Customer Reviews

Zeitgeist (W/Book) (Spec)

5 star:		(73)
4 star:		(72)
3 star:		(30)
2 star:		(29)
1 star:		(29)

 

 

Is this really a Smashing Pumpkins album? That's the question most people seemed to be concerned with, first and foremost, with regard to the "band's" new album "Zeitgeist" (2007).

The cynicism is totally understandable. After all, only two musicians who were part of the original band that broke-up in 2000, actually play on the album, singer/songwriter Billy Corgan and drummer Jimmy Chamberlin. The other members, bassist D'arcy and guitarist James Iha declined to join in on the reunion. On a related note, some people are wondering why Corgan is using the name "Smashing Pumpkins" at all. After all, Chamberlin played on Corgan's side project ZWAN, for their lone album "Mary Star of the Sea" (2003). So why not just call this project ZWAN's second album as opposed to the Smashing Pumpkins sixth? (seventh if you include 2000s "Machina II").

So is this CD just a cash-grab from Corgan, who wants to milk the name "Smashing Pumpkins" for all its worth? Perhaps. But while the cynic in me says that may be the case, I would still argue this to be a Smashing Pumpkins album.

For better or worse, Corgan is, and always has been the Smashing Pumpkins. When the Pumpkins were officially "a band" throughout the 90s, in addition to being the band's lead singer/songwriter/guitar player, Corgan would also play over D'arcy and Iha's parts if he wasn't satisfied. Truth of the matter is, Iha and D'arcy were probably less important to the overall sound of the Pumpkins than Noel Redding and Mitch Mitchell were to the sound of the Jimi Hendrix Experience. So if Corgan wants to resurrect the moniker "Smashing Pumpkins," without the others, it's really his right to do so. Since Corgan is the major creative force in whatever project he undertakes, whether it is the Smashing Pumpkins, ZWAN or a Corgan solo album, the name doesn't really matter, as Corgan calls the shots. If he wants to make an album under the Smashing Pumpkins banner, more power to him.

I think a lot of people want this album to bomb. There seems to be an almost irrational hatred towards Corgan, an artist that these same critics were praising a decade ago. I've read a couple reviews and most of them mainly focus on how using the name "Smashing Pumpkins" is intellectually dishonest and call Corgan a has-been, etc.

I say enough already. Give the cue-ball a break. If it's a good album, it's a good album, if it sucks, it sucks; but at least judge "Zeitgeist" on its own merit...which brings me to my review...

"Zeitgeist" is a good album. Is it that best I've ever heard or even the best Smashing Pumpkins album? No, but it's still a good CD.

"Zeitgeist" is probably most comparable to the Pumpkins (official) swan-song "Machina/the Machines of God," in that it's a straight-up rock album, for the most part eschewing the dream-pop, "alternative" leanings of the band's early work. Compared to "Machina," however, "Zeitgeist" sounds less polished and a little more organic. And while there are some ambitious moments on "Zeitgeist," like the nearly ten-minute long "United States," or the lush closing "Pomp and Circumstance," the album overall is less arty, more meat-and-potatoes and to the point than its predecessor.

Fans of the Pumpkins early work, "Gish" (1991) Siamese Dream, (1993) and "Melancholy and the Infinite Sadness" (1995) who didn't like the arena rocking "Machina" may be turned off by the sound and style of "Zeitgeist." However, the new SP album should please those fans that did like "Machina" and should also please rock fans in general. So give ol' baldy a break, forget about the reasons for him using the name "Smashing Pumpkins" and try to go into this CD with an open mind.

This new silver limited edition of Zeitgeist (Best Buy exclusive released 10/30/07) includes three songs that are not on the original release:

"Death From Above" (4:06) (track 08) (also available on the Best Buy version, Japanese version, German version, Amazon.de version, and a B-side of "Tarantula"). It is a softer, driving song that is a great mix of keyboards, guitar, and drums. This song is certainly a welcome missing treat from the original Zeitgeist.

"Stellar" (6:24) (track 12) (also available on the iTunes version, and a B-side on "That's the Way (My Love Is)"). It is a beautiful slower song.

"Ma Belle" (4:08) (track 13) (Previously Unreleased) is also slow, but it builds at about the halfway point.

All three songs are more than welcome. They are all recorded by Terry Date and Bjorn Thorsrud. They are all performed by Jimmy Chamberlin (Drums) and Billy Corgan (All the rest). "Death From Above" and "Stellar" are produced by BC/JC (Billy Corgan and Jimmy Chamberlin). "Ma Belle" is produced by BC/JC and Terry Date.

