Yalo (Rainmaker Translations) [Hardcover]

Elias Khoury (Author), Peter Theroux (Translator)

Book Description

Publication Date: January 1, 2008 | Series: Rainmaker Translations

“A heartbreaking book and sometimes hypnotic in beauty. . . . With both gentle and cruel images, Khoury wrote a lamentation for the generation that was corrupted and lost its children, and for the children themselves.”—Haaretz

Elias Khoury’s most recent novel propels us into a fantastic universe of skewed reality that leaves us breathless to the last page. We follow the path of a young man, Yalo, who is growing up like a stray dog on the streets of Beirut during the long years of the Lebanese civil war. Living with his mother, who “lost her face in the mirror,” he falls in with a dangerous gang whose violent escapades he treats as a game. The game becomes a frightening reality, however, when Yalo is accused of rape and imprisoned. He is forced to confess to crimes of which he has no recollection. As he writes, and rewrites, he begins to grasp his family’s past and recall all that his psyche has buried, and the true Yalo begins to emerge.

Elias Khoury is the author of twelve novels, four volumes of literary criticism, and three plays. Editor of the cultural pages of Beirut’s An-Nahar, Khoury also is a global distinguished professor at New York University. Gate of the Sun was a New York Times Notable Book of the Year in 2006.

Peter Theroux translated Abdelrahman Munif's Cities of Salt, Naguib Mahfouz's Children of the Alley, and Alia Mamdouh’s Naphtalene: A Novel of Baghdad. He has lived and traveled throughout the Middle East and is currently based in Washington, DC.

Editorial Reviews

From Publishers Weekly

Starred Review. After the acclaimed Gate of the Sun, Khoury returns with the spellbinding confession of Beirut criminal Daniel Jal'u, aka Yalo, who is picked up by the cops for rape, robbery and suspicion of arms smuggling. Under torture and the threat of more torture, Yalo writes numerous confessions, but seems unable to grasp the whole of his life, producing instead a series of conflicting sequences and inexplicable omissions. Brought up by his grandfather Ephraim, a half-mad Syriac priest, and his mother, Gaby, Yalo joins the army in 1979 and fights in the horrific Lebanese civil wars already under way. Deserting 10 years later, Yalo, after a series of adventures, ends up working as a guard for a rich lawyer whose villa is close to a wooded lovers lane; he progresses from voyeurism to robbing and, in some cases, rape. In so doing he meets Shirin, who will change his life—partially by turning him in. Khoury refuses to give the reader an easy position from which to judge Yalo—either as a poor soul or a serial rapist, criminal or victim of torture—or from which to judge Lebanon's tragic and violent fate. His novel is a dense and stunning work of art. (Feb.)
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Review

"Los Angeles has Joan Didion and Raymond Chandler, and Istanbul, Orhan Pamuk. The beautiful, resilient city of Beirut belongs to Khoury."--Laila Lalami, Los Angeles Times

“In Lebanon, there is passion and there is blood. Elias Khoury’s new novel, Yalo, heavy with both, is a dizzying journey into the extremes of human experience—into the intense sensuality and stomach-turning violence."--Adam LeBor, The New York Times Book Review

"Memserizing . . . As bold a gambit as Nabokov’s tale about Humbert Humbert in Lolita . . . A vortex of memory and self-deceit, which Khoury beautifully portrays."--John Freeman, The Denver Post

"No Lebanese writer has been more successful than Elias Khoury in telling the story of Lebanon. . . . Khoury is one of the msot inventive novelists in the Arab world."--Samir El-Youssef, The Washington Post Book World

"Yalo is replete with vivid description. . . . Khoury builds a splintering narrative structure of imagination, memory, brutality, speculation, and delusion."--Drake Stutesman, Bookforum

"Yalo speaks to our universal humanity, to our profound longing for a realization of self and connection to others. That such a vision should, at this moment in history, come to the American reading public from a great Arab novelist makes this an extremely important publishing event."--Robert Olen Butler

--This text refers to the Paperback edition.

See all Editorial Reviews

Product Details

• Hardcover: 317 pages
• Publisher: Archipelago Books; First Edition edition (January 1, 2008)
• Language: English
• ISBN-10: 0979333040
• ISBN-13: 978-0979333040
• Product Dimensions: 7.8 x 6.3 x 1.1 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #791,714 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

4.0 out of 5 stars Reminiscent of Camus, April 21, 2008

By 

Elaine (USA) - See all my reviews

This review is from: Yalo (Rainmaker Translations) (Hardcover)

Khoury's character, Yalo/Daniel in the novel Yalo is reminiscent of the young man, Meursault, in Camus' The Stranger. Is what Yalo telling us reality or his reality? What's real and what isn't? Yalo does not begin as a "crazed person" as described by one reviewer. He, like Meursault, is isolated and spiritually lost. A second reviewer claims Yalo is punished for crimes he had not committed "like planting bombs." Nowhere does Khoury state that Yalo committed this crime or did not commit this crime. Yalo's experience in the hands of his torturers/interrogators is terrifying - recall the horrors of Orwell's Room 101. His life story (before his descent into the world of rape, robbery, and bombs) is confusing and heartbreaking as are most people's lives. The novel Yalo is a challenge to read on many levels, but worth the effort.

1 of 1 people found the following review helpful:

4.0 out of 5 stars The story, not the history, July 31, 2009

By 

Francis Reynolds (Portland, OR) - See all my reviews

This review is from: Yalo: A Novel (Paperback)

A couple of years ago I picked up Elias Khoury's Gate of the Sun without knowing much about it, and was quickly engrossed in the incredibly inventive and compelling story of two generations of Palestinians in Lebanon. Where Gate of the Sun is an expansive work that stretches beyond the small confines of a refugee hospital in Beirut to take in villages and fields long out of reach, Yalo, Khoury's latest novel to be translated into English, in many ways contracts into the claustrophobic space of a dark prison basement.

Yalo is a former sectarian soldier arrested for theft, assault, and rape in the aftermath of Lebanon's brutal civil war. As torturers attack his body and mind to elicit a confession, he creates a series of new narratives, a stream of explanations that simultaneously reinforce and undermine each other by their very number. He justifies, he apologizes, he admits, he denies, and the picture we have of the events recounted becomes more and more distorted and fractured. Yet all this disorientation serves a purpose: the Guardian quotes Khoury as saying that when he started writing, he didn't know what "postmodern" was. "I was trying to express the fragmentation of society," Khoury said. "Beirut's past is not of stability, but of violent change. Everything is open, uncertain. In my fiction, you're not sure if things really happened, only that they're narrated. What's important is the story, not the history."
-From Guernica web magazine.

5.0 out of 5 stars The intersection of language, dream, memory, brutality,and truth, June 29, 2009

By 

Kristi Kraemer "freereader" (Northern California) - See all my reviews
(REAL NAME)   

This review is from: Yalo (Rainmaker Translations) (Hardcover)

Like all of us, Yalo is a man with guilt over what he has done. Like many of us, he is also a man with reasons for what he has done. Like few of us, Yalo is a man who does not demand pity, who does not see himself as a victim. Instead, he turns a horrible situation into one fraught with questions: who is he? what is he? what was he? how did he change? how do the traditions of his family and people affect him?

Yalo makes me question the idea of free will in ways that I hadn't before.

This is not a book for the faint of heart: it is a brutal book, both physically and morally. Its questions are not easily answered.