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Zoot-Suit Murders [Paperback]

Thomas Sanchez (Author)
3.4 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

July 20, 1991
Like his lavishly praised novels Rabbit Boss and Mile Zero, Thomas Sanchez's Zoot-Suit Murders combines a tautly arched narrative with fiercely visual prose and a starkly revisionist view of the American melting pot.

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Editorial Reviews

Review

Powerful fiction...a vivid tale of political intrigue and romance by a master of pictorial detail."

-- Chicago Tribune

Like his lavishly praised novels Rabbit Boss and Mile Zero, Thomas Sanchez's Zoot-Suit Murders combines a tautly arched narrative with fiercely visual prose and a starkly revisionist view of the American melting pot.

The novel is set in an atmosphere choked with tension -- from the mean streets of the Los Angeles barrio to the mansions of the Hollywood Hills during the tumultuous days of World War II. Nathan Younger, an undercover agent, is investigating the brutal murder of two FBI men and the infiltration of zoot-suit gangs by fascists when he crosses paths with Kathleen La Rue, a beautiful apostle of a bizarre religious cult. The search for the killers leads these two improbable lovers along a dangerous trail of heroin pushers, movie stars, and fanatical politicians.

"Zoot-Suit Murders matches the best of the war novels in its execution, and may be the best of the home-front novels of World War II....The novel alternates between intimacy and sweep, a cinematic quality similar to that of Chinatown, an excellent, near-Hitchcockian technique."

-- Robert Kirsch, Los Angeles Times

From the Back Cover

Powerful fiction...a vivid tale of political intrigue and romance by a master of pictorial detail."

-- Chicago Tribune

Like his lavishly praised novels Rabbit Boss and Mile Zero, Thomas Sanchez's Zoot-Suit Murders combines a tautly arched narrative with fiercely visual prose and a starkly revisionist view of the American melting pot.

The novel is set in an atmosphere choked with tension -- from the mean streets of the Los Angeles barrio to the mansions of the Hollywood Hills during the tumultuous days of World War II. Nathan Younger, an undercover agent, is investigating the brutal murder of two FBI men and the infiltration of zoot-suit gangs by fascists when he crosses paths with Kathleen La Rue, a beautiful apostle of a bizarre religious cult. The search for the killers leads these two improbable lovers along a dangerous trail of heroin pushers, movie stars, and fanatical politicians.

"Zoot-Suit Murders matches the best of the war novels in its execution, and may be the best of the home-front novels of World War II....The novel alternates between intimacy and sweep, a cinematic quality similar to that of Chinatown, an excellent, near-Hitchcockian technique."

-- Robert Kirsch, Los Angeles Times


Product Details

  • Paperback: 240 pages
  • Publisher: Vintage (July 20, 1991)
  • Language: English
  • ISBN-10: 0679733965
  • ISBN-13: 978-0679733966
  • Product Dimensions: 5.2 x 0.5 x 8 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,494,267 in Books (See Top 100 in Books)

More About the Author

Thomas Sanchez is a descendant of Spanish immigrants and Portuguese cattlemen dating back five generations to the 1800s California Gold Rush. Sanchez was born in Oakland Naval Hospital in 1944, days after his father was killed in the World War II Battle of Tawara. He was raised on a rural farm in California's Santa Clara Valley.

Sanchez' first novel, RABBIT BOSS, the hundred year saga of a California Indian Tribe, was begun at the age of 20 when he worked on cattle ranches in the Sierra Nevada Mountains. RABBIT BOSS was published when Sanchez was 27 and was cited by the San Francisco Chronicle as, "one of the most important books of the 20th century," by the New York Times as "A novel of epic dimensions," by Vanity Fair as "a landmark of our literature."

Throughout the 1960s in California, Sanchez witnessed and participated in many of the eras major social and political events, the strikes of the farm workers in the Central Valley, the tumultuous U.C. Berkeley Free Speech Movement, the clashes in San Francisco between anti-Vietnam War protesters and police, the counter-culture explosion of the infamous Haight-Ashbury District.

