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Youth Without Youth (Univ. of Chicago) [Paperback]

Mircea Eliade (Author), Matei Calinescu (Editor), Mac Linscott Ricketts (Translator), Francis Ford Coppola (Foreword)
3.4 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

November 30, 2007
Bucharest, 1938: while Hitler gains power in Germany, the Romanian police start arresting students they suspect of belonging to the Iron Guard.  Meanwhile, a man who has spent his life studying languages, poetry, and history—a man who thought his life was over—lies in a hospital bed, inexplicably alive and miraculously healthy, trying to figure out how to conceal his identity.

At the intersection of the natural and supernatural, myth and history, dream and science, lies Mircea Eliade’s novella.  Now in its first paperback edition, the psychological thriller features Dominic Matei, an elderly academic who experiences a cataclysmic event that allows him to live a new life with startling intellectual capacity. Sought by the Nazis for their medical experiments on the potentially life-prolonging power of electric shocks, Matei is helped to flee through Romania, Switzerland, Malta and India.  Newly endowed with prodigious powers of memory and comprehension, he finds himself face to face with the glory and terror of the supernatural.  In this surreal, philosophy-driven fantasy, Eliade tests the boundaries of literary genre as well as the reader’s imagination.

Suspenseful, witty, and poignant, Youth Without Youth illuminates Eliade’s longing for past loves and new texts, his erotic imagination, and his love of a thrilling mystery.  It will be adapted for the screen in 2007 as Francis Ford Coppola’s first feature film in over ten years.

 “A wonderful blend of realism, surrealism, and fantasy, [Eliade’s novellas] suggest the importance of the mythic and the supernatural to finding meaning in the everyday. Highly recommended.” —Library Journal
 
“Youth Without Youth reads like a surreal collaboration by Jorge Luis Borges, Kurt Vonnegut, Jr., and Carl Jung. Mircea Eliade left me with the rare sense that I had been entertained by a genius.”—William Allen, author of Starkweather and The Fire in the Birdbath and Other Disturbances

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Editorial Reviews

Review

“Comparisons with Borges, Cortazar, Calvino, and others made on the dust jacket are beside the point. Eliade was always out on a limb of his own.”—New York Times
(New York Times )

"Eliade is as great a spinner of tales as Borges, with roots that go deep to Hoffmann and the German romantics. He would have been recognized as the great fiction writer he is if he hadn''t been such a great historian of religions. The book bespeaks good news."—Andrei Codrescu
(Andrei Codrescu )

About the Author

Mircea Eliade (1907–1986) was the Sewell L. Avery Distinguished Service Professor at the Divinity School and professor in the Committee on Social Thought at the University of Chicago. He is the author of many works of scholarship and fiction, including A History of Religious Ideas and ten novels.
Mac Linscott Ricketts is professor emeritus of philosophy and religion at Louisburg College.

Product Details

  • Paperback: 140 pages
  • Publisher: University Of Chicago Press (November 30, 2007)
  • Language: English
  • ISBN-10: 0226204154
  • ISBN-13: 978-0226204154
  • Product Dimensions: 8 x 5.6 x 0.4 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #262,313 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
3.4 out of 5 stars (5 customer reviews)
 
 
 
 
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23 of 28 people found the following review helpful:
5.0 out of 5 stars Exquisite Philosophy of the "Butterfly Dream", December 9, 2007
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This review is from: Youth Without Youth (Univ. of Chicago) (Paperback)
Youth Without Youth is a powerful and insightful novella written by Mircea Eliade, the Romanian philosopher and historian (1907-1986). The book which sets in the pre World War II era , tells a story of an ageing professor, Dominic Matei, coming to the end of the line, whose mysterious regeneration and rejuvenation make him a target for hunting down by the Nazis and others as well as having to confront a whole range of issues and dilemmas now that he is made young again with superhuman powers and given a second chance in life. The story moves through different countries and cultures from Romania, Switzerland, Malta to India spanning the richness of Eastern and Western cultures.

This is a thriller, love story and the "Butterfly Dream" philosophy of the Chinese philosopher, Zhuangzi(Chuang-tzu) - the dream-like nature of reality - all wrapped into one.

This thoughtful and insightful work has now been adapted for the screen in 2007 by the award-winning Francis Ford Coppola of the "Godfather" fame, his latest and most defining film in almost ten years. I have great hopes that Coppola, the dependable and talented producer/director and Tim Roth, an excellent and highly intelligent actor/director who takes his art/craft with utmost gravity (playing the leading role Dominic Matei) will do justice to this exquisite book. Whatever you do, don't miss the book and the film!
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Amazing story!, May 25, 2008
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This review is from: Youth Without Youth (Univ. of Chicago) (Paperback)
Eliade's story is breathtaking, with a deep hidden message, a story that works on so many levels. Read it and you shall not regret it. The movie, while good is confusing and misses the main point of the story.
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11 of 16 people found the following review helpful:
2.0 out of 5 stars There is something here, I'm sure of it; I just have no idea what it is..., March 31, 2008
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Andrew Ellington (I'm kind of everywhere) - See all my reviews
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This review is from: Youth Without Youth (Univ. of Chicago) (Paperback)
There are lots of novels out there that attempt to be something profound, that try and create something meaningful and complete. Some of these novels succeed and yet many fail miserably. I don't really know where `Youth Without Youth' falls for I'm still trying to figure out just what exactly it was trying to be `profound' about.

The problem I have with `Youth Without Youth' is that upon closing the book I felt very unfulfilled, as if I had no real idea of what I was supposed to have been enlightened on. In the forward, written by Academy Award winning director Francis Ford Coppola (who just so happens to direct the movie adaptation of this novella), we are told that when making a movie sometimes it is best to make a movie about a subject you don't understand or base it on a question you don't know the answer to. Coppola says that in the process of making the movie you come to find the answer.

I guess maybe I need to see the movie.

Mircea Eliade's novella `Youth Without Youth' takes place in pre-World War II times and follows the strange journey of Dominic Matei, an aging man who is given a chance to relive his life so-to-speak when a lightening bolt strikes him, rejuvenating his body and giving him `power beyond what is normal'. Dominic is an interesting man, steeped heavily in philosophy and religion and language, and when he is made young again his memory and ability to grasp and ascertain is strengthened. This makes him the prime candidate for study and experimentation by the Nazi's.

I won't really get too far into the bulk of the story; it's kind of all over the place anyway. It leaves a lot of questions left unanswered in the end, questions that leave me furious since I was expecting something grand in closing to tie everything together. Eliade make's mention within this novella of time being an ambiguous thing, and so maybe the point of this novella was to elicit conversation and further research into the wonderment that is `time', but I don't feel compelled to do that. I feel like I wasted my `time' in attempting to enjoy something that is rather confusing and bland.

There was so much that could have been done here. Maybe the whole `novella' thing was a bad idea; maybe if only the story had been longer then it could have truly been fleshed out. The story wants to be all things and encompass so much that it never gives enough attention to anything long enough to make it remotely understandable and or interesting.

I still long to see the film, if only to see Coppola's return to the directors seat after being absent for too long (ten years is a long time to be out of pocket). I hope that Coppola was able to bring some sense to this story; for I'm certain that underneath it all there is a great story, a great prose and I'm almost positive there is a great `theory', I just couldn't find it.
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