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Yesterday's Tomorrows: Past Visions of the American Future
 
 
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Yesterday's Tomorrows: Past Visions of the American Future [Paperback]

Joseph J. Corn (Author), Brian Horrigan (Author)
4.2 out of 5 stars  See all reviews (11 customer reviews)


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Book Description

August 1984

Enormous skyscrapers will house residents and workers who happily go "for weeks" without setting foot on the ground. Streamlined, "hurricane-proof" houses will pivot on their foundations like weather vanes. The family car will turn into an airplane so easily that "a woman can do it in five minutes." Our wars will be fought by robots. And our living room furniture—waterproof, of course—will clean up with a squirt from the garden hose.

In Yesterday's Tomorrows Joseph J. Corn and Brian Horrigan explore the future as Americans earlier in the last century expected it to happen. Filled with vivid color images and lively text, the book is eloquent testimony to the confidence—and, at times, the naive faith—Americans have had in science and technology. The future that emerges here, the authors conclude, is one in which technology changes, but society and politics usually do not.

The authors draw on a wide variety of sources—popular-science magazines, science fiction, world fair exhibits, films, advertisements, and plans for things only dreamed of. From Jules Verne to the Jetsons, from a 500-passenger flying wing to an anti-aircraft flying buzz-saw, the vision of the future as seen through the eyes of the past demonstrates the play of the American imagination on the canvas of the future.

--This text refers to an alternate Paperback edition.


Editorial Reviews

Review

Whether it involves gleaming mega-cities, scudding unflawed skies or the inane advertising smile of a man who just loves his personal flying machine, watching Americans look forward is to look back. It is to look at ourselves in our most brilliant and boneheaded moments. Which is great fun. Here, moreover, the fun is enhanced by a cheerful... text and—the real glory—a wonderful abundance of visual material drawn from a Smithsonian traveling exhibit.

(Boston Globe )

Many books might be commended as entertaining, instructive, or even fascinating. Yesterday's Tomorrows deserves each of these adjectives... The reader is taken through a gallery populated with forgotten industrial prototypes, architectural models, toy ray guns, flying cavalrymen on 'helihorses,' science fiction props from Hollywood and, or course, all sorts of projects and renderings concerning transportation.

(Road and Track ) --This text refers to an alternate Paperback edition.

About the Author

Joseph J. Corn is senior lecturer in the department of history at Stanford University. He is the author of The Winged Gospel: America's Romance with Aviation, 1900-1950. Brian Horrigan is a curator with the Minnesota Historical Society in St. Paul. Originally published in 1984 to accompany an exhibition by the same name organized and circulated by the Smithsonian Institution Traveling Exhibition Service.

--This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 158 pages
  • Publisher: Simon & Schuster (Paper) (August 1984)
  • Language: English
  • ISBN-10: 0671541331
  • ISBN-13: 978-0671541330
  • Product Dimensions: 10 x 7.8 x 0.7 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #2,180,917 in Books (See Top 100 in Books)

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Customer Reviews

11 Reviews
5 star:
 (6)
4 star:
 (2)
3 star:
 (2)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (11 customer reviews)
 
 
 
 
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21 of 22 people found the following review helpful:
5.0 out of 5 stars Intriguing, thought-provoking and fun., May 21, 1999
By A Customer
"Yesterday's Tomorrows" is a look at how both popular culture and leading scientists, from the 1800s to the 1970s viewed the future. Joseph Corn and Brian Horrigan, using a variety of source materials, present these visions, both optimistic and grim, in a manner that avoids derision or arrogance. After all, some of these came true, and, in some cases, we wish the others had come true. But, as Corn and Horrigan point out, that's the beauty of the future: anything is still possible. The best way to explore how others viewed the future is through pictures, and this book has plenty. Corn and Horrigan draw on pictures, sketches and illustrations from magazines, TV shows, movies and books. While many of these visions, such as Buck Rogers' ray gun or a helicopter in every garage, are now nostalgic, many others, such as Buckminister Fuller's houses, still invoke wonder and awe. Corn and Horrigan provide a balanced approach to their theme by drawing from both popular culture and the scientific community's conception of what our life would be like. The book runs the gamut from future visions of cities, housing, transportation and warfare. Some ideas such as lasers have become commonplace while others like the flying tanks are prototypes that were passed over in favor of more practical options. But as the authors point out, who are we to judge these ideas from the vantage point of our time? Corn and Horrigan are careful not to poke fun at these concepts, but instead present them and explain their significance to the context of the times which produced them. Both fun and thought-provoking, this book is an excellent glimpse into not only the future, but into our dreams that make our tomorrows. Highly recommended.
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18 of 19 people found the following review helpful:
3.0 out of 5 stars Fun but not enough, September 4, 2005
By 
Wayne A. (Belfast, Northern Ireland) - See all my reviews
(VINE VOICE)   
I agree with the reviewer below. It's one of the few books on this subject (I've only seen one other) so we have to live with it. On the other hand it's small, it's a bit scattered in its approach, and it feels like a museum gift-shop item/show catalogue of sorts. I would like to see someday a huge, profusely illustrated, and text-rich book on the complete history of portraying the future (positively) which is an historically recent phenomenon. It died probably around the time of the '64 World's Fair and depictions of the future since then have been largely dystopian. Nowadays they're downright awful. This is something we need to address because unless you can conjure up imagery of an upbeat future you're not likely to even try to create one. This book made me miss the days when people thought more positively and hopefully about many things, regardless of how bad it was at the time. Imagine the images in the mind of the average contemporary young person of the "World of 2050."
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13 of 13 people found the following review helpful:
5.0 out of 5 stars The future isn't what it used to be...., June 24, 2003
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Even though this book was produced to accompany a 1984 Smithsonian exhibition, it truly holds up as a worthy work in its own right. I can't recall seeing the subject of past speculation on the future handled better. It is done in a manner that is both scholarly and interesting. You get a balance of both the popular fictional conception of the future, as well as, more "official" versions from government and corporate think tanks.

The real strength of the book is it's vast number of both color and black and white illustrations. You have everything from ink engravings from 19th century illustrated newspapers and penny dreadfuls, to the glorious 4 color covers of 1930's pulp magazines, to film stills of the "modern era" (Star Wars, Blade Runner, and Road Warrior.)

I found the ideas in the insightful text most interesting. It is pointed out that the popular image of the past changes and evolves through time. The Victorians and Edwardians seem to assumed that the future would be much like their heirarchical and elite present, just with bigger buildings and more complex machines. The first half of the 20th century was driven largely by an utopian, often socialist, vision of a better future for all. However, the vision that seems to dominate the later half of the century is a grim, corporate, cyberpunk nightmare.

As Arthur C. Clark points out in the text, the future isn't what it used to be.

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Inside This Book (learn more)
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First Sentence:
Literate Americans became easily accustomed to finding the future in magazines and newspaper during the latter half of the nineteenth century, and the pattern continues. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
paper encased, flying tank, futuristic films, science fiction pulps, hobby magazines, space toys, past visions
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Buck Rogers, General Motors, United States, Dymaxion House, Broadacre City, General Electric, General Houses, Looking Backward, Norman Bel Geddes, Star Wars, Amazing Stories, Captain Video, Electrical Experimenter, Jules Verne, Los Angeles, Star Trek, Blade Runner, Buckminster Fuller, Tom Corbett, Flash Gordon, Ford Motor Company, House of Tomorrow, Viet Nam, War of the Worlds
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