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Zen in the Art of Archery [Paperback]

Eugen Herrigel (Author)
4.4 out of 5 stars  See all reviews (75 customer reviews)


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Zen in the Art of Archery Zen in the Art of Archery 4.4 out of 5 stars (75)
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Book Description

August 28, 1989
An illuminating account of how to understand Zen through archery.


Editorial Reviews

Amazon.com Review

So many books have been written about the meditation side of Zen and the everyday, chop wood/carry water side of Zen. But few books have approached Zen the way that most Japanese actually do--through ritualized arts of discipline and beauty--and perhaps that is why Eugen Herrigel's Zen in the Art of Archery is still popular so long after it first publication in 1953. Herrigel, a philosophy professor, spent six years studying archery and flower-arranging in Japan, practicing every day, and struggling with foreign notions such as "eyes that hear and ears that see." In a short, pithy narrative, he brings the heart of Zen to perfect clarity--intuition, imitation, practice, practice, practice, then, boom, wondrous spontaneity fusing self and art, mind, body, and spirit. Herrigel writes with an attention to subtle profundity and relates it with a simple artistry that itself carries the signature of Zen. --Brian Bruya

Review

“In this wonderful little book, Mr. Herrigel, a German philosopher who came to Japan and took up the practice of archery toward an understanding of Zen, gives an illuminating account of his own experience. Through his expression, the western reader will find a more familiar manner of dealing with what very often must seem to be a strange and somewhat unapproachable Eastern experience.”—D.T. Suzuki, author of Zen in Japanese Culture
--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 81 pages
  • Publisher: Vintage; 8th edition (August 28, 1989)
  • Language: English
  • ISBN-10: 0679722971
  • ISBN-13: 978-0679722977
  • Product Dimensions: 7.8 x 5.2 x 0.2 inches
  • Shipping Weight: 0.8 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (75 customer reviews)
  • Amazon Best Sellers Rank: #599,885 in Books (See Top 100 in Books)

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Customer Reviews

75 Reviews
5 star:
 (55)
4 star:
 (8)
3 star:
 (4)
2 star:
 (3)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (75 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

78 of 79 people found the following review helpful:
5.0 out of 5 stars Beyond Unconscious Competence into Spirituality, January 22, 2001
By 
Donald Mitchell "Jesus Loves You!" (Thanks for Providing My Reviews over 109,000 Helpful Votes Globally) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (TOP 100 REVIEWER)   
To those who already practice Zen Buddhism, this book will seem awkward. To those nonpractitioners who would like to understand how to practice Zen Buddhism, this book will be a delightful enlightenment -- especially valuable to those who live outside of Asia. Eugen Herrigel takes on the almost impossible task of describing in writing something that has to be experienced to be understood, and is remarkably effective.

The author spent six years in Japan just after World War II, and decided that he wanted to understand Zen Buddhism. He was correctly advised that Zen needed to be experienced as the path to achieving that understanding. Several possible areas were suggested, from sword fighting to flower arrangement to archery. Because he had experience with rifle target shooting, the author chose archery. He was fortunate to be taken on by a Zen master who normally refused to teach Westerners, because they are so difficult to teach.

As a typical high-achieving Westerner, Mr. Herrigel wanted to make rapid progress and to achieve conscious competence in archery. His instructor wanted him to achieve unconscious competence based on experience and build from there into spiritual awareness. This conflict in perceptions created quite a tension for both of them. This tension was ironic, because the purpose of Zen practice is to achieve the ability to be strong like the flexible water. Tension is the enemy of that state of being.

Mr. Herrigel also learned from attending flower arranging classes from his wife, who was studying Zen in this way. He also benefited from finding some wonderful commentaries on sword fighting as a path to Zen that are included in this book. These are more eloquent than Mr. Herrigel, and he chose wisely in saving them for the end.

I suspect that this wonderful book will mean the most to people who have regularly practiced either meditation or Eastern-style breathing. Having followed both kinds of practices for the past six years, I found it was easier to relate to the Zen concepts in that way than through trying to imagine myself performing the archery described here.

By the way, this archery is not at all like what you did in camp as a youngster. It is both much more stylized and difficult. Think of it as being more like a Japanese tea ceremony than like Western-style archery.

