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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Funny, Smart, Real...GREAT., March 12, 2002
This review is from: You Remind Me Of You: A Poetry Memoir (Paperback)
This is my very favorite book! Eireann's story is the most elegant retelling of what it's like to be sick, to be sad in your teens and what love can [and cannot] do to save you. It is both a heartrending account of a terribly sad illness, the way in which that illness turns you into your own worst enemy, and the possibilty for healing and for love. I read the whole book in one afternoon cause I couldn't put it down. It's so real. Not only is it an elegant account of her sickness but also jut about the best depiction of teenage love I have read. Eireann really understands the way in which teens believe and act in accordance with an idea of a higher, truer, better love. It is also about coming to understand just how much love can help you--and what love can't do. Ultimately Eireann got better because she understood the dead-end nihilism of her situation and chose to make herself better. I expected to be moved. I didn't expect to laugh so much and to laugh and cry on the same page. Her ability to move the reader from the bitter to the sweet and back again, often within the same passage, is the mark of a poet fully in control of her craft and honest and playful with her life.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
FINALLY SOMEONE GETS IT RIGHT., March 12, 2002
This review is from: You Remind Me Of You: A Poetry Memoir (Paperback)
I picked up a copy of You Remind Me Of You with a rather morbid interest. My sister had been an anorexic and the literature I'd absorbed to understand her plight ranged from the uselessly juvenile to the deeply self-abusive. Everyone who tackled the issue seemed interested primarily in disguising masochistic boasts under the goopy rhetoric of the self-help movement. Fine for therapy but of little interest to someone trying to understand the mechanics of the illness. The glut of private, soupy memoirs made me suspicious of Ms. Corrigan's book--a memoir told by a 24 year-old that dealt with anorexia and ended with her boyfriend's would-be Cobain finish--"Dear God!" I thought, "must all our wounds go undressed? Does everybody's private anguish deserve a book deal?" Well in Ms. Corrigan's case absolutely. One of her poems is worth fifty of Elizabeth Wurtzel's self-pitying memoirs. Ms. Corrigan's story could all too easily dip into the realm of the pseudo-Plath but her wit, playfulness and, ultimately, willingness to be honest about her own complicity in her situation redeems the narrative. Ms. Corrigan writes with a certainty and verve remarkably assured for someone who can't be more than a few years out of college and is able to make the rather grim details of her situation--the gory truth of anorexia is an ugly scene--more than simply shocking. Critics who have picked on her careful attention to the gruesome details of her illness as some form of masturbatory shock factor totally miss the point. To avoid a frank discussion of her situation would be to let herself off the hook and gussey up the nasty way in which eating disorders make sufferers both victim and victimizer. This is a courageous book. It is a moving book. It is also a funny book. But mostly this is a poet at the top of her game. I hungerly await her next work.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
It Reminds Me of Great Reading, January 30, 2002
This review is from: You Remind Me Of You: A Poetry Memoir (Paperback)
At its heart a moving drama of love, death and rebirth (sort of Plath meets Lazarus), Corrigan's book is also an unintended antidote for the millions of girls poisoned by the desire for the unattainable abs of the modern pop princess (Starve me, baby, one more time?). For this work, Corrigan chose a writing style that allows her to capture the subtle nuances of pain, hope and helplessness, while remaining accessible to the anguished pre-teens for whom the story serves as warning. More than just offering the reader good literature, the author performs a great service by giving us a window into her pain. It is a poetic confession that leaves us, the readers, aware of our own need for penance. In some of its early scenes, the story becomes the most modern of fairy tales. While dragons once locked damsels in towers, today we find anorexia chaining distressed heroines in hospital wards. While true love used to ride to the rescue, the prince now gets stoned in his car. Corrigan later becomes the prince herself, waking her beloved from a very different kind of enchanted sleep. As the narrator grows back into an adult from her anorexia-imposed state of physical infancy, the tone matures as well. In a culture awash in "reality programming," Corrigan's book proves as poignant, poetic, and real as anything I have watched or heard in years.
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