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Yeats (Galaxy Book 378) [Paperback]

Harold Bloom (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0195016033 978-0195016031 September 14, 1972
At once praised and condemned by his contemporaries and by critics ever since for his highly complex poetic vision, William Butler Yeats remains one of the most important and controversial twentieth-century poets. In what has become a classic work of literary criticism, award-winning critic Harold Bloom breaks new ground with his radical interpretation of Yeats' relationship to the English Romantic tradition. Yeats tells the continuous story of the lifelong influence of Shelley, Blake, and the Romantic tradition upon Yeats' work. Through his analysis of the full spectrum of Yeats' poems and plays, Bloom offers a profound reinterpretation of poetic influence in general.

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Editorial Reviews

Review

"Beautiful, radical, and un-reductive....The disturbing, vivid quality of Bloom's book comes from [the] creative clash of opposed imaginations, and it involves the reader in emphatic excitement at a very deep level."--Ann Wordsworth, The Spectator

"Controversial and memorable....Yeats has a freshness and sharpness, an originality, which is a rare virtue in studies of Yeats....This is one of the few books of a purely critical kind on Yeats that...deserves to rank as a classic."--Times Literary Supplement

"The best book on Yeats yet written....No previous critic of Yeats has had anything like Bloom's encyclopedic command and eidetic recall of the English Romantic tradition....Unlikely to be superseded....Yeats has at last found his proper...critic in Bloom."--Helen Vendler, Journal of English and Germanic Philology

"The best book on Yeats yet written....It [contains] a brilliant and comprehensive account...of Yeats' connections to Romanticism, above all, of his debts to Blake, Shelley, and Keats....No previous critic of Yeats has had anything like Bloom's encyclopedic command and eidetic recall of the English Romantic tradition....Unlikely to be superseded....Yeats has at last found his proper...critic in Bloom."--Helen Vendler, Journal of English and Germanic Philology

"[Bloom] is one of the most nearly omniscient students of the Romantics we have, and his knowledge of Yeats has a similar spaciousness."--Kenneth Connelly, The Yale Review

"Anyone studying or teaching modern poetry will be using this book for decades."--John Hollander, Poetry

About the Author


Harold Bloom is Sterling Professor of Humanities at Yale University. He is the author of many books, including Agon: Towards a Theory of Revisionism, The Anxiety of Influence: A Theory of Poetry, and Wallace Stevens: The Poems of Our Climate, and co-editor with Lionel Trilling of Romantic Poetry and Prose and Victorian Poetry and Prose.

Product Details

  • Paperback: 512 pages
  • Publisher: Oxford University Press, USA (September 14, 1972)
  • Language: English
  • ISBN-10: 0195016033
  • ISBN-13: 978-0195016031
  • Product Dimensions: 8 x 5.4 x 1 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #290,899 in Books (See Top 100 in Books)

More About the Author

Harold Bloom is a Sterling Professor of Humanities at Yale University and a former Charles Eliot Norton Professor at Harvard. His more than thirty books include The Best Poems of the English Language, The Art of Reading Poetry, and The Book of J. He is a MacArthur Prize Fellow, a member of the American Academy of Arts and Letters, and the recipient of many awards and honorary degrees, including the Academy's Gold Medal for Belles Lettres and Criticism, the International Prize of Catalonia, and the Alfonso Reyes Prize of Mexico.

 

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7 of 8 people found the following review helpful:
3.0 out of 5 stars Not for first-time Yeats readers, March 18, 2010
By 
W. Buttler "jumbuk" (Croydon Hills, Victoria Australia) - See all my reviews
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This review is from: Yeats (Galaxy Book 378) (Paperback)
I find this a somewhat unpleasant book.

Bloom's main thesis seems to be that Yeats has been over-rated by the majority of commentators, particularly his most well-known works (the Byzantium poems, Among children etc). He seems determined to take a contrarian point of view, praising little-known or under-appreciated works, and only begrudgingly admitting the power of Yeats's imagery in the later poems.

Bloom's other theses relate to his concept of "poetic influence" and the idea that Yeats is a continuation of the Romantic tradition rather than the first modernist. Both are interesting ideas, and well-supported by example and argument, but tend to swamp the reader who is just interested in gaining a better understanding of Yeats's works.

I am not competent to assess Bloom's knowledge of his subject, but it does seem immense. At times, he spends pages quoting from others in the Romantic tradition, and he is way above my head in his underastanding of Blake. He clearly holds Blake in high esteem - his greatest compliments to Yeats are to say he is "almost Blakean" - but inevitably modified with an exception to show why Yeats is not as honest or deep in his vision as Blake.

To give Bloom his due, he devotes a significant chunk of this book to "A Vision" and he has clearly spent a lot of time and effort in reading and understanding this most obtuse piece of Yeats's output. He also tries to be fair in assessing it's stature and relevance both to Yeats and to his present-day readers.

Despite all this, I was left with a feeling that Bloom does not like Yeats at all, and does not admit him into the company of the elite. He is entitled to his view, and of course that is one of the functions of a critic. Whilst this will all be useful as a counter to the "popular" view, particularly to a scholarly reader, it is hardly the most encouraging reference point for someone drawn to Yeats by the power of his most popular works, and wanting to gain a deeper understanding.

Oddly enough, I found the best introduction to Yeats to be Helen Vendler's magnificent study "Our secret discipline". I say "oddly enough" because her book is by her own admission an analysis of merely the structural forms of Yeats's poetry, not the content. However, it ends up providing deep insights couched in straightforward language, despite the technical jargon describing meter and rhyme schemes. Check this one out if you are early in your Yeats journey and looking for something more than study notes.





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