Customer Reviews

Year of the Horse

5 star:		(14)
4 star:		(7)
3 star:		(2)
2 star:		(2)
1 star:		(0)

 

 

No one has kept the eternal flame of psychedelic rock alive with more sincerity, or longer than Neil Young. Perhaps the artist says it best himself on 'Big Time': "I'm still living the dream we had... for me it's not over". Even if you snicker a bit at the concept, it's obvious that Young still believes in love, peace and understanding, and it's certainly a noble ralling cry to cling to. Those who have abandoned the concept have frequently aspired to much less.

'Year of the Horse' is an underrated live set from Young, panned as lacking enthusiasm (those not familiar with Young may not realize that not every song he writes was intended as an 'ace-in-the-hole' for American Idol), or for retreading old territory by asking, "Do we really need another live version of 'When You Dance', 'Mr. Soul', 'Pocahontas', or 'Sedan Delivery'"? To even modestly addicted Neil fans, the immediate and immutable response is, "YES!". Consider that popular among the more rabid of us are web sites that attempt, with some precision, to detail every song ever performed at every concert by Young (check out the Sugar Mountain web site). Now, that's rabid. The appeal of alternate takes on any Young song becomes especially pertinent since Neil, like his chosen mentors Bob Dylan and Jimi Hendrix, so frequently reinvents his compositions. On this disc, 'Mr. Soul' is a case in point. Here we have a mid-60's souped up, fuel injected hot rod from Buffalo Springfield that has morphed into an acoustic blues romp, with Neil's 6 strings sounding loose enough to be falling off the guitar with each strum. Young's ode to Hendrix appears at the end of a high octane 'Prisoners Of Rock n' Roll', as he breaks into a psychedelic 'Star Spangled Banner'.

The set list for 'Horse' is remarkably diverse as Neil highlights such gems as 'When You Dance' from 'After the Goldrush', to 'Human Highway' from 'Comes A Time', to 'Sedan Delivery' from 'Rust Never Sleeps', to 'Big Time' and 'Slip Away' from 'Broken Arrow'. In nearly every way Young is "a little bit here and a little bit there", as he sings on 'Scattered'. He wears as many artistic hats as he does real hats these days. In giving Neil a double-disc, Time-Warner invited Young to surely make it seem like four, offering 12 songs from 8 different venues, with textures ranging from the haunting echos of 'When Your Lonely Heart Breaks' to the relentless jackhammer that is 'Sedan Delivery'.

Yet the best number on tap here is the seemingly innocuous 'Barstool Blues' from 1975's 'Zuma' album. This song sits innocently in the setlist until Neil uses it to ambush us like a Viet Cong guerilla, pulling the trigger with ferocity on 'Old Black'. Young has never been a finesse guitarist in the mold of Eric Clapton, or even Stephen Stills (making comparisons between the two rather meaningless). Instead, Neil sculpts sound from his instrument, and he's chiselin' up a storm on 'Barstool Blues'.

The only song I could have lived without is another selection from 'Zuma', 'Dangerbird'. I don't mind the song being heavy, but it's about as deep into depression as Neil goes (which is DEEP), and it's a few fathoms below my own tolerance. But everything else works, and works well, and should be pleasing to Neil fans ranging all the way from novice to completist. In fact, since Neil and the Horse are more consumable coming from the stage than the studio, a specially priced double-disc such as this is a nice way to get a representative sampling of Young's remarkable career.

I suppose if most Young fans had their pick of songs performed on the 1996 US tour, they might want to supplant the retreads with even more diverse selections, such as 'Long May You Run', 'Bite the Bullet', or 'Don't Cry No Tears', but I'm content with leaving Neil in charge and trusting his deejaying. Over the years, he's certainly earned that trust and respect.

Another reviewer--Daniel Brugioni--pointed out quite accurately how this record seems to fit in so well with the wide open spaces of a stormy landscape. Indeed, there's something very cinematic about the feel of this live record which, more often than not, sounds like the soundtrack to a wide screen movie featuring a dark and stormy desert landscape stretching off as far as the eye can see, and inhabiting this bleak landscape are the lonely and disillusioned people whose dreams have all been shattered in one way or another. While the opening song, When you Dance may be optimistic in it's lyrics, the performance is more downbeat, hinting at the disillusionment to come.
Needless to say it's not a very upbeat record, and yet there's an elegant beauty in this depressing vision that belies it's darker side. Sad though it is it never wallows in bitterness, and it captures the emotions of these songs with such clarity that they come alive in rich tones of sepia and black so that you can literally feel them in all their heart-wrenching despair. It's poetry for the soul. But then that's pretty much what you come to expect with the best of Neil Young. What also makes this collection of live music so unique is the song selection. Danger Bird, Human Highway, and Barstool Blues have never sounded better, and while Pocahontis has always been one of my favorite Young songs, it's never been done as well as it is here, nor has it ever captured the emotions of the song quite so vividly. And while Mr. Soul has certainly been done in a different way before, this version is one of the best. Here it sounds like a haunted train that comes whistling out of the darkest of places before intruding into the light of day with its engineer moaning his feelings to people only half aware of him as they go about their busy lives.
While I'm not one who embraces these types of emotions as the only kind valid in art, when they are done this well I can't help but be seduced by their melancholic attraction.

