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Available in a variety of different configurations, RAM is the latest addition to the Paul McCartney Archive Collection and the most anticipated yet! |
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Other songs that benefit from the remix include "Lucy in the Sky with Diamonds," which has a new crystaline purity; "Baby You're A Rich Man," in which the slightly annoying speeded-up trumpet is potted down slightly and the vocals boosted; "Sgt. Pepper / With A Little Help From My Friends," which has a bit more clarity in the instrumental mix and a tighter bottom; and "Only A Northern Song," where all the psychedelic horn fills and chimes are given a nice swirling feel.
The only minor problem I could detect was in "Eleanor Rigby." One reviewer here claims the remix reveals Paul is singing flat. That's not the case-- he's right on pitch, and his voice has been given a bit more "top," an improvement over the original muffled quality of the original. But his vocal also seems to be a fraction of a beat BEHIND the backing "string octet." This is not at all apparent on the original mix. I wonder if this is because one of the tape heads on the Studer 4-track was slightly misaligned on the original recording and mixdown? If so, I can appreciate the problem in trying to remix it.
One can only marvel at the musicianship, vocal ability, songwriting genius, and craft displayed in these recordings. It's enough to make you believe Timothy Leary was right when he proclaimed John, Paul, George and Ringo were four superhuman angels sent to enlighten the human race. I'm quite sure we'll never see their like again, but fortunately, thanks to modern recording technology, we will always have their music to enjoy.
Not so. When these tunes were originally recorded, the engineers had four tracks from which to mix. That meant a lot of bouncing and no true stereo imaging. For example, on Eleanor Rigby we originally heard the string quartet essentially in mono on one channel and the vocals in mono on the other. Fast forward to the late `90s. The engineers retrieved the tapes with the original vocals (all recorded on separate tracks) and the string quartet (also on separate tracks) and digitally synchronized them. Voilà! Now they have eight tracks to work with. The result is a fully realized stereo mix of this classic. The vocals absolutely surround you as does the string quartet. For the first time I'm sitting in the middle of the performance, enveloped by it, not listening from afar. After literally hundreds of listenings during the past three decades I'm hearing instrument nuances and riffs I hadn't realized existed.
Each cut benefits greatly from this meticulously reconstructed digital stereo remixing. The three-dimensional vocals are an absolute joy! To the purists who look at such tinkering with dismay, they still have their legacy albums. For the rest of us -- and new generations of listeners -- this production is an absolute gem, as exciting to listen to today as it was three decades ago. Thanks to technology, I've been reintroduced to these tunes in a way I never thought possible. I'm looking forward to the day when the complete Sgt. Peppers and the rest of the Beatles catalogue are remastered in this way.
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