From Publishers Weekly
With this academia-obsessed novel,
New York Times perfume critic Burr branches out from his nonfiction scent-based books. Howard Rosenbaum is a Jewish powerhouse in Hollywood with an Anglo-Saxon wife, Anne, whom he met at Columbia University, where they both earned Ph.D.s in literature. Now they live among œpathologically narcissistic people with an œutter disdain for the written word. But when narrator Anne is solicited to compile a book list for Dreamworks CEO Stacey Snider (Burr weaves actual Hollywood bigwigs into the tale), the list becomes a small book club, then morphs into a huge gathering with Anne the literary guru to virtually all of Hollywood. Anne and Howard's only child, Sam, travels to Israel, and Howard's initial delight sours when Sam is rejected by a rabbi in Jerusalem for an intensive study œprogram because he is not officially Jewish and therefore œunclean. A true celebration of intellect, Burr's tale does, occasionally, misstep into a pedantic bog, but ultimately examines the personal decision each of us must make to run from, or embrace, our identity.
(June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
A love story rolled up in literature lessons makes
New York Times scent critic Burr's (
The Emperor of Scent) fiction debut a truly novel work. The narrator is the incandescent, opinionated, very well read, and professorial Anne. Born in England, the child of diplomats, Anne marries the Brooklyn-born and equally erudite Howard Rosenbaum, and they produce a very precocious son, Samuel. Anne's natural sense of otherness, heightened by her Jewish in-laws' lack of enthusiasm at their marriage, is further stretched when Howard accepts a studio executive position and moves the family to Los Angeles. Anne struggles to find a niche for herself, finally meeting success the moment she sets up a book club at the behest of a couple of Howard's colleagues. Anne's brilliance in running this salon fuels Hollywood's boundless hunger for the next great screenplay. Soon Anne is dividing her book readers by film industry types, multiplying the number of groups, and her business is born. What of the love story? The differences of faith between Anne and Howard surface after their son returns from a trip to Israel, and Anne must work her literary magic to retrieve their love. If only for the lessons in linguistics and literature, this is recommended for all fiction collections.—Sheila Riley, Smithsonian Inst. Libs., Washington, DC
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