You will love the many descriptions of how Zen masters helped their students learn through experience rather than lecturing or demonstrating to them endlessly. Mr. Herrigel makes a good point concerning how Japanese teaching in these ancient arts has remained the same, while newer subjects are taught much differently.

Some of the most beautiful parts of the book are the explanations that employ natural metaphors. The concept of the Samurai is explained through the fragile cherry blossom, for example, in a way you will not soon forget. The metaphors used in the archery are also very compelling and vivid. They spoke very eloquently to me, especially about how the shot is "released."

I got a lot personally from this book in reconsidering how I could and should step back more often to "go with the flow" of the moment rather than trying to orchestrate everything very rationally. The book made me much more aware that I operate in both styles, probably too often in the totally preplanned rational one.

I am also reminded of books about golf that I have read that cite similar principles for becoming more competent. I also remembered how all of my best golf shots have come when I was totally egoless. That lesson was very profound for me. I wonder what will happen in other areas if I follow that lesson, as well.

If you have never tried meditation, I encourage you to experience this if you find this book interesting. That will probably be your best way to begin to explore what is described here. Naturally, if you can find someone to teach you one of the Japanese arts, that will further expand your soul.

A good Western-style book to help you rethink your approach to life that parallels this one in many ways is The Art of Imperfection. The title is a misnomer. What we often think of as perfection is really the height of imperfection, as the author discovered when he began substituting his own methods for those of his Zen master.

Aim straight for yourself!

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59 of 64 people found the following review helpful:
5.0 out of 5 stars This book is like a gentle teacher., May 24, 2000
By 
Bruce Boatner (Eagle, Idaho USA) - See all my reviews
(REAL NAME)   
If one desires to pursue the path of enlightenment under Zen, one must select as a vehicle one of the Zen arts - archery, swordsmanship, brush-and-ink, the tea ceremony or flower arranging. Eugen (pronounced OI-gen) chronicles his struggle to overcome his "much too willful will" and master the bow. This interesting story is very moving, educational and inspiring, while never becoming heavy as it easily could have under less skillful authorship.

The ultimate challenge Eugen faces ends up being the smooth release of the bowstring and arrow without conscious intent, "like the ripe fruit falls from the tree", "like a baby's hand releases one object to grasp another", "like the bamboo leaf slowly bends under the weight of the snow, then releases the clump of snow without thought". Eugen, during a summer sabbatical, develops a "technique" that he believes will solve this problem and nearly gets himself thrown out of the program for "offending the Spirit of Zen". There is also an interesting account of an after-hours meeting where his teacher gives an amazing demonstration of quiet mastery in order to raise Eugen's morale and level of understanding.

There is much that this little book has to offer and its message will live in your heart for a long time.

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40 of 47 people found the following review helpful:
5.0 out of 5 stars Inspired and inspiring, April 2, 2000
This is an unpretentious,no-nonsense narrative about the author's initiation into the art of archery and, ultimately, into the concept of Zen Buddhism. It speaks in plain language and tries to avoid mystical jargon. Ironically, it is also a story of self-perfection - ironically because Zen Buddhism teaches the abandonment of the idea of a "self".

There are many ways one may go from this book: One of the main themes of Zen in the Art of Archery is "art becoming artless", which is also at the core of Mihaly Csikszentmihalyi's bestselling study of creativity in "Flow: The Psychology of Optimal Experience".

Someone who is interested in the spiritual qualities that (sometimes) come with the practice of martial arts might like to read "Iron and Silk" by Mark Salzman - don't expect anything holy or warrior-like, though.

Zen-Buddhism is covered in countless books. One of my favorites is Alan Watts's "The Spirit of Zen". A rather unorthodox, funny, skeptic and disrespectful look at Zen Buddhism can be gained from Janwillem van de Wetering's trilogy "The Empty Mirror" (my favorite of the three), "A Glimpse of Nothingness", and "Afterzen".

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First Sentence:
At first sight it must seem intolerably degrading for Zen-however the reader may understand this word-to be associated with anything so mundane as archery. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
artless art, highest tension, right shots
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Great Doctrine, Zen Buddhism, Daisetz Teitaro
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