Product Details

• Actors: Alice Beardsley, Ralph Bell, John Buckwalter, Marvin Chatinover, Howard Erskine
• Format: Anamorphic, Black & White, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: PG (Parental Guidance Suggested)
• Studio: MGM (Video & DVD)
• DVD Release Date: November 6, 2001
• Run Time: 79 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (46 customer reviews)
• ASIN: B00005O06N
• Amazon.com Sales Rank: #14,282 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Zelig" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

The thinking person's Forrest Gump, Woody Allen's 1983 Zelig is a funny, atmospheric mock-documentary about the collision of one man's manifest neuroses colliding with key moments in 20th-century history. Allen plays the title character, a self-effacing, timorous fellow with such a porous personality that he physically becomes a reflection of whoever he is with. Complex and painstaking, the film's pre-Gump special effects manage to place Allen, buried under a series of makeup and prosthetic guises, in a number of scenes along with Adolf Hitler at a Nazi rally, a pope at the Vatican, and famous guests at a garden party hosted by F. Scott Fitzgerald. Similar in tone and satire to some of Allen's short, comic pieces published in The New Yorker magazine, Zelig is a one-note movie that takes its delicious time establishing the fullness of its central joke. It's well worth the wait. --Tom Keogh

Product Description

Mr. Personality? Or Mr. Personality disorder? Find out in Woody Allen's madcap mockumentary about an identity crisis of hilarious proportions! Thematically intricate, technically complex and filled with some of the most astonishing special effects ever, Zelig is "pure magic" (Newsweek)! Nominated* for two OscarsÂ(r), this "work of breathtaking virtuosity" (Playboy) isfurther proof that Allen "is the premier American filmmaker of his day" (The New York Times)! Leonard Zelig (Allen) is a social quick-change artist whose neurotic insecurity forces him to mimicmentally and physicallywhomever he's with. Treated by Dr. Eudora Fletcher (Farrow), Zelig is slowly cured, and in the process goes from side-show freak to national celebrity to Eudoras fiancÃ(c)! But when misdeeds from Zelig's multiple-personality past start to surface (larceny, bigamy and an unauthorized appendectomy), the human chameleon is on the run again, and Eudora must search the world over to find and save the only man who's every man she's ever wanted!

Customer Reviews

Most Helpful Customer Reviews

25 of 26 people found the following review helpful:

5.0 out of 5 stars "Your pancakes... Your pancakes are terrible...", January 29, 2005

By	James M. Fitzwilliam "Pianist/Composer" (Staatsburg, NY, USA) - See all my reviews (REAL NAME)

This film is perhaps the ultimate in parody-documentary. Some people might find the pace a bit slow, and the humor a bit dry, precisely because it is presented exactly as it would be if it were an actual serious documentary about a real historical personage. It requires a bit more thought and attention on the part of the vewer than does a "conventional" comedy for that reason. At one point the narrator, in his best, serious, Public Television Documentary National Geographic Special voice, describes Zelig's parents and their violent domestic squabbles: "...Even though they lived over a bowling alley, it was the bowling alley that complained about the noise." This sort of thing could go right past you if you weren't really listening.

The reason this film works is that all of the supporting details are meticulous and perfect. All of the 1920's songs about Zelig (such as "The Chameleon Dance" and "You May Be Six People, But I Love You") are written and performed so perfectly in period style that I, watching it the first few times, could hardly believe that they were not actual, real (but obscure) 1920's songs that they found somewhere which happened to fit the movie theme, rather than being modern parodies of vintage recordings. (Speaking as a musician, I can vouch for the fact that that bright, Irish popular tenor sound which was all the rage back then is a rarity these days!)

And all of the film clips are just as carefully executed. I seem to remember, back when this film was just out, an article describing how Allen's production staff took just-shot black and white footage into the parking lot and threw it on the ground and walked all over it, and carefully crinkled the film, so that it would look worn and decades-old. Another tour-de-force was inserting Allen himself, playing the title character, into REAL period footage. The most famous example is a film of Hitler ranting away to a crowd on his Nazi platform, and seated behind him among all of the party officials is... Zelig. This was an amazing technical achievement at the time, long before digital cinematography had become commonplace, and it was brilliantly done.

And then of course, there are all of the present-day intellectual luminary talking heads being interviewed for their two cents, again, just like a true documentary. One that comes to mind of course is the (now late) Susan Sontag. I am sure that all of those "experts" had lots of fun filming this.

The subject of the documentary, Zelig, has an unusual mental/physical affliction due to insecurity. He literally, and physically, becomes just like whoever he is with, in order to blend in and be accepted. This offers the opportunity for plenty of sight gags as Zelig turns into different cultures, occupations, and races -- sometimes more than one at once! He is alternately exploited as a circus freak for profit, and attempted to be cured by his caring psychiatrist. He is alternately proclaimed a hero, a villain, a traitor, and a hero again by a fickle public. Zelig's exchanges with his psychiatrist are some of the funniest dialogue in the film. When she finally manages to get Zelig under hypnosis so that she can find out what the true, non-chameleon person inside really thinks, he launches into a (dreamy, trance-voiced) tirade about her awful cooking. I still joke with my wife to this day about her "terrible pancakes." [grin]

Those who are Woody Allen fans in general will of course probably enjoy this; people who like subtle wit and parody generally will probably enjoy this; people who habitually overdose on PBS and The History Channel but still have enough sense of humor left to laugh at themselves will probably enjoy this. If you prefer jokes with punchlines, or "Gilligan, drop those coconuts!" then Zelig is probably one to avoid.

And might I add in parting: If you have not yet read Moby Dick, don't wait until it is too late!

5 of 5 people found the following review helpful:

4.0 out of 5 stars Another Truly Innovative Film from Woody Allen, December 29, 2005

By	Randy Keehn (Williston, ND United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

I had seen bits and pieces of Woody Allen's "Zelig" before but I had never seen the whole movie until last night. To be honest, my initial reaction was to wonder if I would be able to maintain interest throughout the whole movie. As it turned out, that was no problem.

"Zelig" tells the story of an individual who developed an unexplainable ability to appear like the people of his surroundings. It is presented in a documentary format and that format is amazingly well done. I'm of the opinion that there was plenty of actual newsreel footage from the 1920's and '30's and there was also plenty of new film made to appear that it was from that era. I was never that certain as to which was which because the cinematography was that well done. The retrospective interviews with present day theorists and aged contemporaries butressed the documentary nature of the film (as did the continuous narration).

As the title character (played by Woody Allen) assumes more and more identities, we come to understand that his efforts to be like others leaves him with no identity of his own. I understood Allen's message to be an expression of his frustration with the negative public reaction to his post-"Annie Hall" movies. He wasn't making the kinds of pictures everyone else was and his uniqueness was being dismissed. I saw him making a statement that banality lacks meaning by satirizing someone who went out of his way to avoid being himself. Maybe Allen had a higher purpose in making "Zelig" but I was comfortable with the message I got out of it.

4 of 4 people found the following review helpful:

5.0 out of 5 stars Allen's Brillant Mockumentary, November 19, 2001

By	Robert Wellen (CHICAGO, IL USA) - See all my reviews (REAL NAME)

Zelig, the Woody Allen film that time almost forgot, is one of his 10 best. The story is well explained by other reviewers. Nevertheless, the DVD (without any extras except a fascinating trailer) is superior. The grainy film stock and sound are excellent. The movie is a timely today as it was in 1983. A fascinating film from a variety of perspectives. It was a painstaking labor of love that really addresses the need for love, assimilation, and life in the 1920s or 30s. A superior film, well worth the 15 bucks.