So this Silver version is still missing the known Zeitgeist recording session songs "Zeitgeist","Gossamer", "Superchrist", and "Signal to Noise" ... but, of course, then it would have to be two CDs because this version is 67 minutes and 6 seconds long ("Gossamer" alone is rumored to be 15 - 35 minutes long).

The DVD has a 20 minute documentary called "Inside the Zeitgeist". Picture Format 4 X 3. It is in NTSC All Region format according the back of the disc. The back also says Linear PCM (Linear pulse code modulation).

There is no booklet with this release. It is a cardboard gatefold cover with plastic inserts that hold the 2 discs. The silver cover is very cool, but it ruins the double meaning of having a red ocean around the statue of liberty (is it blood, a sunset, or a sunrise?).

So, can you live without the bonus tracks? Not if you are a Billy or Pumpkins fan. If you are a casual fan and already own Zeitgeist Red, Yellow, Purple, Blue, Green, etc... then, eh, maybe not...but if you collect all of the colors, you can make an Andy Warhol-esque collage. If you don't own this album yet, and you have been thinking about it... GO GET THIS VERSION! It may still be available at Best Buy, but more then likely it sold out very fast.

Full Track listing:

1. "Doomsday Clock" - 3:44
2. "7 Shades of Black" - 3:17
3. "Bleeding the Orchid" - 4:03
4. "That's the Way (My Love Is)" - 3:48
5. "Tarantula" - 3:51
6. "Starz" - 3:43
7. "United States" - 9:53
8. "Death From Above" - 4:06
9. "Bring the Light" - 3:40
10. "(Come On) Let's Go!" - 3:19
11. "Neverlost" - 4:20
12. "Stellar" - 6:22
13. "Ma Belle" - 4:08
14. "For God and Country" - 4:24
15. "Pomp and Circumstances" - 4:21

Upon listening to the live stream promo release of the Smashing Pumpkins new album Zeitgeist, I wasn't very impressed. The definitive Pumpkins sound was in there somewhere, but I thought it was lost in the mix somehow. The vocals were too sharp and high in the mix and the layered vocals bordered on ridiculous in songs like Starz. Moreover, Jimmy Chamberlin's excellent drumming was buried in some parts. Perhaps working with Roy Thomas Baker (producer for Queen, The Cars...) was a mistake? Maybe recording the album with Butch Vig (Nevermind, Siamese Dream) would have been a better idea, to help recapture the magic of old?

Tonight I received an email telling me I could download my pre-order of Zeitgeist through iTunes (normally I don't buy lossy music but I wanted the code for advance concert ticket orders). After loading it into my iPod I settled in to give the album a proper listen and decide whether my original impression of the album would stand.

Firstly, the album version sounds much better than the internet streams and leaks. Anyone who steals this album and thinks is sounds bad needs to take a listen from a CD or official source. It is amazing how much worse a badly compressed file can sound. If the iTunes version sounds this good, then I am getting the CD ASAP to see if it is even better. The production is very clean, and while I would still have liked the vocals to be mixed slightly lower, I feel that I can live with them as the guitars now hold their own and the drums are solid. The album doesn't sound like any other Pumpkins record so comparisons can be thrown out the window but dark and sultry are the closest adjectives I can find to describe the production.

Upon pressing play, the album launches into overdrive with tracks, Doomsday Clock and 7 Shades of Black. The buzzing drone of Doomsday Clock channels a more radio friendly version of Bodies from MCIS, and 7 Shades recalls the track Dross from the group's free internet release Machina II, with a little bit of Geek USA and Sabbath thrown in for good measure. Unfortunately, missing is the fast/slow dynamic of earlier Pumpkins songs. Still, very solid tracks.

Bleeding the Orchid is a dark, undulating track that continues the dark tone of the album, and sounds like a long lost b-side from Gish. This track is the first to make apparent the trend of vocal layering used throughout the album, for good or bad.

In a wash of warm faded guitars, Thats the Way (My Love Is) reminds of a Zwan take on Stand Inside Your Love. "Of course I love you baby/'cause i'm alive" sings Billy, and one can't help but wonder if he is speaking to former lover Courtney Love.

Before listening to Tarantula, it is apparent that the lyrics of Zeitgeist are pseudo-political from lines like "in whitewashed halls/their jackals lick their paws...", but after listening to Tarantula it becomes apparent what the title Zeitgeist (The Spirit of the times) means.

