From Publishers Weekly
Wells returns to the plucky heroine she introduced in Yoko with this wistful story about the green-eyed kitten and her far-away grandparents. Yoko writes weekly to Japan to her beloved grandmother, Obaasan, whose garden is visited each year by migrating cranes. Yoko's grandfather, Ojiisan, inspired by the winged visitors, showed his granddaughter how to fold cranes out of paper. When Obaasan's birthday approaches and Yoko doesn't have the money to buy her a present, she sends her some origami cranes, folded just as Ojiisan had taught her. Wells differentiates between the two homelands in palette and artistic style. She dresses the endearing grandparents in autumnal-hued kimonos cut out of silk-screened paper against backgrounds of woodblock-style ocean waves and wind-blown pines. Yoko, meanwhile, sports flowered patterns and spring-inspired colors; Wells outlines the heroine's vignettes in plaid frames. The boxed collages form the main images but, in traditional Japanese style, their borders are porous: leaves fall and cranes fly out into the white margins; Yoko's posted letters and origami diagrams prance across the bottom of the pages. "Soon I will come back to Japan, just like the cranes," Yoko's birthday greeting says, and while the book doesn't portray her return, youngsters will know that, no matter how far away their grandparents may be, their love will find them. Ages 3-7.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
reS-Gr 2-This much-anticipated follow-up to Yoko (Hyperion, 1998) focuses on the beloved kitten's connection to the grandparents that she and her parents left behind in Japan when they relocated to the United States. The story begins by recounting the treasured hours she spent in the garden with Obaasan, her grandmother, feeding the cranes. Little Yoko learns that the cranes stay only a few months in the garden. The disappointment that she feels at the birds' seasonal departure is mitigated somewhat by the origami cranes and other creatures that Ojiisan, her grandfather, teaches her to make. This backward glance continues by revisiting Yoko and her parents' eventual departure from Japan. Once in America, the child corresponds weekly via letters and then on Obaasan's birthday, sends a special present of three lovingly folded origami cranes and the promise that soon she will return to visit them-just like the cranes. This touching intergenerational story is told with a beautiful economy of language that echoes the simplicity valued in both Japanese art and culture. The stunning artwork is a marvelous pastiche created by the use of origami and washi papers, gold leaf, rubber stamps, and paint. Recognizable motifs from traditional Japanese art are found throughout the visual narrative. A perfect gem.
Rosalyn Pierini, San Luis Obispo City-County Library, CA
Copyright 2001 Cahners Business Information, Inc.