Customer Reviews

Zoom R16 Multitrack Recorder Controller and Audio Interface Multitrack SD Recorder Controller and Interface

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This thing is awesome.

But let's start with the bad, before we get to the good. The Bad:

- The preamp quality is not that great. I want to be careful not to over-state this too much: they are certainly not BAD preamps, and they are certainly competitive with other preamps that can be bought eight at a whack for $300, but they are not fast-response, high-headroom, ultra-clean studio preamps. They are more like the preamps on a decent portastudio (duh). They have a bit of a tendency to flab out on DI bass tracks, and can turn a bit crunchy/hashy at the top with difficult program material such as cymbals or detailed condensers. Backing off the input gain and recording at lower levels helps but does not completely solve these issues. And ribbon mics are pretty much right out: there's just not enough clean gain to drive low-output mics while preserving sound quality. But they are perfectly adequate for midrangey, high-output dynamic live mics, such as Shure SM57s and 58s, and considering the price point and what you're buying, they are actually quite capable: VASTLY better than the 1/8" mic/line input on a typical consumer soundcard, and comparable with a typical budget/prosumer mixer or live console.

- Phantom power on only two channels. I imagine this is a limitation of using USB/battery power, and it's frankly kind of amazing that they can deliver 48V at all. But it is still a limitation. If you want to use this box for full-blown studio recording, for this reason and the above, you'll probably want to have some outboard preamps or a mixing console or some such (soundcraft makes some inexpensive mixers with pretty good preamps).

- Zero midi anything. I'm not sure if this is a "bad", so much as just something to be aware of. Inclusion of a simple GM synth or drum machine, or even the ability to record MIDI would have expanded the usefulness of this box, but also would have added a lot of complexity to the little menu-based LCD interface. Overall I think it was a better decision to leave it out, and keep the device easier to use, but it's worth being aware of: if you want to record midi instruments with this box, you will be recording the output as audio.

- Usability/latency problems as a computer audio interface. I found this box to be unsatisfying as a laptop audio interface using early 2010 drivers. USB audio interfaces can be iffy compared with firewire or PCI, and this was no exception. I experienced intermittent problems with crackly audio, dropouts and skips, and had to frequently adjust latency settings and/or restart the hardware. Such problems were intermittent, but even occasional meltdowns can make such a device almost unusable. It's easier to simply record standalone to the Zoom R16 and then dump the files into computer via USB for editing and mixing in your favorite DAW software. Bear in mind that every computer is a bit different, so YMMV, and future firmware or driver updates may help the situation. But for now I cannot recommend it as a primary multitrack audio interface for computer-based recording (although I certainly recommend it as a portable multitrack recorder that can integrate with a computer setup).

So much for the bad. The good:

- IT RUNS ON FRIGGEN BATTERIES. If you are new to recoding, it may not be clear what a revolutionary thing this is, to have a complete recording that you can leave on the coffee table or stick in a backpack and take a full project from recording, through mixing, with effects, and run the whole thing on six AA batteries. Battery-powered recorders are obviously not new, but this box is genuinely a full-capable recording studio that achieve the magic 8 simultaneous inputs, with effects and mixing. And battery life is actually quite good. The more tracks and more processing and effects you're using, the faster they deplete, but even at full load you're changing batteries maybe every two hours, more than enough time to re-charge a spare set of rechargeables.

- SD storage. Using SD cards as the storage medium means cheap and easy storage, but even better, no fans, no motors, no whirring/clicking hard disk... this box is *silent*. It also means that it records like tape: there is no saving, no file-management... just hit record or play, turn power on and off whenever you want-- no worries, and no inspiration-killing hassle.

- Ease of use is really good. Text- and menu-based LCD windows can be a nightmare to deal with, as anyone who was recording in the early days of digital knows. But if you're familiar with multi-track recording generally, this device is easy to use right out of the box. Reading the (pretty good) manual is not required to start recording and mixing, but it does reveal a LOT of deep functionality. If you are new to recording, this is a pretty easy way to get started: it doesn't have the graphical point-and-click simplicity of a computer-based interface, but it also skips over all the issues of latencies, drivers, file-management, and various computer-related headaches. The R16's true 8-input recording and 16-track playback allow it to skip/simplify internal routing, bussing, etc, making it very straightforward to use: every physical channel is a track, and there is a bank up/down key to determine whether you're working with tracks 1-8, or 9-16. Couldn't be simpler. Each channel has a play/mute/record toggle button with a color-changing LED to tell you what state it's in, and the transport controls work just like a tape machine. The menus for effects, project selection, track swapping, etc are all straightforward and well-thought-out, with clearly-labelled buttons for each menu. Connections are extremely simple and obvious. Each channel has a gain/trim control and a mix fader with a 4-LED meter that automatically switches from record level to playback level depending on the track status, and channels with switchable input status use separate physical switches to flip between phantom power on/off, built-in vs external mics, or instrument/mic inputs. Easy peasy, with no obscure or hidden settings or parameters to drive you nuts.

- The built-in mics are an outstanding feature. They are your basic electret omni mics, which means they are quiet, accurate, and have good dynamic response with both low- and high-volume material. Just flip the switch and set them to record and you can track all your rehearsals, live shows, living-room practice, whatever. You can make full multitrack demos using just this box and a pair of headphones.

