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I wanted to read fairy tales, but not Disney-style, written for children with children's themes. I was (and am) interested in the adult side to these tales, but every time I would search Amazon.com for fairy tales, this was one of the first recommendations. Eventually, I succumbed, and I am unbelievably grateful.
"Zel" is one of the finest novels I have read, period. Napoli's fierce command over language, tone, content, setting and narrative prose shines so brightly in this book that I re-read it every day for three weeks just to absorb it all.
Zel, of course, is the story of Rapunzel, but as with most of Napoli's work, the details have been rearranged. Zel's love of life is corraled by her mother, who loves her daughter so much that she can't bear the thought of losing her to anyone or anything. And besides, Mother is a witch.
The character of Mother is a careful, powerful description of a woman in torment, as well as the crushing ability of love. Her internal struggles take root in the very fundamental question of evil: why do bad things happen? In Mother's case, the "bad thing" is her inability to have children. The desire is so intense that her barreness drives her away from God (at one point, she asks how He could make her want one so badly and yet not let her have one). She is unconcerned with selling her soul for the powers that allow her to acquire a child.
Mother has a need to both justify her actions and suffer for them. The increasing amount of control she imposes over her daughter - to the point that Zel is locked in a tower - drives both Mother and Zel to madness, but while Zel's madness is born from loneliness and isolation, Mother's is driven from guilt and fear. Mother works to bring her daughter wonderful gifts -- which Napoli describes in a way I've yet to see another author master, through patient mentions of foods, receipes, and other basic goods -- yet knows as she delivers them that Zel doesn't want them.
Konrad is the impetus for placing Zel in the tower. Zel's chance meeting with the 15 year-old count arouses all the fear Mother has of her child growing up and leaving her - as well as loving anyone besides her. But Mother can't control Konrad, who seeks Zel out everyday.
The alternating views -- between Mother, Zel and Konrad -- keep the book balanced with everyone's viewpoint. Mother is kept from being a black-hat villain because she can tell her story and therefore allow the reader to understand. Of course, you have to cheer for the young lovers, but despite the ending, I could sympathize with Mother's position.
Napoli doesn't shy away from adult situations -- including sex -- but she handles them tastefully and powerfully. "Zel" has themes that I don't think younger children or even younger teenagers can entirely grasp. It certainly isn't a novel to keep kids away from, in my opinion, but it is strong in nature.
The final paragraph is perhaps the most powerful of the entire novel, and it's probably why I keep rereading. Those are always the best kinds of books, I think; the ones that _make_ you read them again. I would recommend Zel to everyone except the very young. This book has caused me to gobble up nearly every book by Donna Jo Napoli, and for that, I will always be grateful to Amazon.com, who continued to recommend it no matter how many times I ignored it.
While the book is written for a teen audience, I found some of the subject matter rather mature.