger is a Booker prize winner, art critic, journalist, essayist and the acclaimed author of Ways of Seeing. His latest is an epistolary novel that concerns two characters: Xavier, the alleged founder of a terrorist cell, and A'ida, his lover. The letters are A'ida's, written to Xavier over the course of his years of imprisonment and squirreled away in a corner of Xavier's small cell. They are adorned by Xavier's margin notes (ranging from political exclamations to quotations about love and longing) and A'ida's sketches. Through A'ida's letters, the reader gets a taste of daily life in the provincial village of Suse, where she works in a pharmacy. Though she puts on a happy face for Xavier, tanks and helicopters haunt the margins, and she drops coded hints that she may still be involved in the resistance. The letters are organized idiosyncratically, but by virtue of their disorder, Berger tanks the standard-issue long-distance love plot and instead provides a rich narrative that winds together the toll on a town besieged and of isolation on a romance; it's a paean to protest, both political and romantic. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

A’ida is a pharmacist and a dissident in a poor village in a dusty land under tyrannical rule enforced with tanks and Apache helicopters. She could be living her austere, attentive, stoic, and courageous life in North Africa, Spain, South America, or the Middle East. Xavier, her beloved, a rebel, is in prison, serving two life sentences. A’ida knows that his jailers read her letters to Xavier first, so she fashions letter-poems, lyric and coded, laced with dreams, fantasies, memories, and philosophical musings about justice, survival, the degradation of soldiers goaded into attacking civilians, and the covert messages of the body that defy surveillance, censorship, punishment. As for Xavier, he writes brief, factual comments on the deplorable state of the world on the back of A’ida’s artful letters, the notes of a caged but unbowed resister. Returning to fiction after several essay collections, including Hold Everything Dear (2007), Berger, a writer of conscience, exquisite restraint, and tender sensuality, tells a beautifully sorrowful story of love, conviction, and defiance in a time of brutal indifference. --Donna Seaman

Product Details

  • Hardcover: 197 pages
  • Publisher: Verso; 1st edition (September 17, 2008)
  • Language: English
  • ISBN-10: 1844672883
  • ISBN-13: 978-1844672882
  • Product Dimensions: 8 x 5.3 x 0.9 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #827,684 in Books (See Top 100 in Books)

More About the Author

John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.

 

Customer Reviews

6 Reviews
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3 star:
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Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 11 people found the following review helpful:
4.0 out of 5 stars Evocative and moving, but a bit slight compared to Berger's earlier work, August 28, 2008
This review is from: From A to X: A Story in Letters (Hardcover)
This is a "novel" in the form of a discontinuous, out-of-order series of letters from A'ida, an activist, to her imprisoned lover Xavier. The letters are arranged, as the book's conceit is explained in a brief introduction by Berger (who has "found" or "been given" them), as they have been found in Xavier's cell after he departed, in a few bundles. They are interspersed with little fragments of writing by Xavier -- the only words of his we read, as his replies to A'ida are not printed -- which are mostly political reflections, sometimes quoted from figures like Eduardo Galeano and Subcomandante Marcos, and which in the main sound suspiciously like interjections from Berger himself, though this is not at all obtrusive or disruptive to the reader's experience. The letters from A'ida retell little incidents of life and political resistance, from a neighbor's jelly-making to her work at a pharmacy to a night of protest, ringed by occupiers' tanks. While the setting is deliberately fictionalized and the place names are drawn from ancient Assyria, there are still some details that make it seem likely the characters are Palestinians; but their experience is meant to be an allegory of activist life anywhere rather than a depiction of a specific place or a single historical moment. (Xavier's situation clearly evokes that of Nazim Hikmet or Antonio Gramsci, for instance.)

Though there are a few incidents, for the most part there is little plot, little development in the situation of either character over the course of the book, and the letters are out of chronological order in any case; what is important is the tone created in A'ida's lamenting her lover's absence and summoning his memory, the particular, carefully structured feeling of long but hopefully not interminable absence evoked by the book. As a result of this, the book can feel a bit monotonous -- literally, in that it has only one tone and little variation (we might wish for a joke to break the pathos, or a real narrative line); but this is not a fault so much as a choice, and the choice to stay in one emotional register undeniably has a great cumulative power over the course of this relatively short book, written in common language and about common experience.

"To tell the truth? Words tortured until they give themselves up to their polar opposites [...] Solution: the evening language of the poor. With this some truths can be told and held."

This is one of Xavier's interjections, but it is also an apt statement of the goal of Berger's writing. His late fiction has often been concerned with recuperating the love stories of common people, poor people, and gently transposing these love stories into a political register; To the Wedding was a particular and concrete version of this, Lilac and Flag (the last volume of his great trilogy Into Their Labours) was a more general and allegorized one. This book seems a sequel of sorts to Lilac and Flag, an attempt to build something more hopeful on those characters' desperation and to help build a mood which is not tragic out of their sad existence. Though this is not Berger's greatest work, in this regard it is a great and worthy success.
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6 of 8 people found the following review helpful:
5.0 out of 5 stars As always..., October 24, 2008
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K. Donow "Ken Donow" (Silver Spring, MD United States) - See all my reviews
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This review is from: From A to X: A Story in Letters (Hardcover)
Berger is a marvel. He is a fearless artist armed with penetrating vision and magificent command of his craft. I have been reading his work since the mid-sixties and wonder always how it is that he never, ever gets stale.

There are many things to love about From A to X, such as its economy. Telling the story through letters and notes delivered a feel of intimacy I found quite gripping, especially so because it was delivered in the voice of the woman. It is a novel of political passion delivered in a quiet voice. I hope you read it.
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2 of 3 people found the following review helpful:
3.0 out of 5 stars Arts and letters, October 3, 2009
John Berger's epistolary novel (one of his most celebrated in years, and longlisted for the Man-Booker Prize) shows us the letters of a pharmacist, A'ida, to her lover Xavier imprisoned in a nameless country for alleged terrorism. Berger's leftist politics are fully on display here--A'ida and Xavier are romantic lovers of freedom in the old Marxist sense, and the stack of letters we are given from A'ida to her love have notes scribbled on them by Xavier often quoting from or mentioning nostalgically great historical figures from the Left and attacking corporate multinationals for oppressing the masses and raping the planet. A'ida's work is to present to Xavier the quotidian life he is missing penned up in his prison, although the novel also seems to partake of a possible code language (often suggested by the gesturing hands A'ida draws for him in her letters) that may explain the novel's hopeful final image.

Berger's work is undeniably innovative and clever, and his playing with letters (both of the postal system and of the alphabet) is genuinely imaginative. The novel largely eschews much of a plot which lends it a kind of lyric immediacy but also makes it seem a bit of a chore to get through; things are not helped by his tendency to sentimentalize A'ida's and Xavier's relationship or their politics. (We are led to believe they are wholly and unproblematically on the side of the angels.) It's difficult even to have a political novel divorced from any kind of context whatsoever. Since we don't know where A'ida's town is, we can't know what government she and Xavier are really protesting, or what they realistically propose in its stead. This seems more like a noble failed novelistic experiment than anything else.
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