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Bond, recovering from the death of his wife, is falling to pieces. Taking the advice of a friend, M sends him on a vital mission to Japan, which he hopes will restore Bond's spirits. What seems at first to be a rather placid visit soons turns dangerous as Bond agrees to accept secrets about the Russians in exchange for carrying out a delicate mission for the Japanese government. What he encounters is the culmination of the previous two Bond novels, and the last half of the novel is virtually unputdownable.
This is the best writing of Fleming's career, and his descriptions of Bond's disintegration are surprisingly moving. The final hundred pages or so are horrifying and gripping; never before had Fleming demonstrated such mastery of his craft or technical skill at setting up a denouement. The tension becomes almost unbearable.
"You Only Live Twice" is not an uplifting book, but it is a vital book in the Bond series, and much better than its successor, the pale and posthumously published "Man With the Golden Gun." Those expecting slam-bang action will have to wait until the middle and final chapters, but the rewards are worth the patience. This is a fine novel, but I wouldn't start here if I were just discovering Fleming's Bond novels.
The plot does start out quite promisingly. Nine months following the death of his wife, James Bond has sunk into an alcoholic wave of depression. M, rather cold hearted in this book after being humanized in OHMSS, comes close to terminating his service but instead, gives Bond a mission designed to respark his love of espionage. Bond is sent to Japan to try to convince the head of the Japanese secret service -- Tiger Tanaka -- to ally himself with the English. These sections of the book are very strong. Bond's mission is believable, the plot (which is quite cynical while detailing how even allies like America and England are actually rivals when it comes to espionage) is compelling, and Tiger Tanaka is one of Fleming's strongest connections. The scenes in which Bond learns about Japanese culture (while containing the well-meaning condascension that of which Fleming -- like most writers of that era regardless of genre or nationality -- was often guilty) are well-written and actually quite interesting. Quite late in the book, Tanaka recruits Bond to investigate the Suicide Gardens of the mysterious Dr. Shatterhand (again, a very promising premise -- Shatterhand basically has constructed a garden of poisonous plants designed to encourage visitors to commit suicide). This investigation leads to Bond's final battle with Blofeld and it is here that the book, unfortunately, disappoints. Blofeld feels like a tacked-on addition and, unlike the previous books, his plot makes absolutely no sense. (Fleming even admits this when Bond concludes that Blofeld's gone insane -- however, his scheme is so ludicrous that it actually detracts from his status as a worthy antagonist to Bond.) Whereas the previous books made Blofeld as fascinating a character as Bond, in this book both of them feel a little bit bland and as a result, their final battle doesn't carry the emotional wallop one might have hoped for.
However, in Fleming's defense, it should be noted that he was quite ill when he wrote this book and it is a testament to his often maligned talents that, even while ailing, he still managed to create a book that -- while uneven as a whole -- still contained some fantastically strong early scenes and a character as vivid as Tiger Tanaka. No, this book is not perfect or even one of the best Bond novels but it will still be enoyed by fans of the original Fleming novels.
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