Young Lonigan (Penguin Classics) [Paperback]

James T. Farrell (Author), Ann Douglas (Introduction)

Book Description

Publication Date: June 24, 2003 | Series: Penguin Classics

In American classic in the vein of John Steinbeck's The Grapes of Wrath, this first book of James T. Farrell's powerful Studs Lonigan trilogy covers five months of the young hero's life in 1916, when he is sixteen years old. In this relentlessly naturalistic yet richly complex portrait, Studs is carried along by his swaggering and shortsighted companions, his narrow family, and his educational and religious background toward a fate that he resists yet cannot escape.

Editorial Reviews

About the Author

James Thomas Farrell (1904—1979) was born in Chicago to a struggling family of second-generation Irish Catholic immi grants. In 1907, his father, James Farrell, a teamster unable to support his growing family, placed young Jim with his maternal grandparents. It was his grandparents’ neighborhood in Chicago’s South Fifties that would provide the background to Farrell’s Studs Lonigan trilogy. Farrell worked his way through the University of Chicago, shedding his Catholic upbringing and absorbing the works of William James, John Dewey, Sigmund Freud, while reading widely in American and European literature: Herman Melville, Sherwood Anderson, H. L. Mencken, Sinclair Lewis, and James Joyce were critical influences on his literary development. “Slob” (1929), his first published story, was also his first render ing of the real life “Studs Lonigan,” a young man he had known growing up in Chicago. Farrell’s first novel, Young Lonigan was published in 1932, followed by The Young Manhood of Studs Lonigan (1934) and Judgment Day (1935)—the three volumes making up his celebrated Studs Lonigan trilogy. A prolific writer, Farrell left more than fifty books of stories and novels behind him when he died in 1979. Alongside his masterpiece Studs Lonigan, Farrell’s best-known works include the Danny O’Neill novels, A World I Never Made, No Star is Lost, Father and Son, and My Days of Anger. James T. Farrell’s Studs Lonigan trilogy is also available in Penguin Classics.

Ann Douglas teaches English at Columbia University. Her books include Terrible Honesty: Mongrel Manhattan in the 1920s and The Feminization of American Culture.

Product Details

• Reading level: Ages 18 and up
  
• Paperback: 224 pages
• Publisher: Penguin Classics (June 24, 2003)
• Language: English
• ISBN-10: 0142180076
• ISBN-13: 978-0142180075
• Product Dimensions: 7.8 x 5.1 x 0.5 inches
• Shipping Weight: 6.1 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #881,435 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

1 of 2 people found the following review helpful:

5.0 out of 5 stars William Kennedy, Your Father Is Calling You, March 10, 2010

By 

Alfred Johnson (boston, ma) - See all my reviews
(REAL NAME)   

This review is from: Young Lonigan (Mass Market Paperback)

Over the past several years, as part of re-evaluating the effect of my half-Irish diaspora heritage (on my mother's side) on the development of my leftist political consciousness I have read, and in some cases re-read, some of the major works of the Irish-American experience. Of course, any such reading list includes tales from the pen of William Kennedy and his Albany cycle, most famously "Ironweed". And, naturally, as well the tales of that displaced Irishman, the recently departed Frank McCourt and his "Angela's Ashes", a story that is so close to the bone of my own "shanty" Irish upbringing that we are forever kindred spirits. That said, here to my mind is the " max daddy" of all the American disapora storytellers, James T. Farrell, and his now rightly famous trilogy, "Studs Lonigan" (hereafter, "Studs").

Now my first kinship with James T. Farrell is not through literature, but rather through politics. For a period, and an important one at that, Farrell was a stalwart pro-communist, anti-Stalinist militant writer who served with distinction and honor on the John Dewey headed- Leon Trotsky Commission that tried to determine whether Trotsky was, or was not guilty, of crimes against his beloved Soviet Union during the height of Stalin's Moscow Trials in the late 1930s. Farrell rendered further serious services to the left-wing when he helped organize the defense of the leaders of the Socialist Workers Party during the beginning of World War II when the Roosevelt government had them jailed for opposition to that war. Thus, Farrell came with some good political credential in the eyes of this reviewer.

And in his storytelling of his people, the Chicago Irish, Farrell does not let us down either. "Studs" is only marginally concerned with political issues, and then only of the bourgeois kind rampant amount the Irish in the early part of the 20th century when they were taking over local politics in a number of cities from their former WASP guardians. However, he has hit so many "hot buttons" about "lace curtain" Irish sensibilities and the struggle against "shanty" Irishness that he, Kennedy, and McCourt could have easily compared notes for their respective works.

"Studs", even at a young age, and this first book of the trilogy only goes up to his late teens, is already having his existential crisis at that tender age. And that crisis for him is the tension between that surface "lace curtain" Irish sensibility that both his father and mother are, in their own very familiar way (familiar to anyone who has had the least bit of traditional Irish upbringing), trying to instill and his natural inclination to go "shanty" (hang out on corners with the guys, drink, loaf, and chase girls, or at least dream of chasing girls). For those who know, and even for those who don't know, Farrell gives us a primer here of common Irish experiences; the central role of the Church in daily and weekly life, at least on the surface; the "virtues" of parochial school education by the good sisters; the need to keep the "dirty linen" of family life in the home, and away from inquisitive neighbors; and, most importantly, the never-ending quest of what to do about girls. That last point drives home, as it does for almost all of us, the real central problem of early teenage existence. Hey, all of this sounds to me like it could have been written today about Irish-American kids, right? And that is what makes Farrell's work resonant to our ears and our eyes ,and is such a good work of literature. More later, as "Studs" moves into manhood.

1 of 2 people found the following review helpful:

5.0 out of 5 stars TOUGH KID, BRILLIANT WRITING, June 4, 2008

By 

Exley Cave (New York City) - See all my reviews

This review is from: Young Lonigan (Mass Market Paperback)

YOUNG LONIGAN, the short novel that introduces the STUDS LONIGAN trilogy, is the brilliant evocation of the tough youth of a tough kid in pre-WWI Chicago. The prose is tour-de-force stream-of-consciousness. It seeps into the mind of a smart, flawed, hilarious kid (imagine Max Fisher without the scholarship, or Stephen Dedalus without the educated abracadabra) and it takes you right into the depths of your own conflicted youth. If you're a reader, you'll devour this book (and its successors); if you're a writer, you'll emulate it.