I respect the opinions of those Neil fans who give this live album low marks---but I respectfully disagree. I listen to this one more often than "Weld," "Rust," etc. (and I love those albums.) It's a world away from the studio recordings, for sure, but hasn't Neil always been about expanding on, and transcending, the past? This is Neil and the Horse in the late '90s. A fine, fitting portrait. I rushed out and got this after seeing Jim Jarmusch's (criminally underrated) documentary about the band. Abstract and gritty, it's also one of THE best and most honest cinematic rock portraits ever, and I've seen 'em ALL. The album doesn't duplicate the film, music-wise, but complements it. I don't mind that "Year" doesn't cover all his hits---I've GOT those. I love hearing the obscure stuff. What I also love is the mesmerising jamming of a seasoned band of totally hard-core, down-to-earth veteran musicians/survivors who have lived through a lot together. Jarmusch's film makes this all quite clear, and maybe my seeing it first helped me appreciate this album as much as I do. Some say the songs are endless, meandering, whatever---I say this is hypnotic trance music that's as good as it gets in American rock (though comparisons to great Allman Bros. and Dead live jams are apt). "Slow" doesn't mean ponderous, and "lenghty" doesn't mean boring. An acquired taste? Maybe it is. But I'm writing a book just now, and I put this album on while I write, along with Coltrane, Eno, Bach, Beethoven, the Velvets, early Dead, and precious few others who who can free my mind and inspire my soul at the same time. That's damn good company, in my book. Neil fans who've avoided this based on bad reviews should up and take the plunge.

Over the years since I originally purchased this CD set its been a staple in both my car and my office CD players. The jams are long and loud and flow together into a perfect cowboy grunge symphony. I find it reminiscent of the great live Dead (1969's Live) or Allman Brothers (Fillmore East) jam albums. The live version of Danger Bird, alone, is worth the price of the disks.

I've not listend to this in quite some time and decided I needed a charge. This was Neil and Crazy Horse doing long jams to some really good songs. I love the long, drawn out version of Danger Bird. Slip Away was another cool tune. I guess what I like the best about this is that he chose some songs that have not been recorded live before. I feel the version of When You Dance and Mr. Soul are simply fantastic. This disc may not be as good as some of his other live ones, but it's not to shabby either. Worth a listen folks......

This recording captures the spirit of the Live Concert better than the previous Rust sets. The sound quality is excellent for live performances, the guitar solos are scorching and the relaxed atmosphere makes it possible to listen to the entire show (actually a mostly seamless combination of songs from different shows on the tour) many times without it getting old. The songs on this cd aren't necessarily hits, but the words aren't as important to the quality of this concert as the sound is. These guys know that, too. The intro consists of an audience member hollering, "They all sound the same!", and Neil answers, "IT'S ALL ONE SONG!!" If you can understand that, then, well, there you have it. This is a must have for any Crazy Horse fan, and makes a great compliment to the just prior studio release of Broken Arrow.
Is there anything NEW on this recording? Maybe not. But the power of Crazy Horse is great here. This cd may not be for every Neil Young fan, but for anyone who loves to hear the man's music live, and especially those who saw this tour it is a satisfying listen every time.

Neil Young and CrazyHorse are legion and here is more proof. I can only echo the sentiments of the other reviewers - some of Young's obscurer stuff is showcased. 'Barstool Blues' a relatively short song from Zuma becomes an eight minute guituar fest, theres a funky 'Mr Soul' and a brilliantly melancholy 'When your lonely heart breaks' An excellent chance to hear the NY+CH experience. Check it out! Lacklustre my eye - it's a jam.

Ths one is great because it focuses on his lesser-known songs and therefore doesn't sound like a retread of past live albums he's done. On the first disc he mixes it up a little with the usual long jams ("Barstool Blues") with acoustic numbers ("Human Highway") and different versions of songs he's done before (an acoustic version of "Mr. Soul", an electric version of "Pocahontis"). On disc two, it's all long jams. One of his best live CD's.

This is Young and Crazy Horse's third live album and it is notable for great reworkings of several of his lesser known older songs "Barstool Blues," "Human Highway" and the anthemic "Prisoners." Not as powerful as the "Weld" live album, nor a landmark like "Live Rust," this is nevertheless a good album for long time fans. Less experienced Young listeners should start elsewhere, with "Ragged Glory," or "Rust Never Sleeps" for example.

Neil and The Horse took some of their best songs and decided to let them run wild. For myself I thought it was Outstanding! Of course when I first heard "Last trip to Tulsa" I was hooked on Neil and have always been a huge fan of his ballads like "Pocohontas, Danger Bird, Like a Hurricane, Powderfinger, Cortez the Killer, Like an Inca" etc. which in my opinion our classic rock radio stations do NOT play enough of. They only play the songs we've all heard over & over which is VERY unjust to artists.