Customer Reviews

The Yellow Fairy Book (Large Print Edition)

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When I was younger my Mom used to read me a book until I fell asleep. As I grew older, I began to read myself to sleep. As things changed only one thing stayed constant, my favorite books are still Andrew Lang's Fairy books. The Yellow Fairy book is a collection of 48 fairy tales written the way they were supposed to be written. Each tale ranges in length anywhere from a couple of pages up to about 20. The tales are fairly easy reads, but they don't lose any of their appeal. The book also contains several wonderful illustrations.
Some of the stories include: The Six Swans, Story of the Emperor's New Clothes, The Crow, The Cat and the Mouse in Partnership, The Three Brothers, The Magic Ring, How to Tell a True Princes, Thumbelina, and more.

I would suggest reading this book, I love it!

With tales such as The Blue Mountains, The Cat and the Mouse in Partnership, The Dragon and His Grandmother, Fairer-than-a-Fairy, The Flower Queen's Daughter, The Glass Axe, How To Tell a True Princess, and many others how can anyone not find this book fun to read? Once again, Lang edits a book full of fairy tales from many lands that will entertain children and adults. The black and white illustrations are also superb.

What makes this particular volume of Lang's collection remarkable is its collection of quite unknown stories. While we all love "Little Red Riding Hood" and "Cinderella", there is nothing wrong with venturing for more complex stories, and that is what this volume provides.

I have not researched these, but I am under the impression that many of these stories were actually "written". I'm not sure how everyone will take that threat to oral folklore, but good fantasy is good fantasy, and I enjoy reading a fairy tale-esque story with extra complexity that still holds the same aura.

The illustrations are gorgeous, as usual, and display intricacies that fit the stories superbly.

Perhaps a more wild collection, but for that I love it all the more.

This edition is very incomplete. I should have done more research and found a better publisher. There is no picture or table of contents, just jumps right into the stories without intro or explanation. I wouldn't mind that if there were at least a table of contents to direct my use of the book. I also haven't started reading the stories to my kids just yet, but the idea is that this is a collection of classics, so I am eager to dive in soon.

In the late 19th century, historian, scholar, and anthropologist, Andrew Lang, began publishing collections of fairy tales from around the world. The first volume was `The Blue Fairy Book' published in 1887. Lang was not a true ethnologist, like the German Brothers Grimm. He was far more the `translator' than collector of tales from the source, stories transcribed from being told by people to whom the tales were passed down by word of mouth. In fact, many stories in his first volume, such as Rumpelstiltskin; Snow White; Sleeping Beauty; Cinderella; and Hansel and Gretel were translated from Grimm's books of fairy tales. Some of his `fairy tales' were even `copied from relatively recent fantasy fiction, such as A Voyage to Lilliput, the first of the four episodes in Jonathan Swift's Gulliver's Travels.
My inspiration for commenting Lang's series of fairy tale books is for the sheer quantity of tales, the wonderful woodcut illustrations, some few of which may have become almost as popular as the tales (although not quite in the same league as Sir John Tenniel's illustrations for Lewis Carroll's great fantasies), and the fact that I had these when I was young.
With twelve of these books, with between 30 and 36 stories in each book, this gives one about 400 different stories. If I were to recommend anything as standard equipment at a grandparents' house, it would be a complete set of these books.
Needless to say, there are a few `warnings' to accompany books assembled over 100 years ago. You will encounter a fair number of words with which even an adult may be unfamiliar, let alone a five year old. For example, on the second page of The Princess Mayblossom in The Red Fairy Book, a character puts sulfur in a witch's porridge. This requires at least three explanations. What is sulfur, what is porridge, and why is sulfur in porridge such a bad thing. More difficult still is when a prince entered the town on a white horse which `pranced and caracoled to the sound of the trumpets'. In 19th century London, caracoling (making half turns to the right and the left) was probably as common and as well known as `stepping on the gas' is today. But, if you're a grandparent, that's half the fun, explaining new words and ideas to the young-uns.
There is another `danger' which may require just a bit more explanation, although in today's world of crime dramas on TV, I'm not sure that most kids are already totally immune to being shocked by death and dead bodies. In these stories, lots of people and creatures get killed in very unpleasant ways, and lots of very good people and creatures suffer in very unpleasant ways. It's ironic that the critics in Lang's own time felt the stories were 'unreality, brutality, and escapism to be harmful for young readers, while holding that such stories were beneath the serious consideration of those of mature age'. The success of a whole library of Walt Disney feature length cartoons based on these stories is a testament to how well they work with children. But do be warned, Uncle Walt did clean things up a bit. Lang's versions hold back on very little that was ugly and unpleasant in some of these stories.
The down side to the great quantity of stories is that even when some come from very different parts of the world, there is a remarkable amount of overlap in theme, plot, and characters. But by the time you get to another story of a beautiful young girl mistreated by a stepmother, it will have been several month since you read Cinderella or the Little Glass Slipper in The Blue Fairy Book. The other side of the coin is that you can play the game of trying to recall what that other story was with a similar theme.
There is one very big word of caution about buying these books through Amazon or a similar on line outlet. I stopped counting when I got to twelve different editions of The Blue Fairy Book, or a volume including several of these books. Not all of these editions have the original woodcuts and even worse, not all have a table of contents and introduction. The one publisher which has all twelve volumes is by Dover. Other publishers, such as Flying Chipmunk Publishing (yes, that's it's name) also have all the original illustrations, table of contents, and introduction, but I'm not certain that publisher has all twelve volumes. Dover most certainly does, as I just bought all twelve of them from Amazon.
While I suspect these stories may have been `old hat' for quite some time, it may be that with the popularity of Lord of the Rings, the Narnia stories, and the Harry Potter stories, all of which have their share of suffering and death, that these may be in for a revival. Again, the main attraction is that for relatively little money and space, Grammy and Grandad get a great resource for bonding with children.

This is part of a collection that I am ordering, a few at a time. I hope to have the whole set displayed in my dining room available for my grand-children and I to share.

The colored fairy tale books by Andrew Lang include stories from around the world. This is no exception--it even contains 3 Native American stories and 3 from Iceland! Others come from Hungary, Poland, Russia, Germany, France and England. The illustrations by H. J. Ford in each of the colored fairy tale books by Lang are marvelous creations in black ink. Dover books can get colored pictures wrong, but for black and white illustrations they are great. Don't miss the whole series--start with the Blue book.

Did our mothers really read these stories to us?? I was so surprised when I started reading these stories aloud to my husband. I thought it would be fun to reminisce since I did my very first book report on one of the stories in this book. But when I read the stories, one after the other, I was shocked to see the violence in each one. I guess the memory filters out the bad stuff, or else my mother gave her own rendition of the endings. It was fun, though, to go back to the old stories and read the classics. But don't delude yourself about the "good old days." They were just as violent as they are today! And that goes for cartoons as well.

As much as I was looking forward to this book it disappointed in many ways, it seems stale in today's fantasy literature. Yet some tales are more than worth the time spent to go through the book.