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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A Fast Intensely Satisfying Read, February 14, 2006
This review is from: The Year the Music Changed: The Letters of Achsa McEachern & Elvis Presley (Hardcover)
It is not often that I come across a book so engrossing that I read it cover to cover in one sitting, but I did this one.
Diane Thomas offers us a glimpse into the South of the mid 1950s. The letters Achsa McEachern writes to the then rising music star, Elvis Presley, start out as fan letters, but quickly become heart-touching and often heart-wrenching descriptions of her private inner life and that of her family's. The letters Elvis writes back to Achsa help to anchor the book in place and time, while providing us with an interesting new perspective on what it might have been like to be that rising star in the days before he became trapped in the prison of his own Superstardom.
I was a teen of the 70s but in Achsa, I could see myself. I wrote long, long letters to far away friends pouring out all the changes that were happening in my life; changes that I didn't always understand and that I felt helpless to control. I think many young women will find a piece of themselves in Achsa.
And for anyone whose mother came of age during the fifties, as mine did, this book would make a wonderful birthday or Mother's Day gift.
It is a fast, intensely satisfying read and I highly recommend it.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Like opening a time capsule and diving into the '50s., September 7, 2005
This review is from: The Year the Music Changed: The Letters of Achsa McEachern & Elvis Presley (Hardcover)
This is not the '50s of happy, nostalgia TV, but the real decade, mired with repression. It's an outwardly placid time of perky stay-at-home housewifes, crew-cut husbands marching off to 9 to 5's, and children expected to be "well adjusted." Conformity is the gold standard. Segregation is the law of the land. Free thinking is frowned upon and feared. Into this picture comes Achsa, a lonely teenager who is different and can't pretend otherwise. She's younger and far brighter than her classmates--Lord, she has been promoted three, count them THREE grades; she bears an ugly facial scar; and there's trouble at home. But the year is 1955. Currents of change as jagged as electricity are about to course through the air.
When Achsa writes her first fan letter, to a young Elvis, destined to shake up the country with rock 'n roll, she embarks on her own journey of change. In the ensuing correspondence between Achsa and Elvis, Achsa comes haltingly to terms with her world, while yearning for life on a larger stage. A sensitive reed, she grabs the spotlight in the book more than "the King." In one scene, for instance, she tells Elvis of an early memory of going to a movie matinee. Leaving her seat to go upstairs to the ladies' room, she hears a distant "rustling or murmuring, like birds settling down for the night." Pretending the mezzanine carpet is a river and its "fat, red roses" are stepping stones, she crosses to the far side of theatre, where the rustling comes from. Ignoring a sign that the area is closed, she slips around a velvet cord, climbs concrete stairs, and finds an entire other theatre where the aisles aren't carpeted, the seats aren't upholstered, and "all the people in the seats" are "Negroes." She stares until the return gaze of a girl about her age unnerves her, then retreats and runs all the way back to the "white people's theatre." She senses she has seen something she isn't supposed to see--a complete, parallel universe... Broader horizons for women are on the way, the nation will pass equal rights laws, and the culture, and the music, will grow more vibrant, but Achsa, as did all of us who came of age during the '50s, must grope toward the day. Thomas has done a masterful job of giving readers a book that conveys this and is sheer pleasure to read. At turns tender, tragic, fresh, and hopeful, "The Year the Music Changed" is a work of fiction that reads true. The correspondence between Achsa and Elvis coulda, shoulda happened that way.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A Beautifully Written, Captivating Story, August 31, 2005
This review is from: The Year the Music Changed: The Letters of Achsa McEachern & Elvis Presley (Hardcover)
In letters written in 1955 and early 1956 between a shy 14-year-old girl and Elvis Presley, Diane Thomas captures the essence of the 1950s. Elvis, very young and very innocent, is on the cusp of his success. We share his dreams of what he will become; those dreams touch us not only because of their purity, but also because we know how they really turned out. His story, however, is eclipsed by Achsa's, her fears, her tragedies and, ultimately, her triumphs. She pours out her torment over the tension between her religious father and her beautiful mother, her humiliation because of the disfiguring scar on her lip, her success as a budding playwright and actress. We celebrate her courage as she faces tragedy, learns from it and triumphs over it. I recommend this beautifully written novel to anyone who cares about the human condition.
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