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Yellow Doors: Poems
 
 
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Yellow Doors: Poems [Paperback]

Ruth Goring (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

November 2003
Each poem in Ruth Goring's debut collection opens a door into undiscovered countries: urgent rivers, wordless giants, soul-stirring music, fathers never known, voices that beckon and fade. Here are sorrow and sweetness, heartbreak and hope. The mundane is here, and also the numinous. At times they switch places. And in the strangeness of these landscapes the familiar is revisioned.

Editorial Reviews

Review

"Explores the shimmering membrane between words and Word." -- Tom Montgomery-Fate, Professor of English, College of Du Page (Glen Ellyn, Illinois)

"Rooted in the earth of this world but stretching, stretching for heaven." -- Jill Pelaez Baumgaertner, Poetry Editor, The Christian Century

From the Author

When I write poetry it's usually pointless to start with an idea. I start with an image or a striking phrase and let it take me somewhere. For years I have thought of my poems as paintings: I want readers or hearers to be startled by colors, dazzled by the fall of light on some ordinary object or gesture. But they are not just visual; words are little buckets to scoop textures, fragrances, intriguing sounds, evocative flavors out of our teeming world.

A good rule for writing a poem: You have to earn the right to use an abstract word. Abstractions--love, truth, perspicuity--are vague by themselves. But if you have been immersed in some wet ocean of shifting blues, the word beautiful may surface like Venus, sudden, radiant and dripping.

I am learning how my poetry and art can serve justice. Mostly by drawing me into reverence, whether for the delicate plumes of prairie smoke--a diminutive flower native to the American Midwest--or for the planes of sunlight on the face of a Colombian campesina. I want to catch the trail of God's delight--and God's abandoned grief--over this beloved creation. Drawing and writing poems are acts of contemplation, steps into sacred space. And the drawings and poems invite you to join in this prayer, this honoring, this love.

This giddiness, ache, exhilaration, desire. We stumble and do not always understand. But these shades of yellow, now. These breathing trees. This laughter.


Product Details

  • Paperback: 48 pages
  • Publisher: Panacea Pub (November 2003)
  • Language: English
  • ISBN-10: 097434270X
  • ISBN-13: 978-0974342702
  • Product Dimensions: 5.8 x 5.2 x 0.3 inches
  • Shipping Weight: 1.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,523,243 in Books (See Top 100 in Books)

More About the Author

Ruth Goring is a poet, activist, editor and artist. Her poems have appeared in Target Earth, White Pelican Review, ProCreation, Mars Hill Review, Prairie Light Review and other journals. Her "Adagio penitento" won the 2000 poetry prize from ProCreation.

Goring writes, "When I write poetry it's usually pointless to start with an idea. I start with an image or a striking phrase and let it take me somewhere. For years I have thought of my poems as paintings: I want readers or hearers to be startled by colors, dazzled by the fall of light on some ordinary object or gesture. But they are not just visual; words are little buckets to scoop textures, fragrances, intriguing sounds, evocative flavors out of our teeming world.

"A good rule for writing a poem: You have to earn the right to use an abstract word. Abstractions--love, truth, perspicuity--are vague by themselves. But if you have been immersed in some wet ocean of shifting blues, the word beautiful may surface like Venus, sudden, radiant and dripping.

"I am learning how my poetry and art can serve justice. Mostly by drawing me into reverence, whether for the delicate plumes of prairie smoke--a diminutive flower native to the American Midwest--or for the planes of sunlight on the face of a Colombian campesina. I want to catch the trail of God's delight--and God's abandoned grief--over this beloved creation. Drawing and writing poems are acts of contemplation, steps into sacred space. And the drawings and poems invite you to join in this prayer, this honoring, this love.

"This giddiness, ache, exhilaration, desire. We stumble and do not always understand. But these shades of yellow, now. These breathing trees. This laughter."

 

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13 of 13 people found the following review helpful:
5.0 out of 5 stars A Rich Tapestry, August 12, 2006
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This review is from: Yellow Doors: Poems (Paperback)
Ruth Goring's debut collection of poems is like Forrest Gump's box of chocolates--as you turn the pages, you never know what you are going to get, such is the variety and scope of the poetry.

Two poems on the same subject serve to illustrate: In "Approach," love is weighty, ponderous, and impressive "like a great ship carrying mountains/ lighted and teeming." In "Not Very Pavlovian," love is a "cool trill" of a whistle that barely pierces the brain of the speaker, who is "sniff[ing] at stumps" like a playful dog. Finally, the speaker recognizes the call and responds: "wagging my silly tail I/ run."

Much of Goring's poetry focuses on her faith. In "Two Fish," Jesus' humanity shines though as he prepares fish and "sets their innards & eyes/ on the sand for the birds." It is the rich detail that helps the reader visualize the Jesus who walked the earth two thousand years ago.

Goring's work also includes poems about language: "Bookwish," "Revision," and "I Hate to Write." Any writer will relate to the latter, a poem about the good writing days and, too often, bad ones, when the writer sits like a fisher, "waiting,/ slapping at mosquitoes,/ reeling in old shoes."

Goring's Yellow Doors is a rich, detailed tapestry of words that will draw you in among the threads and have you touching them in wonder, marveling at their colors.
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Inside This Book (learn more)
First Sentence:
To what country shall I come through the yellow doors, across lawns & lanes & into woods, stooping under sycamores & oaks, breaking twigs, carrying an earnest burden? Read the first page
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