Zen in the Art of Archery [Paperback]

Eugen Herrigel (Author), Daisetz T. Suzuki (Introduction)

Book Description

Publication Date: January 26, 1999

The path to achieving Zen (a balance between the body and the mind) is brilliantly explained by Professor Eugen Herrigel in this timeless account. This book is the result of the author's six year quest to learn archery in the hands of Japanese Zen masters. It is an honest account of one man's journey to complete abandonment of 'the self' and the Western principles that we use to define ourselves. Professor Herrigel imparts knowledge from his experiences and guides the reader through physical and spiritual lessons in a clear and insightful way. Mastering archery is not the key to achieving Zen, and this is not a practical guide to archery. It is more a guide to Zen principles and learning and perfect for practitioners and non-practitioners alike.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Amazon.com Review

So many books have been written about the meditation side of Zen and the everyday, chop wood/carry water side of Zen. But few books have approached Zen the way that most Japanese actually do--through ritualized arts of discipline and beauty--and perhaps that is why Eugen Herrigel's Zen in the Art of Archery is still popular so long after it first publication in 1953. Herrigel, a philosophy professor, spent six years studying archery and flower-arranging in Japan, practicing every day, and struggling with foreign notions such as "eyes that hear and ears that see." In a short, pithy narrative, he brings the heart of Zen to perfect clarity--intuition, imitation, practice, practice, practice, then, boom, wondrous spontaneity fusing self and art, mind, body, and spirit. Herrigel writes with an attention to subtle profundity and relates it with a simple artistry that itself carries the signature of Zen. --Brian Bruya --This text refers to an out of print or unavailable edition of this title.

Review

“In this wonderful little book, Mr. Herrigel, a German philosopher who came to Japan and took up the practice of archery toward an understanding of Zen, gives an illuminating account of his own experience. Through his expression, the western reader will find a more familiar manner of dealing with what very often must seem to be a strange and somewhat unapproachable Eastern experience.”—D.T. Suzuki, author of Zen in Japanese Culture

--This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 96 pages
• Publisher: Vintage (January 26, 1999)
• Language: English
• ISBN-10: 0375705090
• ISBN-13: 978-0375705090
• Product Dimensions: 5.2 x 0.2 x 8 inches
• Shipping Weight: 4 ounces (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (75 customer reviews)
• Amazon Best Sellers Rank: #5,353 in Books (See Top 100 in Books)
  • #1 in Books > Sports & Outdoors > Individual Sports > Archery
  • #6 in Books > Sports & Outdoors > Individual Sports > Martial Arts
  • #7 in Books > Religion & Spirituality > Other Eastern Religions

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Customer Reviews

Most Helpful Customer Reviews

79 of 80 people found the following review helpful:

5.0 out of 5 stars Beyond Unconscious Competence into Spirituality, January 22, 2001

By 

Donald Mitchell "Jesus Loves You!" (Thanks for Providing My Reviews over 110,000 Helpful Votes Globally) - See all my reviews
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This review is from: Zen in the Art of Archery (Paperback)

To those who already practice Zen Buddhism, this book will seem awkward. To those nonpractitioners who would like to understand how to practice Zen Buddhism, this book will be a delightful enlightenment -- especially valuable to those who live outside of Asia. Eugen Herrigel takes on the almost impossible task of describing in writing something that has to be experienced to be understood, and is remarkably effective.

The author spent six years in Japan just after World War II, and decided that he wanted to understand Zen Buddhism. He was correctly advised that Zen needed to be experienced as the path to achieving that understanding. Several possible areas were suggested, from sword fighting to flower arrangement to archery. Because he had experience with rifle target shooting, the author chose archery. He was fortunate to be taken on by a Zen master who normally refused to teach Westerners, because they are so difficult to teach.

As a typical high-achieving Westerner, Mr. Herrigel wanted to make rapid progress and to achieve conscious competence in archery. His instructor wanted him to achieve unconscious competence based on experience and build from there into spiritual awareness. This conflict in perceptions created quite a tension for both of them. This tension was ironic, because the purpose of Zen practice is to achieve the ability to be strong like the flexible water. Tension is the enemy of that state of being.

Mr. Herrigel also learned from attending flower arranging classes from his wife, who was studying Zen in this way. He also benefited from finding some wonderful commentaries on sword fighting as a path to Zen that are included in this book. These are more eloquent than Mr. Herrigel, and he chose wisely in saving them for the end.

I suspect that this wonderful book will mean the most to people who have regularly practiced either meditation or Eastern-style breathing. Having followed both kinds of practices for the past six years, I found it was easier to relate to the Zen concepts in that way than through trying to imagine myself performing the archery described here.

By the way, this archery is not at all like what you did in camp as a youngster. It is both much more stylized and difficult. Think of it as being more like a Japanese tea ceremony than like Western-style archery.

