Product Details

• Actors: Robert Wilcox, Dorothea Kent, Harry Davenport, Larry J. Blake, Clem Bevans
• Directors: John Rawlins
• Writers: Ben Grauman Kohn, Charles Grayson, Edward James
• Producers: Barney A. Sarecky
• Format: Black & White, Closed-captioned, Dolby, DVD, NTSC
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rating: NR (Not Rated)
• Studio: Alpha Video
• DVD Release Date: January 25, 2005
• Run Time: 68 minutes
• Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
• ASIN: B0006SST22
• Amazon.com Sales Rank: #176,035 in Movies & TV (See Bestsellers in Movies & TV)

Editorial Reviews

Product Description
As the last survivor of the Civil War, aging Joel Bentham is awarded $50,000 upon the death of his army buddy, Tom Riggins. Suddenly a wealthy man, Joel and his personal servant pack up and move into Riggins' old country house, along with a tough but beautiful tramp named Meg whom they pick up along the way. Fulfilling a promise to his departed friend, Joel contacts Riggins' estranged grandson, Ray. A brash city slicker with debts to dangerous people, Ray quickly agrees to help "look after" Joel when he learns of the money. Ray's greedy scheme becomes increasingly apparent to everyone. Joel, however, refuses to suspect Ray of ulterior motives until he catches him cheating in a chess game. Joel decides to deposit the money in the bank, but Ray's old gang from the city shows up and insists on getting their share. Joel must now face a final battle to protect his young friends from the villains who are willing to kill for his fortune.

Customer Reviews

Most Helpful Customer Reviews

4.0 out of 5 stars G.A.R. Veteran Resists Racketeers In Well-Made Melodrama., June 7, 2007

By	Rsoonsa (Lake Isabella, California) - See all my reviews

Plumped with incident, the storyline of this Universal Pictures "B" film is punctuated with humour and light romance, the work being a welcome addition to Alpha Video's burgeoning catalogue of re-released and little appreciated American cinema of, in the main, the 1930s and 1940s. As the modestly budgeted work opens, Joel Bentham (Harry Davenport) is seen in his boarding house room, decorated with memorabilia from Joel's four years of service as an officer for the Union Army during the War Between The States, and later at the home of best friend Tom Riggins (Tom Ricketts) whose looming death will leave Bentham as the only remaining Northern veteran of the conflict, and possessor of $50,000 bestowed upon the final remaining survivor. It becomes obvious to Joel that a large segment of the Midwestern township population among whom he lives is yearning for a specimen of his newly acquired wealth, but such will not be the case because the old warrior, along with his servant, curmudgeonly Benjie (Clem Bevans) move away as method of protest against the widespread cupidity surrounding the two men, to the rural home of old comrade Riggins, taking with them a female hobo, Meg (Dorothea Kent), whom they have recently adopted. In compliance with a vow made to his old comrade Tom while at the latter's deathbed, Bentham makes contact with the deceased man's estranged grandson Ray (Robert Wilcox) who resides in Chicago, and invites the young man to dwell with Joel and Benjie, an action smoothly undertaken by Ray, who has determined to his satisfaction the considerable financial potential of relocation to the former Riggins homestead. Being involved with Windy City thugs, Ray is no stranger to illegal activity, as immediately becomes apparent to Meg and Benjie. Yet, Joel's connection with reality is also strong, and it only remains to be seen as to Ray's ability to reform his ways, as well as the degree of salutary influence that the three other principal characters might have upon him. Able veteran director John Rawlins does not belabour a viewer with a surfeit of styles for what is, after all, a slight albeit good looking affair, and he handles his cast of competent players to good effect, while a wide range of clever and creative montage and editing is contributed by Frank Gross. The film is crisply paced, thereby allowing for ongoing character development until its final pages, when financial limitations and shooting schedule restrictions hurry the production along. There is nary an untidy line delivered by Davenport, a superlative actor, and his timing during a monologue delivered early on is representative of his top-echelon work. This is one of the better transfers from Alpha, and a viewer will therefore be pleased to avoid having to suppress disappointment with flawed elements of what in lieu turns out to be a DVD package of excellent visual as well as sound quality.