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Your Face Tomorrow: Dance and Dream (Vol. 2)
 
 
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Your Face Tomorrow: Dance and Dream (Vol. 2) [Hardcover]

Javier Marías (Author), Margaret Jull Costa (Translator)
3.9 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

July 17, 2006

A book unlike any other, a daring experiential unfolding Spanish masterpiece, Your Face Tomorrow now leaps into uncharted new territory in Volume Two: Dance and Dream.

Your Face Tomorrow, Javier Marias's dazzling unfolding magnum opus, is a novel in three parts, which began with Volume One: Fever and Spear. Described as a "brilliant dark novel" (Scotland on Sunday), the book now takes a wild swerve in its new volume. Skillfully constructed around a central perplexing and mesmerizing scene in a nightclub, Volume Two: Dance and Dream again features Jacques Deza. In Volume One he was hired by MI6 as a person of extraordinarily sophisticated powers of perception. In Volume Two Deza discovers the dark side of his new employer when Tupra, his spy-master boss, brings out a sword and uses it in a way that appalls Deza: You can't just go around hurting and killing people like that. Why not? asks Tupra.

Searching meditations on favors and jealousy, knowledge and the deep human desire not to know, violence and death play against memories of the Spanish Civil War as Deza's world becomes increasingly murky.

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Your Face Tomorrow: Dance and Dream (Vol. 2) + Your Face Tomorrow: Poison, Shadow, and Farewell (Vol. 3) + Your Face Tomorrow: Fever and Spear (Vol. 1)
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Editorial Reviews

From Publishers Weekly

The spy story is incidental to acclaimed Spanish novelist Marías's elegant but prolix second volume of a projected trilogy (after Fever and Spear) narrated by Jacques (or Jaime) Deza, a Spanish expat in London and former Oxford instructor working as an analyst for the intelligence service MI5. Deza's inscrutable, nihilistic handler, Bertram Tupra, doesn't clarify Deza's mission when he brings him to a nightclub to accompany the wife of a contact. There, Tupra terrorizes and beats a man for hitting on the wrong woman. Though this central action unfolds at length, Marías's real concern-evidenced by the dense but not always incisive philosophizing that makes up this mostly internal novel-is the process of reflection rather than the ideas themselves. Like Marías, Deza is an accomplished translator, keenly aware of the imprecision of language; his inner monologues sprawl and fold back in on themselves. In the novel's most compelling section, though, Deza recounts his father's recollections of the Spanish Civil War, which revealed the capacity of ordinary people to commit and then disassociate themselves from extraordinary brutality. With the elder Deza's voice, Marías demonstrates his adroitness at narrative, which makes the rest of the digressive novel all the more frustrating.
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Review

Your Face Tomorrow is already being compared to Proust’s A la recherche du temps perdu, and rightly so.” (The Observer )

“The overall effect recalls the cerebral play of Borges, the dark humor of Pynchon, and meditative lyricism of Proust.” (Review of Contemporary Fiction )

“By one of the most original writers at work today, Your Face Tomorrow [is] as accomplished and sui generis as all his mature work [and the] most affecting narrative feat in Marías’s work to date.” (The New York Times Book Review )

“This brilliant trilogy must be one of the greatest novels of our age.” (Antony Beevor - The Sunday Telegraph [London] )

“I would like to forget this novel but it is hard to get it out of one’s mind. We wait uneasily for Volume Three.” (Margaret Drabble - Times Literary Supplement )

Product Details

  • Hardcover: 288 pages
  • Publisher: New Directions (July 17, 2006)
  • Language: English
  • ISBN-10: 081121656X
  • ISBN-13: 978-0811216562
  • Product Dimensions: 7.8 x 6.4 x 1.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,123,891 in Books (See Top 100 in Books)

More About the Author

Javier Marías is an award-winning Spanish novelist. He is also a translator and columnist, as well as the current king of Redonda. He was born in Madrid in 1951 and published his first novel at the age of nineteen. He has held academic posts in Spain, the US (he was a visiting professor at Wellesley College) and Britain, as a lecturer in Spanish Literature at Oxford University. He has been translated into 34 languages, and more than six million copies of his books have been sold worldwide. In 1997 he won the Nelly Sachs Award; the Comunidad de Madrid award in 1998; in 2000 the Grinzane Cavour Award, the Alberto Moravia Prize, and the Dublin IMPAC Award. He also won the Spanish National Translation Award in 1979 for his translation of Tristram Shandy in 1979. He was a professor at Oxford University and the Complutense of Madrid. He currently lives in Madrid.

 

Customer Reviews

7 Reviews
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 (3)
4 star:
 (2)
3 star:
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Average Customer Review
3.9 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 17 people found the following review helpful:
5.0 out of 5 stars If you are serious about good literature, October 23, 2006
This review is from: Your Face Tomorrow: Dance and Dream (Vol. 2) (Hardcover)
...then Marias is worth the time and effort. Perhaps one should not begin with Your Face Tomorrow. A Heart so White might be a better place to start. But as the next installment in the growing Marias body of work, Your Face Tomorrow shows that we are in the presence of something serious and enduring. Not for those seeking easy adventure. Marias demands that you think. He requires an openness to what a novel, or indeed, (why not?) an adventure might be. While the Tu rostro series has yet to be concluded, and while I have no idea where Marias is heading with it, I trust that, as with all of his previous work, it will have been worth the long, interesting, curious journey.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars The second installment of Marias's most ambitious novel -- but is it his best?, February 11, 2010
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This is the second volume of what is commonly referred to as Javier Marías's magnum opus. Maybe YOUR FACE TOMORROW is so called because it is three volumes and 1273 pages long. But so far - after reading Volumes One and Two -- I would not accord YFT the honor of "magnum opus" based on intrinsic merit. It is good and it is certainly ambitious, but it also is long-winded and at times tedious. As I wrote in my Amazon review of Volume One, I should reserve judgment until I have read the entire work, but for me, having now read Volume Two, Marías has even more to do in Volume Three to push YFT to the forefront of his oeuvre, to truly make it his magnum opus. I suppose that also is a roundabout way of saying that Volume Two is not as good as Volume One.

