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4 of 4 people found the following review helpful:
3.0 out of 5 stars
A ghost in a marriage, May 23, 2005
Spooky but not scary, intriguing but uneven, Harper's New Orleans ghost story and psychological portrait of marriage defies easy classification. The story centers on the new marriage between chef Phil Randazzo, divorced, and anthropology professor Michelle Wickham, widowed. They each have children, and Phil's live with his ex-wife, who left him because he was a workaholic who couldn't connect emotionally.
Phil worries about this judgment and tries hard, maybe too hard, to care about the things his new family cares about. He particularly tries to make room for the grief they all feel over the death of husband and father, A.P. Savoie, a popular Cajun musician. If he feels irritation over a certain lack of discipline in the house and an overindulged cat, he suppresses it as best he can.
Michelle entered the marriage in hopes of remaking her life, "starting over." But lately she's been having vivid dreams of Adrien, her dead husband. The latest one ended with Phil's rotting head on a satin pillow.
With the couple stepping carefully and Michelle's children edgily eyeing the new spouse, the last thing they need is supernatural interference. It starts with small things, like the dreams and the cat passing through locked doors, but soon accelerates. On Thanksgiving Day, Phil sees a boy who isn't there, and Michelle recognizes his description as an adolescent version of Adrien. Shocked, she says nothing.
Attuned to his wife's preoccupation and evasion, it doesn't take Phil long to put it together. As the appearances increase in frequency and intensity, Michelle dwells increasingly in the emotions of the past, good and bad. She feels Adrien is trying to communicate with her and the children. Phil reacts like a jealous husband with no rival to challenge. He's not concerned with communicating; he wants Adrien gone from their lives and will do whatever it takes.
While the switching of viewpoints between Phil and Michelle works well, showing their divergent emotional states and unshared thoughts, the fraught by-play between them grows tedious and slows the narrative. While the ghost story is a mystery in itself - and a good one - this sometimes gets lost in the examination of the insecurities, hopes, misunderstandings and secrets of a marriage. But Harper's ("The Worst Day of My Life So Far") descriptions of New Orleans and Cajun culture lend color and flavor to the plot and a well-done ghost story, even one interrupted by relationships, is always a treat.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Colorfully Spooky, May 22, 2005
Ghost stories are my favorite and M.A. Harper's "The Year of Past Things" captures life in its setting of Chestnut Street in uptown New Orleans with vivid details. While a paranormal experience could happen anyplace, Harper is able to draw the reader into this family's saga with such adept knowledge of supernatural happenings that you feel like no other place on earth has summoned something quite like this haunting Southern story. A seemingly ordinary marriage between a fairly recent widow of a famous Cajun musician and an award-winning divorced chef-restauranteur, each with children, suddenly surges forth like a rollercoaster ride of unexplainable occurences ranging from an indoor cat coming and going through closed windows to bloody ectoplasms floating through bedrooms. From page one forward, common everyday events start to unfold as not-so-common afterall, via a teasing, and at times taunting, myriad of extraordinary clues about the disturbing unidentified apparition who is lurking around this new household, desperately trying to somehow be set free by circumstances beyond anybody's human control. Harper is masterful at crafting this original and unique mystery tale and takes clever advantage of highlighting key holidays with ghostly happenings that subsequently keep building in intensity, culminating with a shocking scene never to forget during a Mardi Gras parade. The results per chapter satisfy and mystify - and at times horrify - and there are spooky surprises for even the best guessers-of-endings. This seasoned writer has a remarkable sense of detail, taking time to explicitly describe even the smallest observations so beautifully that it is hard to lose the image from one's imagination long after the last page has been enjoyed. You are invited by the author to feel like you are there. Entertaining, thought-provoking, and flavored with a nice twist of evil-spirit-world, this intriguing book explores the complexities of love, new relationships with "past things" cropping up when least desired, the confounding nature of kids growing up with step-parents and step-siblings under the same haunted roof, and descriptive local life and lingo in colorful superstitious New Orleans where just about anything eerie can happen as a backdrop on any given day or . . . dark midnight; all within the chilling confines of a poignant suspended state of the supernatural. Exquisite writing and delectable delivery! An A+ creative novel by a five star writer.
Patty Lee, customer review
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
A New Orleans ghost story, December 31, 2004
The newly formed Randazzo family has been living on a diet of change. By the time Chef Phil Randazzo, owner of a trendy New Orleans restaurant, marries the widow of deceased Cajun musician A.P. Savoie, the artist's following has achieved cult status. Savoie was tragically killed in an accident, leaving Michelle and her two children shocked and grieving. Now Michelle believes marriage to the affable Phil will restore some degree of security to the children's lives. Randazzo's first marriage, this impulsive adventure is mined with booby traps, most notably a teen-aged son and his contemplative, artistic younger sister. Given time, Phil is determined to win both children over.
Things would probably work out if only the dead would stay dead. Apparently, A.P. Savoie has no intention of remaining beyond the pale, appearing to Phil on the odd occasion, sending a message the new husband cannot fathom. Are these apparitions a warning or a menace? Circumstances go from bad to worse as the apparitions accelerate and the couple is frequently at odds, Michelle questioning the meaning of her past with Savoie and Phil wondering if his wife is really over her deceased husband.
The author sets a series of bizarre occurrences in New Orleans, an apt venue for a ghost story, a city renown for mystery, superstition, beloved saints and obscure voodoo practices. With the escalation of random dangerous events, each family member is at risk and it is imperative that Phil and Michelle put aside their differences to resolve the mystery of the apparitions. If Savoie is trying to communicate from beyond the grave, is he threatening his wife's happiness or trying to warn of imminent danger. The spirit world exists on another realm, not accessible to a frightened couple, who need help but don't know where to turn, abandoned by belief and wary of superstition.
Each family member narrowly escapes violence, fearful that the threat is out of control; circumstances force them to share personal experiences, secret thoughts and buried fears in an effort to unravel Savoie's cryptic message from the other side. If Phil and Michelle can put aside their own feelings to protect the children and the everyone will trust the good intentions of their new step-father, the family may yet save themselves from further catastrophe. Desperate enough to try anything and sensing that time is short, Phil and Michelle turn to spiritualists, prayer, priests and exorcism.
This modern-day ghost story is as much a tale of acceptance and adjustment as it is an adventure into the unknown. M.A. Harper, in the Acknowledgments, confides that she cut her teeth on ghost stories, heard them whispered at parties all her life, as much a part of New Orleans as its music and ritualistic celebrations. New Orleans city coexists with the past and the present, the shadows of the dead never far away, either in loving memory or with malevolent intent. The Randazzo's fight the demons of the past to secure the present, reserving a place for a beloved, if flawed father in the hearts of his children. Luan Gaines/2005.
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