Customer Reviews

Yes: Classic Artists

5 star:		(16)
4 star:		(6)
3 star:		(5)
2 star:		(0)
1 star:		(0)

 

 

One thing you could never accuse Yes of is restraint. The same band that gave us double albums consisting of four song titles has now released their `authorized' biography, and it is almost as overwhelmingly self-indulgent as "Tales of Topographic Oceans" - but I wouldn't want it any other way. I loved Yes in the `70s. They were such a unique animal that they stood apart from virtually anything else on the scene at that time, and to be sure, no other band ever really approached their combination of intelligence and overkill. The Roger Dean-designed cover for this package promises something extraordinary, as if the old band had somehow turned back the time machine to the days of their classic era. Of course, that would be impossible, but there are elements of this collection that revive old sentiments for the band most responsible for creating `progressive rock'.
Except for background and severely edited bits, the first disk contains virtually no music at all. Instead, the disk rambles on for three and one-half hours of interviews with virtually every bandmember. You could play "The Yes Album" six times in the amount of time it takes to view the interviews on disk one. "Gone With the Wind" is concise in comparison, but the interviews are nonetheless fascinating. Once you get past the visual image of how each member has aged (Chris Squire was almost unrecognizable to me), it becomes apparent that 200+ minutes of interviews is appropriate for a band known for its bombast and sprawling vision. Each member is extraordinarily honest and candid in their recollections, and amusing as well. The video is edited extremely well, switching from person to person with a continuity that allows us to see various aspects of the same story. It is wonderful to see each member speak with candor, and fans will get to know each bandmember in ways that were previously impossible.
As if that weren't enough, a second disk contains an additional hour or so of edited interview footage, which is complete overkill. Comparatively, the music content is paltry, with three vintage videos (that are hilarious in retrospect) and some low-tech, extraneous rehearsal footage dating from 1996. In short, the entire package revolves around whether or not you care to hear the bandmembers recount the convoluted story of one of rock and roll's most tumultuous bands. It is long (and long-winded), but it is also a wondrous story. B+ Tom Ryan

This is a very good documentary and updates the video story of the band after the terrific "Yes Years" from 1991. Sadly, unlike Yes Years, this film is based entirely on the interviews and has precious little video footage from the studio or road. There's a nice chronology, from album to album (as with Yes Years) but I missed seeing video footage of the guys at those times. Instead, you get the guys TODAY sitting at home or wherever, reminiscing about those times. Which is great in its own way, but I missed the archival footage that made Yesyears so great. In a couple spots, they gloss over the stories behind certain albums much too quickly. Where Yesyears celebrated "Going for the One" and gave it the attention it deserved, this film kinda skips past it, with very little discussion behind the greatness of epics like "Awaken." In Yesyears we got to see footage of the guys making GFTO in Montreaux. We learned how those songs came together, and we saw the music being made. Here, it's just talk about it. Oh, and there's NO discussion whatsoever of the solo albums done by each band member in 1976. And no disussion of the aborted album from 1979. I did like how they gave Drama the re-examination it deserved, with interviews from Trevor Horn and Geoff Downes. That was cool.

If you're a longtime Yes fan, this DVD is a must for the comprehensive coverage of the band's history. If you're a relative newcomer, you might be best off starting with Yesyears to get a more well-rounded lesson on the classic yes stuff first.

Although I only gave this four stars , this is one of the best yes documentaries since Yesyears. This goes to their complete history and leaves off where Yesyears ended in 1991. I was so glad to see Peter Banks , Trevor Horn and Geoff Downes on this one as well as the other classic members of Yes. But it was sad to not see Tony Kaye and only one footage of Trevor Rabin about his leaving the band in 95. The real interesting interview on the 2nd disc is the bonus one of Peter Banks , who was supposed to be a sit in guest on the "Union" tour until he claims that Steve Howe said he could not join. It happened to be a a concert at the L.A. Forum that I had attended being a die hard Yes fan. Of course like the Moody Blues dvd, There are only Three full music videos. I was not surprised by this , nor was I surprised that one on the videos was Wonderous Stories. But I was pleased that that with the other two being Tempus Fugit , and the full length wersion of Owner of a lonely Heart , I would had hope that the black and white footage from the beat club in 1969 , and the old footage of Yours is no disgrace was included. In spite of this I do think that this is a great successor to Yesyears and is a must for true Yes fans.