If the lyrics "don't let me say this/but you're no worse than me/its crazy/we are the real/if real ever was/and just because/we are the real/they feel we have enough" aren't enough to interpret Billy's motives, the not too subtle single cover with Paris Hilton standing in front of a mushroom cloud with a Blackberry in hand completely gives them away. The concept of the album centers around America's apathy and languorous attitude concerning the political and social climate produced by our leaders and felt by people around the world. Indeed, the climate of bloggers and MySpace has led to a public more interested in Britney's Spears' haircut than more serious subjects. Although Billy admits, Paris and his listeners are no worse than him, as we are all "Starz". Someone, (the internet, paparazzi, corporations?) gave us sound. Starz is a repetitive, David Bowie/Ziggy Stardust homage with more vocal layering which reaffirms the earlier thematic elements discussed.

After Starz, the album reaches it's climax with the rollicking 9:51 minute track United States. This track is indulgent, but it is nevertheless impressive and obviously meant to be a live jam track with warbled guitars and Billy exclaiming "revolution!/what will they do to you?".

The bombastic United States is followed by a 1979 inspired track Neverlost with marimbas in the background. Although many will skip this track while listening to the album, it is important because it sets the tone for the second half of the album which turns from dark and brooding to hopeful. "Lets kill these hours/and fill desire" Billy croons in this love song.

Bring the Light, is the newest sounding song on the album, and although repetitive, it sounds like a radio single with its catchy lyrics and Brian May/Ava Adore guitar solo.

(Come On), Lets Go! is Pop-Grunge (oxymoron?) at its finest and is somehow eerily similar to Today. Billy sings about escaping "c'mon lets go/beyond the great unknown/beyond their punched-up skulls/to die upon this road". C'mon Billy, any Grunge fan knows it's not a great unknown it's a "Superunknown".

The final two songs sound very much out of place. Billy slips back into dark and brooding mode with "God and Country" which sounds like a b-side from Adore or Machina with its synth-pop mechanics. However, it would never fit on those albums with its political message.

Pomp and Circumstance is difficult to describe but if you have seen movies like 1492: Conquest of Paradise, or other period exploration movies you will recognize the influence. The Tribal Island sounds remind of perhaps The Thin Red Line? The song is hopeful. So thematically, it fits the arch of sounds Billy has created, but still somehow it still doesn't seem to fit.

Zeitgeist judged against other Pumpkins works isn't their best and isn't their worst. As noted in many web forums, Jame Iha and D'arcy Wretsky had very little to do with the recording of the classic Pumpkins records so it is difficult to say if their influence is missed here.

The Smashing Pumpkins are an ever changing sound imagined by Billy Corgan and made possible by the remarkable rhythms produced by Jimmy Chamberlin. Each Pumpkins album is different and meant to be appreciated on its own, and on its own Zeitgeist is great. Highlights for me are: 7 Shades, Bring the Light, Tarantula, Starz, Bleeding the Orchid, and (Come On).

Their third start as a band (second without their bassist and this time with Chamberlin and Corgan only), the Smashing Pumpkings are half of what Siamese Dream used to be: innovative. This time like Siamese, Billy plays all the instruments with the exception of Jimmy on Drums. The most radio friendly songs include Tarantula, (Come On) Let's Go!, and Bring the Light. Here you will find songs in contrast to The Future Embrace and a mixture of Zwan's Mary Star of the Sea and Machina. The lyrics are political like "the're bound to kill us" from Doomsday Clock and "revolution!" from the song United States. The multiple-page book shows images of Paris Hilton (Starz), the U.S. podium, death, and children. The booklet also includes the lyrics to all songs and images of the two remaining Pumpkins. All photos were taken by Billy Corgan using multiple images to show what politicians are doing to America or in some cases facism. The music is lyrical and fueled by guitars and drums. One of the songs, Bleeding the Orchid, shows a sensitive side to what Corgan is trying to achieve with this reunion.

