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Zoot Sims & The Gershwin Brothers Hybrid SACD - DSD, Original recording reissued, Original recording remastered


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Audio CD, Hybrid SACD - DSD, Original recording reissued, September 30, 2003
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Product Details

  • Audio CD (September 30, 2003)
  • Original Release Date: 1975
  • Number of Discs: 1
  • Format: Hybrid SACD - DSD, Original recording reissued, Original recording remastered
  • Label: Pablo
  • ASIN: B0000AZKLC
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #322,643 in Music (See Top 100 in Music)

1. The Man I Love
2. How Long Has This Been Going On?
3. Oh, Lady Be Good
4. I've Got a Crush on You
5. I Got Rhythm
6. Embraceable You
7. 'S Wonderful
8. Someone to Watch over Me
9. Isn't It a Pity?
10. Summertime
11. They Can't Take That Away from Me [*]

Customer Reviews

4.6 out of 5 stars
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See all 13 customer reviews
Recorded in 1975 and one of Zoot's finest CDs.
Bomojaz
Joe Pass provides some nice guitar work, while solid rhythm is laid down by Grady Tate and George Mraz - who worked with Sims some in the 1950's, I believe.
Donnie The B
Zoot Sims never made a bad album, but he did make a great number that were merely very good.
E. Hawkins

Most Helpful Customer Reviews

38 of 38 people found the following review helpful By E. Hawkins on January 16, 2000
Format: Audio CD
Zoot Sims never made a bad album, but he did make a great number that were merely very good. This one, however, is excellent. Sims, Peterson, and Pass all solo beautifully, and the bass and drum team of Mraz and Tate are behind them every step of the way. The two standout tracks are 'I Got Rhythm', where Sims follows an explosive Peterson solo with full-throated honks and excursions into his beautiful upper register; and 'Embraceable You', when Zoot proves that only Webster, Getz, and Hawkins can challenge him for beauty of tone. That said, there isn't a bad track on this CD, and it will give any Zoot fan -- any jazz fan -- a great deal of pleasure.
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20 of 21 people found the following review helpful By Bomojaz on December 16, 2005
Format: Audio CD
Recorded in 1975 and one of Zoot's finest CDs. His rich, warm tone is at the fore on every tune, whether it's an up-tempo swinger like THE MAN I LOVE or I GOT RHYTHM or a slow ballad like HOW LONG HAS THIS BEEN GOING ON. All of these are familiar songs to Zoot, he's probably played most a thousand times, but he is still able to make them sound fresh. Pianist Oscar Peterson can be overpowering at times, but on this album he restrains himself and plays tasty accompaniment (his solos are excellent, too). Joe Pass is on guitar and solos nicely on what I consider the highlight track, 'S WONDERFUL. George Mraz (b) and Grady Tate (d) offer solid support throughout. This is straight ahead, solid mainstream jazz at its finest. Definitely worth checking out.
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13 of 13 people found the following review helpful By bubinga@hotmail.com on December 16, 1998
Format: Audio CD
summertime and they can't take that away from me are worth buying this cd alone-spectacular-besides these tunes are rest of the selections are only fantastic-an absolutely wonderful cd-a must have cd for any jazz lover
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8 of 8 people found the following review helpful By James A. Vedda VINE VOICE on August 9, 2007
Format: Audio CD
The Gershwin brothers could have hoped for no greater tribute. Three of the grand masters of jazz - Zoot on tenor, Oscar Peterson on piano, and Joe Pass on guitar - backed up by no less than George Mraz on bass and Grady Tate on drums, gathered in a New York studio in 1975 to offer us 11 tracks of the Gershwins' most memorable tunes. The arrangements sound fresh and the performances are inspired.
There are many great highlights on this album, so I'll just mention a couple of them. The up-tempo swing version of "The Man I Love" is a very different interpretation than the one Zoot recorded (and received high praise for) almost two decades earlier, but it is equally satisfying. There are several great swingers in this session, but if you're looking for seduction songs, grab your significant other and slow-dance to "How Long Has This Been Going On," "I've Got a Crush on You," "Someone to Watch Over Me," "Isn't It a Pity," and best of all, "Embraceable You," in which Zoot is at his most brilliant.
Dozens of Zoot Sims recordings have been released on CD, making it hard to choose among them. If you want your collection to have the best possible representation of this jazz legend in the fewest CDs, I recommend getting this one and "That Old Feeling," which includes two full albums recorded in 1956 (see my review).
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14 of 16 people found the following review helpful By Mark A. Blaha on April 9, 2002
Format: Audio CD
Well, what more can be said...Sims, Peterson, Pass, Mraz and Tate playing Gershwin...the hardest part is deciding which track I like best. Truth be told, they can't take this CD away from me and it would be a pity if you didn't add it to your collection. 'S Wonderful indeed!
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5 of 5 people found the following review helpful By Philip on October 10, 2005
Format: Audio CD
This is a very inspired and energetic interpretation by Zoot Sims of Gershwin classics. Zoot swings here with great excitement and attacks the famous tunes in a very inspired fashion. He is very well supported by Peterson, Pass, Mraz and Tate. This is without a doubt a classic recording date that takes you for a wonderful journey from track one to eleven. It is that good that after 50 minutes you wish there was more to come.
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4 of 4 people found the following review helpful By Donnie The B on May 26, 2007
Format: Audio CD
Recorded when Zoot Sims was 49 and obviously at the top of his form and feeling fine. Tasty piano licks and solid accompaniment are provided by Oscar Peterson. Joe Pass provides some nice guitar work, while solid rhythm is laid down by Grady Tate and George Mraz - who worked with Sims some in the 1950's, I believe. He contibutes a rare bowed solo on one of the cuts here.

Sims' inate sense of rhythm is why they called him a swinger. No matter the complexity or length of solo, Zoot would very rarely lose the beat or his "place". He had wonderful ideas of melodic composition in his improvisational work. And while he certainly can be said to have been strongly influenced by Lester Young, who was playing with Count Basie when Sims was growing up, Zoot was not a copy of anyone in his style. Most knowledgeable jazz buffs would count Zoot among the most accomplished tenor saxophonists of all time.

If you like small group jazz, this is some of the best to be had and will be enjoyed by most jazz fans.
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