You will love the many descriptions of how Zen masters helped their students learn through experience rather than lecturing or demonstrating to them endlessly. Mr. Herrigel makes a good point concerning how Japanese teaching in these ancient arts has remained the same, while newer subjects are taught much differently.

Some of the most beautiful parts of the book are the explanations that employ natural metaphors. The concept of the Samurai is explained through the fragile cherry blossom, for example, in a way you will not soon forget. The metaphors used in the archery are also very compelling and vivid. They spoke very eloquently to me, especially about how the shot is "released."

I got a lot personally from this book in reconsidering how I could and should step back more often to "go with the flow" of the moment rather than trying to orchestrate everything very rationally. The book made me much more aware that I operate in both styles, probably too often in the totally preplanned rational one.

I am also reminded of books about golf that I have read that cite similar principles for becoming more competent. I also remembered how all of my best golf shots have come when I was totally egoless. That lesson was very profound for me. I wonder what will happen in other areas if I follow that lesson, as well.

If you have never tried meditation, I encourage you to experience this if you find this book interesting. That will probably be your best way to begin to explore what is described here. Naturally, if you can find someone to teach you one of the Japanese arts, that will further expand your soul.

A good Western-style book to help you rethink your approach to life that parallels this one in many ways is The Art of Imperfection. The title is a misnomer. What we often think of as perfection is really the height of imperfection, as the author discovered when he began substituting his own methods for those of his Zen master.

Aim straight for yourself!

59 of 64 people found the following review helpful:

5.0 out of 5 stars This book is like a gentle teacher., May 24, 2000

By 

Bruce Boatner (Eagle, Idaho USA) - See all my reviews
(REAL NAME)   

This review is from: Zen in the Art of Archery (Paperback)

If one desires to pursue the path of enlightenment under Zen, one must select as a vehicle one of the Zen arts - archery, swordsmanship, brush-and-ink, the tea ceremony or flower arranging. Eugen (pronounced OI-gen) chronicles his struggle to overcome his "much too willful will" and master the bow. This interesting story is very moving, educational and inspiring, while never becoming heavy as it easily could have under less skillful authorship.

The ultimate challenge Eugen faces ends up being the smooth release of the bowstring and arrow without conscious intent, "like the ripe fruit falls from the tree", "like a baby's hand releases one object to grasp another", "like the bamboo leaf slowly bends under the weight of the snow, then releases the clump of snow without thought". Eugen, during a summer sabbatical, develops a "technique" that he believes will solve this problem and nearly gets himself thrown out of the program for "offending the Spirit of Zen". There is also an interesting account of an after-hours meeting where his teacher gives an amazing demonstration of quiet mastery in order to raise Eugen's morale and level of understanding.

There is much that this little book has to offer and its message will live in your heart for a long time.

21 of 23 people found the following review helpful:

5.0 out of 5 stars great book that helped me play and teach piano better, August 16, 2003

By 

Robert Murray Diefendorf, Author "Release the... (Princeton) - See all my reviews

This review is from: Zen in the Art of Archery (Paperback)

I have played the piano for thirty-five years and taught it for over twenty. I have written a book on teaching piano that is in the Lincoln Center Library for Performing Arts. The ideas and examples in this book, along with my mentor, helped me achieve breakthroughs in music when many other methods failed. In a way, I owe much of my teaching success to this book.

The book's beauty lies in a westerner's desperate attempts to make logical sense of concepts that are irrational and experiential. For example, the master told the author to let go of the string but also to not let go... Let the spirit "It" pull the string from the hand. Gradually releasing it, the string should leave the hand as though passing through butter.

I can attest to this idea's power. In piano, achieving pleasant tone is a contradictory skill. On the one hand, you have to play with enough force to project tone, on the other hand, you have to attack the key gently to create a rounded sound. The solution I found is called the "controlled drop," where you must let the arm drop but catch it. Like letting go of a bowstring, letting go of my arm to make pleasant sound at the piano is a joint effort between conscious and unconscious will.

Illustrating the sometimes difficult ideas are great anecdotes and quotes in the book. Like when the author challenged the master to shoot blindfolded, thinking it would be a rhetorical request. Instead, the master did just that, hitting the bullseye and splitting the first arrow with a second. And like when the master said, when you make a good shot, do not celebrate, bow and thank the spirit It. You are not responsible.

Perhaps the quotes and stories in this book anger some students of kyudo because they are kind of movie cliches by now, but at the time, it was new. And more important than the sensational stories are the concepts and conundrums present in an entertaining, short memoir.

I have read it many times and will go back again. Perhaps it is not exactly what Zen masters are teaching nowadays, but it has the solid feel of strong, cogent ideas. And the reader works struggles to understand the ideas along with author in what seems like real time.