look, i was pissed as anyone when i first started hearing all the negative reviews being a big pumpkins fan. but when i actually listened to the album, i could see where they were coming from. seriously now people, you cant tell me this comes even close to any of their previous albums (except maybe machina). its a pure and pretty ordinary pop-rock album with little personal energy, passion or thought put into it. its just a manufactured album put together for the sake of it. dont just be loyal! it seriously lacks any of the substance and emotion and progression of previous pumpkins songs and albums, i was very dissapointed. a lot of the songs lack a hook or anything memorable about it, and some are quite annoying really. the riffs are solid in parts, but on the whole this album really does not rock and the vocals in parts are quited flawed. seriously, if this album were put out by anyone else but the smashing pumpkins, it would not have people giving it 5 stars. it is very ordinary, i could hear the same on any other anonoymous rock band's album. did he take a new direction? if so, i dont like it personally as i dont think as much work or imagination was put into it. it seemed rushed, and just a money making venture. and dont worry i was as big a pumpkin fan back in the day just as much as the next man and it hurts me to say it. i cant believe the same man who was behind gish, siamese dream, mellon collie and the infinate sadness and even adore could put this very bland and simple album together....the choruses especially lack anything special about them and the the sadness, the anger, the joy, the darkness and the musical and guitar progressions that was present in almost every pumpkin song released previously is not really here. guys, this is no masterpiece....it is a very ordinary album that does not represent the pumpkins i came to know and love. so yes, i am disappointed and everyone i know personally has agreed whole-heartedly with me. dont give 5 stars out of loyalty !! minus about 3 songs, its pretty terrible really

The Smashing Pumpkins are back. The legendary rock band, which blossomed like a dark rose in the musical wasteland of the 1990s.

Okay, only frontman Billy Corgan and drummer Jimmy Chamberlin have returned from the original lineup, and the absences can be detected. But their return album "Zeitgeist" is still worthy of epic praise -- dark, passionate hard-rock, written with a darkly poetic sweep.

The drums smash, the bass roars like unleashed tornado. "Is everyone afraid?/Is everyone ashamed?/They're running towards their holes to find out/Apocalyptic thieves/Are lost amongst our dead," Corgan drawls, telling us a story of gas masks, Kafka and fear.

It's followed with the roiling rocker "7 Shades of Black," with the level of depression you'd expect ("And without peer/And without fear/I'm without anyone at all!"). Then it pours into a series of blazing hard-rockers -- soaring grimy epics, buzzing and cascading bass rockers, a stripped-down melodic tune, and the soaringly exquisite "Pomp and Circumstances," which is only marred by Corgan singing "la la la la..."

"Zeitgeist" probably won't be gently compared to the Pumpkins' earlier classics, especially since it doesn't have James Iha and D'arcy Wretzy from the original lineup -- valuable talents both. But taken on its own virtues, it's brilliant hard-rock -- epic, dark, and with moments of sheer poetry woven into the stormy music.

If I had a main complaint, it would be that the softer songs are rare here, and that the bass doesn't have that epic quality in some of the songs. But Corgan is blazingly passionate in his playing, layering and building a storm of driving guitar and fuzzy bass. He pushes on the fiery melodies of each song, with Chamberlin smashing the drums beside him. These guys sound kinetic.

And Corgan's nasal voice sneers and drawls through the harder songs, but he can also sound wistful and tender, like when he sings, "that's the way my love is." And he pours plenty of passion into his songs, which seem to balance out between the happy and sad -- on one side, a crumbling, bitter apocalypse, and on the other, "no shadows follow me unsung."

Some of his songs aren't up to par lyrically, like "God and Country." But Corgan spins his weird poetry in other songs, like the the ethereal "Pomp and Circumstance": "Torn, broken and frayed/Oh don't we face/War, sunshine and grace/Oh won't you stay/For a while/We can fail in style..."

The Pumpkins aren't quite all they once were here, but Corgan and Chamberlin are enough to make "Zeitgeist" a brilliant hard-rock album with some vintage flourishes. Just take it for itself, and let it grow on you.

I don't know what everyone is going on about this is a very good album, the guitar playing is top notch and the tunes are excellent. They (he) can't simply keep on putting out Siamese Dream rehashed.

The Smashing Pumpkins are back. The legendary rock band, which blossomed like a dark rose in the musical wasteland of the 1990s.

Okay, only frontman Billy Corgan and drummer Jimmy Chamberlin have returned from the original lineup, and the absences can be detected. But their return album "Zeitgeist" is still worthy of epic praise -- dark, passionate hard-rock, written with a darkly poetic sweep. Too bad the extra material isn't so good.

The drums smash, the bass roars like unleashed tornado. "Is everyone afraid?/Is everyone ashamed?/They're running towards their holes to find out/Apocalyptic thieves/Are lost amongst our dead," Corgan drawls, telling us a story of gas masks, Kafka and fear.

It's followed with the roiling rocker "7 Shades of Black," with the level of depression you'd expect ("And without peer/And without fear/I'm without anyone at all!"). Then it pours into a series of blazing hard-rockers -- soaring grimy epics, buzzing and cascading bass rockers, a stripped-down melodic tune, and the soaringly exquisite "Pomp and Circumstances," which is only marred by Corgan singing "la la la la..."

