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Yoko Ono & Plastic Ono Band Original recording reissued, Original recording remastered


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Audio CD, Original recording reissued, Original recording remastered, June 3, 1997
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Product Details

  • Audio CD (June 3, 1997)
  • Original Release Date: 1970
  • Number of Discs: 1
  • Format: Original recording reissued, Original recording remastered
  • Label: Rykodisc
  • ASIN: B0000009RH
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (66 customer reviews)
  • Amazon Best Sellers Rank: #144,905 in Music (See Top 100 in Music)

1. Why
2. Why Not
3. Greenfield Morning I Pushed An Empty Baby Carriage All Over The City
4. AOS
5. Touch Me
6. Paper Shoes
7. Open Your Box
8. Something More Abstract
9. The South Wind

Editorial Reviews

From the Label

Universally, Yoko's P.O.B. album was seen as an extreme affront against propriety and possibly civilization! Something so revolutionary should have been applauded by the free-thinking radicals, but they were not as free as they pretended to be. There is a cultural context to Yoko's vocal style on songs like "Why" and "Why Not," that was derived from the operas of Alban Berg as well as from hetai, a style of straining your voice for a Kabuki performance, and just plain anguish. Her use of composing songs through improvisation was picked up from her jazz friends, Ornette Coleman and others. Originally released to almost universal disdain in 1970, critics now declare this album as laying the groundwork for the punk revolution of 1976. David Browne, Entertainment Weekly, has credited Yoko with "launching a hundred or more female alternative rockers, like Kate Pierson of the B-52s to current thrashers like L7 and Courtney Love of Hole."

Customer Reviews

This album is full of fury, pain, anger, real emotion.
Grigory's Girl
Imaginative, fantastic creations, from one of the most talented contemporary artists alive today.
"zcircus"
In closing, I gave this disc two stars because the music itself is not bad.
B. Bowman

Most Helpful Customer Reviews

27 of 33 people found the following review helpful By Donn Hart on March 21, 2000
Format: Audio CD
Yoko Ono's "Plastic Ono Band" was released to coincide with her husband, John Lennon's, album of the same name. The cover art is almost identical (with a few subtle differences), and, believe it or not, so is the musical content.
The trick to listening to any Yoko album is not to approach it expecting pop music. Approach it with an open mind, open ears, and open heart. That said, certainly, John's "P.O.B." is much more accessible than Yoko's, but equally as harrowing. Both are powerful, direct, counterphobic assaults on pain and outrage. Key difference here: Yoko's "P.O.B." contains no actual words. She expresses herself here through wordless howls and largely improvised musical arrangements. Musically, she anticipates punk by almost five years (don't believe me? Check out "Why" and then try to argue your point with me!), and completely burns the barriers of what's allowed and what's not in music.
If you like the typical song structure (verse-chorus-verse-verse-chorus-break-middle-eight-chorus-out) and nothing else, "Yoko Ono/Plastic Ono Band" is not for you, stay far away from this album. But, if you're looking to give your eardrums a break from the formulaic schlock on the radio these days and listen to something truly innovative, get this one. Follow the booklet's advice: play it in the dark.
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7 of 8 people found the following review helpful By A Customer on December 20, 2000
Format: Audio CD
Most people will hate this album, after all it features yoko screetching and snorting and soaring over Lennon's hard line guitar and Ringo's solid drumming. mmmm
There are other explorations here with rhythm and voice. Most of the time Ono manages to sound like a synthesiser, and to stretch what people could do with their voices on rock records. Sure not all the album is great - the 16 minute bonus track south wind could have easily been left in her apartment where it was made, and AOS sounds like almost everyother peice of sixties avante guarde. But that still leaves you a lot of passionate noise and rythm.
Anyone who likes experimental rock should have this in their collection.
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6 of 7 people found the following review helpful By A Customer on May 20, 1999
Format: Audio CD
Like Ornette Coleman, John Coltrane's later work or Charles Gayle are labeled "free jazz," this album could be called "free rock." Yoko Ono's previous albums were just noodling with tapes and knobs with John Lennon (some of it excellent, like "Life with the Lions," some of it quite mundane, boring, and as many of her detractors would say, irritating). "Plastic Ono Band," while not as lyrically cathartic as her husbands counterpart, Ono's backup band here (John Lennon, Ringo Starr, Klaus Voorman) and her scream commit 110% to Janov's primal scream therapy. Highlights include "Why" (do you think Thurston Moore listened to this before he formed Sonic Youth?) and "Aos" with Ornette Coleman on trumpet. Warning, this album is not for everybody. For the tame, it might cause yr ears to bleed.
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3 of 3 people found the following review helpful By A Customer on February 19, 1999
Format: Audio CD
In 1969, a crowded Toronto auditorium full of rock & rollers attending a rock & roll revival (featuring some of the biggest names in rock history) patiently awaited the much-publicized debut of John Lennon's 'Plastic Ono Band'. When the band finally took the stage, they played a set of the usual rock & roll favorites to which the crowd responded well. Then John turned the mic over to his new partner, Yoko... Music as the world knew it would never be the same!!
For her first solo album, Yoko divided her set between her newly created primal rock jams taking up side one and her more freeform avant-garde featured on side two. There is no question that the world was not exactly ready for the type of music this revolutionary album offered, but it did not deserve the negative response it recieved. Looking back on it now, this album was probably one of the most groundbreaking of it's era. Here we have a woman, a japanese woman at that, not only leading a rock band rather than just merely singing with it, but also using her voice more like a musical instrument rather than simply singing. The intense energy of the album was something that had not been experienced by most people at that time. From the opening guitar screech of "Why" to the final end of "Paper Shoes" the album never loses it's cretive edge. The two most powerful tracks on the album are of course the full-tilt rocker "Why" and the bluesy "Why Not" which at nearly 10 minutes never allows the listener to get bored. "Greenfield Morning..." is an interesting piece even if only for it's abnormally long title. In recent years, the song recieved a 'hats off' from fellow japanese pop singers Shonen Knife.
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11 of 14 people found the following review helpful By Amazon Customer on February 17, 2001
Format: Audio CD
This music rocks! It doesn't sound Beatles at all - more like some odd combination of John Lennon's Plastic Ono sound and a noise band.
Listen to the opening track "Why", though...the bass and drums really lay down a groove, the guitar is dissonant, and Yoko's voice is crazy, agressive, and confident. It's like nothing else you'll hear, but it's all done so well. I think it's worth picking up.
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