Once again, John Brewer (one-time Yes manager) delivers a visually-appalling piece of video production. Remember the barely-watchable Keys to Ascension video massacre of the San Luis Obispo shows from March 1996? Yep, same guy, who has not a clue about putting together an aesthetically-pleasing visual document.

The content here is compelling and keeps one glued to listen to the now-older Yes members and alumni retell much of the history die-hard Yes fans already know, but it's worth the revisit to hear how opinions may have changed and interpretations of events have evolved.

Visually, where can we begin? Each interview looks as though it was shot by a different video crew. Some interviewees are given TV make-up, most are not. Chris Squire is lit flatly, with a plant sitting behind a couch, a Yes shawl draped over the back. Poor Steve Howe is lit as if he's starring in a horror film--hard light screams from behind casting a frightening white silhouette. Alan White is shot in the requisite lobby chair with adjacent table lamp. Rick Wakeman looks as though he was videotaped in the loo with an unnecessary mirror reflection. Bill Bruford's face is cast in harsh shadows, background over-lit, in full focus with a white door grabbing much of the attention. Jon Anderson is also hit with hard light brighter than the sun on Malibu Beach. You get the idea--it's just an amateur production. Oddly, there is a brief segment with Keith Emerson which looks good--probably shot in hi-def 24p with softer lighting.

Some might not care or notice these infractions. But why take the time and effort to make such a thorough document of Yes's history, and not hire a skilled crew to make it look as good as Yes's music sounds? Yesspeak--another document of Yes interviews, is equally, if not more poorly shot than this one.

For a well-produced, visually-pleasing prog rock document, check out "Prog Rock Britannia-An Observation in Three Movements." And for Yes, the MTV Rockumentary from 1991 is beautifully-done piece.

This is absolutely the most definitive history available for YES that has been released to this date. And for a YES fan, any YES fan, it is an absolute must-have. Not having this would be the equivalent of not owning a copy of Fragile or Close to the Edge. And like the music that came from those great albums, this documentary is long, thorough, detailed, honest, and very much worth having.

So far there has been a lot of buzz comparing this video to YESYears, which is not an unfair comparison. But this, and not merely because it is more recent, is a far superior, and more complete YES documentary. And for the record, this comes from somebody who thinks that the YESYears video is not all that bad. But being completely honest, it was told with a somewhat one-sided and biased view towards the "80's modern" YES. It also attempted to gloss over some of the tensions behind the band's history - all of this in support of the notion that Union was a happy, well-thought-out notion that the entire band really loved.

The main reason that this one is better is because it was not produced to support any particular CD or tour and maintains a much more balanced view with regards to the band's history and the relationships therein. YESYears has some great footage and some really good interviews. But again, it is told from the perspective that the Union tour is the ultimate Be-All and End-All to the story YES. This documentary spends much more time and goes into greater detail regarding the band's formation and history. And not just regarding the musicians, but the managers, and engineers too. There is a good chance that you will get to match some names to faces for the first time when watching this video.