"Zeitgeist" probably won't be gently compared to the Pumpkins' earlier classics, especially since it doesn't have James Iha and D'arcy Wretzy from the original lineup -- valuable talents both. But taken on its own virtues, it's brilliant hard-rock -- epic, dark, and with moments of sheer poetry woven into the stormy music.

If I had a main complaint, it would be that the softer songs are rare here, and that the bass doesn't have that epic quality in some of the songs. But Corgan is blazingly passionate in his playing, layering and building a storm of driving guitar and fuzzy bass. He pushes on the fiery melodies of each song, with Chamberlin smashing the drums beside him. These guys sound kinetic.

And Corgan's nasal voice sneers and drawls through the harder songs, but he can also sound wistful and tender, like when he sings, "that's the way my love is." And he pours plenty of passion into his songs, which seem to balance out between the happy and sad -- on one side, a crumbling, bitter apocalypse, and on the other, "no shadows follow me unsung."

Some of his songs aren't up to par lyrically, like "God and Country." But Corgan spins his weird poetry in other songs, like the the ethereal "Pomp and Circumstance": "Torn, broken and frayed/Oh don't we face/War, sunshine and grace/Oh won't you stay/For a while/We can fail in style..."

The special edition of "Zeitgeist" also comes with a eightyish-page booklet, but to be perfectly honest, the booklet is kind of pointless. It's primarily filled with arty photographs -- Paris Hilton in front of a burgeoning nuclear explosion, a grim reaper on the presidential podium, a Roman soldier, coffins, and quite a few others. They're interesting photos, but not really worth exerting yourself for, and they don't reveal much about the album itself.

The Pumpkins aren't quite all they once were here, but Corgan and Chamberlin are enough to make "Zeitgeist" a brilliant hard-rock album with some vintage flourishes. Just take it for itself, with no comparisons.

I was just as excited as anyone else when I heard that the Smashing Pumpkins were putting out a new album, but the difference between myself and many of my peers is that I didn't make my mind up about the album before it came out.

I'll admit the mixing could use a little work, but you have to ask yourself: what do we have in here with this Zeitgeist record? Is it any different in style from past Smashing Pumpkins? Is there anything to enjoy here?
1. Good Rockin' Riffs...Yes
2. Slightly Mediocre Lyrics...Yes (but I still like them)
3. Catchy Melodies...Yes
4. Overly Ambitious Long Songs...Yes

So far, I've described Zeitgeist in all honesty and it seems to match up with the majority of Pumpkins releases. It isn't groundbreaking, and it's no Gish, but you have to take things for what they are.

I'm of the school of thought that Billy Corgan isn't a "has-been" as everyone is so quick to brand him. There were excellent songs on his solo release and I've always wondered why everyone (including Corgan) hated Zwan("Of A Broken Heart" is a tight song).

I don't even listen to this arena-oriented rock stuff, but I found a place for an old band that I love. With Zeitgeist we have some great songs, some good songs, and a couple clunkers. It's still miles above most of the mainstream releases of 2007 (I say mainstream because I'm not including records that don't compete on the same widespread level as the Pumpkins.)

It's so easy to be a hater. Too easy. Besides..."Bring the Light" rocks - you KNOW it does.

The pros:

This a really, really good album. It's the best Pumpkins album since Mellon Collie, and its reminiscent of the earlier pre-Adore Pumpkins records. Billy Corgan's guitar playing is the strongest its ever been. He's obviously a real musician that isn't comfortable if he doesn't improve his skill level over time. (Sadly, most of today's pop "musicians" do a disservice to those of us who really do care about the craft.) This is lightyears ahead of the majority of the tripe on the market today, and its a welcome refresher for a child of the nineties who grew up in the days when MTV wasn't saturated with rap and dance "music." Sonic landscapes remind me of my youth and a better time for music. Thanks, Billy

Cons
It is reminiscent of but no where near equal to Siamese Dream or Mellon Collie. I'd tie it with Gish and maybe, the outtakes CD. But there is still something missing. Even though Billy is band leader, and his descision to go along without Darcy Wretzsky and James Iha is perfectly understandable; I feel the album is hurt by their loss.


To conclude, if you liked the Pumpkins in the 90s, you'll like them now so pick it up. Just don't expect the glory days to return anytime soon. What this album does tell us is that we can expect the Pumpkins to continue turning out quality material in a sea of mediocrity. And for that I am thankful.