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Fulfilling the promise of his debut film,
Little Odessa, 31-year-old writer-director James Gray proves himself a mature storyteller who attracts good actors and elicits their best work. Inspired by the experiences of his own father, Gray sets
The Yards inside the corrupt workings of the New York City railway system, in which men such as Frank Olchin (James Caan) maintain their dominance by sabotaging the work of their competitors. Mark Wahlberg is well cast as Leo Handler, who serves jail time for a crime he didn't commit and returns home to a warm welcome from his ailing mother (Ellen Burstyn), his aunt Kitty (and Frank's wife, played by Faye Dunaway), and cousin Erica (Charlize Theron).
He's also welcomed by his friend Willie (Joaquin Phoenix), who does most of Uncle Frank's dirty work and brings the needy Leo into his lucrative fold. Things go from bad to worse, and Leo's suspected in the killing of a railway official and the beating of a city patrolman. On the run, he uncovers the political machinations that keep Uncle Frank in power, and The Yards unfolds as a compelling tale of family, twisted loyalties, and the quest for truth. There's stellar work from everyone involved, but if The Yards has one major flaw, it's that Gray directs with a solemnity that's almost off-putting, as if a moment of levity would violate his story's integrity. Visually The Yards invites comparison to The Godfather, and it boasts much of that film's moral complexity and depth of character, but it's too self-consciously heavy, and that compromises its overall impact. Still, this is good work from a talented director whose future films will be watched with interest. --Jeff Shannon
A lowering, deep-browed thriller from the director James Gray, who made a name for himself with "Little Odessa." In many ways, this is more of the same: a tight and sometimes tortured community, the sober settling of scores, and what feels like an official rationing of daylight. Mark Wahlberg plays Leo, who's trying to go straight; he takes a job as sidekick to his old friend Willie (Joaquin Phoenix), who fixes contracts for the New York subway system. Things go well, then badly, then worse still, until Leo is dwelling in subterranean solitude-Gray's kind of place. The supporting cast is tough and tested: Faye Dunaway, Ellen Burstyn, and especially James Caan, who plays Leo's uncle by marriage. The film may be humorless, unflustered by the need to quicken or amuse, but it feels unfashionably true to itself. Gray has reconstructed a world that he knows, and conjured a mood that no one else would have the nerve to maintain. For good measure, he also stages a great street fight. With Charlize Theron as Willie's despairing girl. -Anthony Lane
Copyright © 2006
The New Yorker
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