What elevates this documentary to the status of superb is the unbridled honesty that is put forth from both principle band members and others who've contributed along the way -- people such as Peter Banks, Trevor Horn, and Roger Dean. Trevor Rabin's presence is minimal, a short interview with him talking about how he got started doing soundtracks - by giving guitar lessons to, of all people, Steven Segal. Still, credit where credit is due, the albums from the Trevor Rabin years are talked about in detail by many of the band members and much of what they have to say is both interesting and surprising. Steve Howe talks at length about touring with Asia and then listening to 90125 for the first time, then half-jokingly half-serious saying, "they want to be like Asia." But after talking for a while about both 90125 and Big Generator, one learns that Howe's opinion of 90125 is not as harsh as one might expect. In fact watching the extended interview clips contained on the second disc reveals Steve Howe talking about listening to the song "Changes" many years later and admitting that the song elevates 90125 to the status of a legitimate YES album, despite its commercial nature. This, for someone who got started with the Rabin era of YES, comes as a ringing endorsement of approval. Of course his comments on Big Generator were exactly what one would expect - but still significant and actually kind of funny. Then again, Rick Wakeman talks about how he would have loved to have played on Big Generator against Trevor Rabin. But then YES never was one to agree on things.

Other memorable moments include Rick Wakeman talking about how much he hated the Union album an threw his copy of out the window of a moving car onto a Florida highway and wondering if it is sill there. Later however he admits that as much as he loathed the record the 8-member tour was amazing. Trevor Horn has a lot to say about the eighties. Bill Bruford talks cynically about recent YES projects as something that resembles a YES cover band where the members are present in mind and body only. And of course, there is the endless debate over whether or not "Tales from Topographic Oceans" was musical brilliance or tonal trash. Stories like this, and many others are what comprise this 204 minute documentary. It does not feel that long at all. Another mark of its quality

It ends with some out-loud thinking about what YES will do next. There are thoughts voiced about another album or a farewell tour. There seems to be a general consensus that whatever they do should be something special and not merely another obligatory farewell tour to sell yet another concert video that can be followed up by yet another farewell tour. Whatever YES decides, there is something poignant about the unmistakable feeling that, we may be nearing the end of the YES journey. If that does indeed turn out to be true then watching this documentary should leave any YES fan out there with a sense that they left it all on the stage when they walked away. And that is a good thing.

Five and a half hours of great interviews with a few videos and other treats. The interviews cover all Yes albums in chronological order, all the way through Magnification. Almost everyone is interviewed but sadly not Patrick Moraz and a few others. Most die-hard Yes fans will already know some of the information given but all will walk away with knowledge they never had before. I only wish everyone spoke as clearly as Bill Bruford.

DVD arrived yesterday, and I settled in last night to watch it. I thought it was a well-produced, excellently scripted documentary. It's an interesting story to say the least, especially for Yes fans, of all the behind the scenes goings on of a legendary rock band, the reasons for management changes, personnel line ups, etc. I thought this DVD did a great job of pulling everything together in a chronological, straight forward manner. Cool to hear interviews from various engineers,producers, and record executives as well as the band members themselves. This is a must have for YES fans, but even if you only have an interest in how a couple of guys can start off from floor sweeping to becoming megastars of rock, you've got to get this DVD!

The only negative I have for this DVD are that Tony Kaye, Patrick Moraz , Trevor Rabin , Billy Sherwood and Igor Koreshev are not interviewed for this. Other than that, I highly reccomend that all YES fans purchase this DVD. It is, in my opinion, the best documentry on the band that has been made. It comes as a 2 disc set. The first is a complete history of the band with great interviews. The second disc contains extra interviews, 3 video's, and a picture gallery. Plus, there is also a 20 page booklet with some very nice pictures in it. A great addition to any YES fan's collection.

Great to hear and see the complete story of Yes told by themselves. You have to be a fan and be familiar with their music, otherwise this DVD-set might be a bit disappointing. Because this DVD-set is absolutely NOT "packed" with music, video and photographs as promissed. Maybe 10 minutes at the most of video during a 3,5 hour interview is far too little to be called "packed". But nevertheless, I enjoyed it very much.

Really great insights from a lot of different people in the yes-camp. The interviews with Eddie Offord and Steve Howe were the most insightful for me. Steve came accross really, really well. I gained a lot more respect for the man. Here, he seems like a very humble guy. I could have watched for another 5 hours. Great stuff for the die-hard fan.