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Zen Poems of China and Japan: The Crane's Bill (Evergreen Book) Paperback – January 18, 1994


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Product Details

  • Series: Evergreen Book
  • Paperback: 208 pages
  • Publisher: Grove Press; Reissue edition (January 18, 1994)
  • Language: English
  • ISBN-10: 0802130194
  • ISBN-13: 978-0802130198
  • Product Dimensions: 8.2 x 5.4 x 0.5 inches
  • Shipping Weight: 8.3 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,012,382 in Books (See Top 100 in Books)

Editorial Reviews

Language Notes

Text: English, Chinese, Japanese (translation)

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15 of 16 people found the following review helpful By tepi on June 4, 2001
Format: Paperback
THE CRANE'S BILL : Zen Poems of China and Japan. Translated by Lucien Stryk and Takashi Ikemoto with the assistance of Taigan Takayama, Zen Master. 143 pp. New York : Grove Press, 1973 and Reprinted.
Zen poetry is one of the glories of Zen, and yet few in the West seem to care or even know about it. Though undoubtedly sincere in their efforts to understand Zen, most readers seem drawn to prose treatises or explications or analyses of one sort or another, while overlooking the fact that, as Taigan Takayama expresses it : "Zen detests conceptualization" (page xi). Tenzan Yasuda has expressed the same idea this way : "What expresses cosmic truth in the most direct and concise way - that is the heart of Zen art" (page xxxvii).
The poetry of Zen ranges all the way from the tiny seventeen-syllable haiku of a stupendous poet such as Santoka, which have been beautifully translated by John Stevens (in 'Mountain Tasting : Zen Haiku by Santoka Taneda'), through to the Zen verse treatise, of which the finest example is the Third Patriarch Seng-ts'an's 'Hsin-hsin-ming.' This poem brilliantly captures the essence of Zen in its thirty-one verses, and is a text that deserves to be far better known. Although the present book is devoted to shorter poems, an easily accessible translation of the 'Hsin-hsin-ming' will be found in D. T. Suzuki's 'Manual of Zen Buddhism' ('On Believing in Mind,' pages 76-82).
'Crane's Bill' is a collaborative effort which falls into three parts. First we are given, in a Foreword, Preface, and Introduction, 42 pages of interesting and informative material in which a very persuasive case is made for the fact that we should be reading these poems.
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2 of 2 people found the following review helpful By Patrick Allen Wright on December 9, 2011
Format: Paperback Verified Purchase
I owned a copy of this book for years, and I read at it a few times. However, I came back to read it after rounding out my Zen adventures with two and a half years of living and teaching in South Korea. During that time, I read more and experienced more Chan, Seon, Zen, or Thien Buddhism, and I was ready to once again give a read to one of the first books I had ever read about Zen poems. I could not find my copy; it got lost during the hiatus of learning and experiencing more.

So, I bought this book again, and this time I read it with a much fuller appreciation. First, I read the introductions and the poems straight through. When I got to the notes at the back, I read them each with a re-read of the poem annotated. Now that I am finished reading this book again, I can attest that it is one of the best books written about Zen poems. If I had to give it any critique for improvement, I would like a greater emphasis on the Chinese influences, and I would like at least a small mention of Korea's role in the rise of Zen, or Chan-Seon-Zen-Thien Buddhism.

Overall, I recommend it without reservation.
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1 of 2 people found the following review helpful By Alan E. Senior on August 11, 2008
Format: Paperback
A useful collection of Zen Poems well translated as always by Lucien Stryk. Manily material from earlier periods of history.
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5 of 10 people found the following review helpful By Paul on December 1, 1999
Format: Paperback
This is in my top ten favorites to read and re-read. I was lucky to have actually find this book laying around, now I feel it has actually found me.
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