Reading Volume Two clarified one point for me - namely, that YOUR FACE TOMORROW is not a trilogy. Instead, it is one novel, with seven parts, published in three volumes - the first containing the parts Spear and Fever; this, the second, containing the parts Dance and Dream; and the third, the parts Poison, Shadow, and Farewell. Therefore, unless you are somewhat perverse, do NOT begin reading Volume Two unless you already have read Volume One. Much in Volume Two assumes familiarity with Volume One, and reading this rather difficult novel will be rendered more difficult if one does not have that background. What this also means is that YFT is a bloody long novel. I have made a personal point of not reading any book longer than 1000 pages (there are too many good books out there and life is too short), and had I fully appreciated, when I began Volume One, that I was embarking on a 1273 page trek, I probably would have passed, even though the author is Javier Marías.

The setting of Volume Two is London. Jaime Deza is still working for a secretive group that may be associated with the British intelligence services. Most of the present action takes place in a London night club, and for much of that time (as measured by number of pages) Deza is in either the ladies' room or the handicapped bathroom. But, as is typical with Marías, much of the narrative is taken up by flashbacks and digressions.

Many of the themes are also familiar to readers of Marías - death; time; secrets, trust, and betrayal - although they are not developed as extensively as in some other Marías novels. Themes somewhat new to Marías's work, at least in my experience, are fear, war, and violence. (There is, in passing, a very critical comment about the United States' excursion into Iraq.) There also are many humorous passages (more than in Volume One); some of them are subtle, some sly and wicked, some farcical, and some dark. And, per usual, there is a mélange of esoteric motifs, among them bloodstains, the song "The Streets of Laredo", Botox, swords (particularly a Landsknecht sword), the Spanish Civil War, and the assassinated Nazi Reinhard Heydrich and Lidice.

The ending of Volume Two is very much a tease for Volume Three, which I plan to read in another month or so. When I do, I hope to be able to report my judgment on whether YOUR FACE TOMORROW is indeed Marías's magnum opus or, as I now suspect, something a little less.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Marias' magnum opus - an experiential spy novel, December 14, 2008
By 
Moritz Hau (New York, NY USA) - See all my reviews
(REAL NAME)   
The "Your Face Tomorrow" trilogy is Javier Marias' magnum opus and quite possibly the reason for a potential Nobel Prize in the near future. Its style is experiential, at times employing stream-of-consciousness techniques.

Both of the two novels currently available in English (part three is due in 2009) are centered around a single event; in this case a visit to a night club. Marias cleverly uses flashbacks and foreshadowing to weave together the various levels of narrative. Marias fans will also recognise strands from earlier books, although it can be appreciated without any further reading (however it is recommended to read part one).

Jacques Deza, a Spaniard living in London, is gifted with the most incredible powers of observation which he puts to use working for an unnamed fraction of the English secret service. As time goes by, he begins to realise the impact of his analyses on the lives of others, which culminates in a choice between life and death in the night club scene.

In short, this is a highly eclectic combination of genres and styles - imagine Proust writing an existentialist spy novel in the 21st century. Javier's epic sentences can drag on for pages, but they are so incredibly precise that no word is ever superfluous. If you shy away from lengthy sentences, start with one of his earlier books - All Souls is recommended. Otherwise, give it some time and you will find yourself churning through this book - his most mature and ambitious to date.
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Inside This Book (learn more)
First Sentence:
Let us hope that no one ever asks us for anything, or even enquires, no advice or favour or loan, not even the loan of our attention, let us hope that others do not ask us to listen to them, to their wretched problems and their painful predicaments so like our own, to their incomprehensible doubts and their paltry stories which are so often interchangeable and have all been written before (the range of stories that can be told is not that wide), or to what used to be called their travails, who doesn't have them or, if he doesn't, brings them upon himself, 'unhappiness is an invention', I often repeat to myself, and these words hold true for misfortunes that come from inside not outside and always assuming they are not misfortunes which are, objectively speaking, unavoidable, a catastrophe, an accident, a death, a defeat, a dismissal, a plague, a famine, or the vicious persecution of some blameless person, History is full of them, as is our own, by which I mean these unfinished times of ours (there are even dismissals and defeats and deaths that are self-inflicted or deserved or, indeed, invented). Read the first page
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Pérez Nuix, Toby Rylands, Emilio Marés, Flavia Manoia, Sir Peter Wheeler, Aston Martin, Clare Bayes, Dick Dearlove, Jane Treves, Bethnal Green, Café Roma, Alan Marriott, Sir Death, Andrés Nin, Bertram Tupra, Rosa Klebb, Sir Punishment
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