From Publishers Weekly
Grandma Moses's own words, excerpted from her memoirs, and reproductions of her evocative primitive paintings provide a solid foundation for this appealing volume. The excerpts appear on the left of each spread on an oval, darkened to appear like parchment, opposite a related painting on the right. Less strong is the book's third component, which appears on the right below each painting: Nikola-Lisa's (One Hole in the Road) simplistic and uneven interpretation of the artist's environment and lifestyle, which reads as a run-on commentary more or less thematically tied to each piece of art. He starts out describing Moses's world objectively ("When Grandma Moses looks out her window, she sees a world of spotted cows, and rolling hills, and white picket fences"), then abruptly gives the narrator a role in the goings-on ("With Christmas around the corner,/ we'll have lots of fun outdoors,/ and indoors, tooA/ opening presents, playing games,/ and feasting on food/ we've helped prepare"). Yet his captionlike account succeeds in creating a through-line for the paintings, which youngsters may appreciate. Aimed at considerably more advanced readers, Moses's own writing effortlessly brings children back to the era of her childhood as she describes the diversions of each season. Ages 4-10.
Copyright 2000 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 5-Scenes of laundry flapping, trees in bloom, maple sugaring, families in fields, a Christmas parlor-this is the worldview of folk-artist Anna Mary Robertson Moses. In the author's note, Nikola-Lisa writes that he was struck by the cyclical nature of her visual record and has arranged this picture book seasonally, starting with spring. Each double-page spread includes a full-color painting on the right, accompanied by the author's brief commentary. Related excerpts from Moses's memoirs are printed in sepia ovals on a cream background on the left. Her words inform older readers about the routines, pleasures, and disappointments of her childhood farm life while the author's text offers a starting point for looking at the pictures with young children. The paintings convey a quiet joy, an ever-changing light, and the beauty of nature (the artist's own brand of pointillism is quite effective at depicting snow, sheer curtains, and tiny buds). An opening color photograph of Moses at her painting table speaks volumes. Nikola-Lisa's careful selections and spare approach effectively convey the spirit of this self-taught, spirited woman. For more information, readers may consult Zibby Oneal's Grandma Moses (Puffin, 1987). It would be interesting to pair The Year with Grandma Moses with Barbara Cooney's Miss Rumphius (Viking, 1982).
Wendy Lukehart, Dauphin County Library, Harrisburg, PA Copyright 2000 Reed Business Information, Inc.