15 of 15 people found the following review helpful:
5.0 out of 5 stars
A Masterpiece..., November 2, 2003
This enchanting book examines the deep influence of Zen Buddhism on the central aspects of Japanese culture and gracefully illustrates that the two are linked in profound ways. Suzuki has that mysterious ability as a writer to explain extremely abstract notions in elegant though simplistic language. Zen is a difficult subject to demonstrate because, by its very nature, it defies normative modes of rational thought.
Suzuki manages to gently clear our rationally conditioned patterns of thought like a gentle spring rain, and astonishingly we come to discover that Zen is simpler than anything else we've encountered before. One comes away from the reading with a soothing, calm and certain understanding of the nature of Zen. And one is certain that the man behind the words is a master.
He begins the narrative with insightful remarks on Japanese culture, touching on Zen's history and how the military classes, the Samurai, embraced the religion. The discussion moves onto Zen and its relation to Confucianism and the connection with the cultivation of a nationalistic spirit in Japan. The majority of the text is devoted to three central areas: Zen and Swordsmanship, Zen and Haiku, Zen and the Art of Tea, and lastly, the Japanese love of nature and its manifestations through art.
Suzuki's argument is that Zen and its teachings have had such an enormous influence on the Japanese, that the culture as we know it would not exist without it. One needs to truly understand this influence in order to have any comprehension of the culture. He proposes that one does not exist without the other:
"...without a full appreciation of it not a page of the history of Japanese poetry, Japanese arts, and Japanese handicrafts would have been written. Not only the history of the arts, but the history of the Japanese moral and spiritual life would lose its deeper significance, if detached from the Zen way of interpreting life and the world." (P.364)
This is an extraordinary book because it opens the way towards a fundamental understanding of Zen Buddhism and the foundations of Japanese culture, illustrating that the two are inextricably interlinked. The text is also beautifully enhanced with poetry, paintings, calligraphy and examples of architecture. If one is interested in either of these subjects, this book is a masterpiece and an important and enlightening experience.
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22 of 25 people found the following review helpful:
5.0 out of 5 stars
Book of a Lifetime!, August 26, 2000
A towering book of scholarship from the mind of a Japanese Zen master with an almost mystical mastery of English prose. One neednt be a student of Buddhism or particularly interested in the history of Zen and its historical impact to benefit mightily from this book. It's beautiful literature. The passages (in two generous chapters) on Zen and Swordsmanship boast standing with the best in English literature. Suzuki's perspective is broad and inclusive, if entirely his own, and includes the historic relationship of Zen to nature, art, haiku, and more narrowly to the Japanese Tea Ceremony. He remains more bountiful writer than succint personal teacher. It's a great book that can be read again and again. Suzuki's plane is infinite depth and light; he takes us in, for the book of a lifetime. Unconditional recommendation that amounts to urging you.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Highly recommended!, November 3, 2004
I was perhaps, more or less, curious when I picked this book up at a used book store a few years ago. As I read it - this curiosity was very deeply rewarded - and I fell in love with Suzuki's style of writing - and his presentation of Zen - which for me (a westerner) pieced together a rather loose understanding I had at the time and gained something of a background into the great mysteries of Asian (esp. Japanese) culture and ways of life. This book enlightened new ideas of embracing simplicity and poverty - not usually seen in the west (where we long for belongings). Another thing Suzuki stresses is dicipline - something lacking in many western interpretations of Zen.
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