- Built-in effects are comprehensive, quite good, and very well-thought out. The presets are very usefully-constructed for a box of this type, designed to minimize menu-based tweaking. The main "default" effects configuration is set up for semi-automatic per-channel eq/compression, a master reverb/delay with per-track send, and a full suite of guitar and bass effects on the hi-Z "guitar channel". Digging into the menus further allows you to assign any effect to any track, to change whether insert effects are "hard-coded" onto the incoming audio, or just applied as a bus effect (for example, if you wanted to hear the effect during tracking and playback, but keep the underlying audio "clean" for later processing in a computer DAW or whatever). There are also a host of nifty extras including preamp modellers, guitar and bass amp emulators, wah/modulation/etc "special effects", acoustic guitar and bass simulators, and so on. Not 10 years ago, this box would have been worth the price as a single-channel multi-effects processor alone. Some of the settings are a little weird, and I'd much rather do a full mixdown using hardware processors or computer plugins than using menu-based text inputs, but the effects are all real-time, and you can hear your changes as you make them, so it's certainly possible to do a full record with this box alone, and effects quality is comparable to other digital hardware processors.

- Overall sound quality is quite good. Even factoring in the preamp reservations above, 15 years ago you could have spent 10 or 15 thousand dollars EASILY and still not had the sound quality and capability of this little box (plus you would have needed 20 electrical outlets and a room to store it all in, not to mention hundreds or thousands of dollars worth of racks and cables). It probably won't replace your RME interface or Apogee converters, and it certainly won't replace a collection of API and Telefunken mic preamps, and you'll probably want to hang onto to your UAD card if you have one, but good luck sticking all that in a laptop bag and taking it to the beach.

This plus something like a Tivoli Audio iSongBook (or even a pair of headphones) makes a complete, battery-powered multitrack studio that fits in a backpack or laptop bag, with room left over to hold spare batteries plus a couple of mic cables and SM57s, if you want them. Laptop-based mobile DAWs have always seemed like an awesome idea, but in practice things like boot times, dongles, limited mobile interface options, mixing and control via mousepad, short battery life, self-noise, computer-related reliability and stability issues, etc have always tended to keep it a good "idea" as opposed to a truly mobile "on your lap" studio. This is perfect and easy to take on the road, record in the tour bus, in the rehearsal space, in the hotel room, at a picnic table, a house party, wherever.

I bought this device to replace my aging computer based digital audio workstation. The R16 boots up in a couple seconds and has no latency problems that I can hear - two of the most painful things about working with my old computer system. Another Zoom user did an experiment and found the latency compensation is only off by 1.3 ms.

The way the R16 handles stereo audio is not always intuitive. When I initially plugged my keyboard into my Zoom R16, and adjusted the levels, there was horrible audio quality for the lower notes. It turned out this was because the stereo output from my keyboard was being mixed as two mono signals. After configuring the inputs as a stereo pair the audio quality problem was fixed.

I e-mailed tech support with a couple questions and have yet to hear back. However, there is a user forum: [...] that is very active. The manual is laid out well and is easy to understand, but the menus can get a little confusing. Remember that the arrows navigate the menus and the jog dial changes values. Once you get the hang of the menus, using them is pretty easy. For example, there are no dedicated knobs for EQ, but once you're in the EQ menu, you just select a track by pushing the Play/Rec/Mute button, and then spin the jog dial. Use up and down to select High, Mid, and Low EQ.

The feature that really sold me on the R16 is the memory card format. It uses an SD card, so I can use an extra card I had for my camera to plug into my R16. I can also pop the card out of the Zoom and put it into my laptop. Zoom records everything in WAV format, so I can play music straight from my laptop, and my favorite audio file conversion software will let me quickly make MP3s to e-mail to my friends.

The 8 XLR+1/4" combo plugs mean that I can get rid of my mixer entirely and just plug all my devices into my zoom. It even has phantom power on two of the inputs so I can use my condenser microphone. At first I didn't know what combo plugs were. This miraculous invention allows you to plug in a 1/4" line level input or a balanced XLR (microphone) cable. You can also plug in a high-Z 1/4" input (e.g. electric guitar) into channel 1.

Mastering, as far as I can tell, is only done in real time, but it's as simple as arming the master track (with a dedicated slider) and pressing record.

I have only begun to explore the possibilities of inserting effects on the tracks. In addition to chorus and reverb for each channel, you can also add fun distortion, wah, and compression effects. Audio can be recorded dry while monitoring with an effect on. Adding some chorusing to a vocal can really give more confidence to the singer, and this allows you to do that and record it without the effect so that you can perfect the chorusing later.

All this and I haven't even touched on the Audio Interface and Control Surface capabilities of this device. However, like I said earlier, I bought this to replace my computer, and it's doing a great job. I don't plan to use either of those features any time soon.

Now, go make some music!

Hi Guys,
just reviewing item from the uk, and it does all need as on the box.
i am old enough to have used reels,md,dat,portables.....for years and now i am recording bands with an item i can lift with one hand ,onto SD marvlous.

Just one thing i have found so far it is difficult to record loud bands via mics/line desk inserts, inputs, even with gain all the way down,it just clips into the red, you will need padding another 10-20 db ( or if you are using desk subs, lower all faders), or if using the 8x limiter on inserts, just turn all levels down within edit patch, otherwise my dream has come true
Enjoy
John

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A few thoughts on the r16. If you have a mac with snow leopard, you will need to go to[...] to get the latest driver, and [...] to get an installer fix to allow sucessful installation of Cubase LE 4.

The zoom r 16 is a great product.The sound quality is amazing ..I've recorded to sdhc card then brought it into computer.I have a new 64 bit computer and am waiting for 64 bit drivers from zoom..within 2 months I was told they would be available ..so around April the interface for 64 bit computers will be final.Every aspect otherwise is great .Highly recommeded