In the 1970s Sanchez was involved in the siege of Wounded Knee in the Black Hills of South Dakota, site of the infamous massacre of Sioux Indians, where Sanchez ran strategic supplies and food to Indians trapped inside the town of Wounded Knee, which had been surrounded by armed Federal forces with shoot-to-kill orders. A partial account of this event was published by Sanchez as, THE REAL COWBOYS AND INDIANS, in a commemorative American Bi-Centennial book collection with Henry Miller, whom Sanchez knew.

Sanchez next published, ZOOTSUIT MURDERS. The novel, set in the Los Angeles barrio of World War II, explored a chaotic world of anti-Communist hysteria, bizarre religious cults, tough gangs and undercover government agents. ZOOT-SUIT MURDERS was cited by the Chicago Tribune as, "a vivid tale of political intrigue by a master of pictorial detail." Following ZOOTSUIT MURDERS Sanchez was honored with a Guggenheim Award for his writings.

In the 1980s Sanchez lived in Key West and traveled from there throughout the American tropics. He was in harm's way during the Civil Wars of Guatemala and El Salvador, where he traversed both political and physical jungle landscapes with a real life cast of characters, from guerilla fighters to defrocked renegade priests, to bible toting CIA spooks and hardbitten war journalists. Much of this made its way into Sanchez's novel, MILE ZERO, about which the Los Angeles Times stated, "Sanchez forges a new world vision rich in the cultural intertextuality of Steinbeck and Cervantes, Joyce and Shakespeare."

Throughout the 1990s Sanchez lived in Paris, Provence and Mallorca, the settings for his novel, DAY OF THE BEES, about the hidden lives of a famous Spanish painter and his French mistress, a woman transformed from an artist's muse into a heroic Resistance fighter. The esteemed newspaper Le Monde declared DAY OF THE BEES, "A literary landmark, a novel of unforgettable power about love and war, art and freedom." The French Government knighted Sanchez with the Chevalier des Arts et des Lettres for his body of work.

At the beginning of the 21st century Sanchez returned to the tropics for his novel, KING BONGO, set against the glamor and intrigue of pre-revolutionary 1950s Havana, where Cuban and American cultures collided with geo-political consequence. The Washington Post proclaimed the novel to be, "An exotic portrait of sex, violence, corruption and conspiracy in Cuba."

Sanchez recently wrote and directed a short dramatic film in Paris, KEEP CALM AND CARRY ON. In 2011 Sanchez is directing a film from his script, LOVE ME LIKE A ROCK.
A documentary film based on the life of Thomas Sanchez, A FIRE OF WORDS, is being shot by Wordfire Productions in Havana, Key West, Miami, Mallorca, Paris and the Sierra Mountains of California. Sanchez' sixth novel will be published worldwide in 2011.

Book and Film Contact:
Esther Newberg
International Creative Management
825 Eighth Avenue, 26th Floor
New York, NY 10019


 

Customer Reviews

5 Reviews
5 star:
 (3)
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Average Customer Review
3.4 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful:
5.0 out of 5 stars Fascinating, January 30, 2002
By 
This review is from: Zoot-Suit Murders (Paperback)
This is a thoroughly engaging and fascinating novel about prejudice and intrigue on the home front during World War II. While not as incredibly as intense--or heart-rending--as Rabbit Boss, his previous novel, this is a gripping story with fascinating characters and puts wartime jingoism and xenophobia into an intensely personal light. This is a writer who pulls no punches and can be utterly unsentimental. He has an exceptional command of detail and pulls the reader along into a complex but believable web of intrigue. Sanchez always avoids cliches (I wish I could!) and avoids a polemic, making his point in an engaging and thrilling story line.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A Voice that Captures an Era, July 17, 2011
This review is from: Zoot-Suit Murders (Paperback)
The Portuguese have a word, "saudade," described as the seventh most difficult word in the language to translate. But I'll try: it refers to the longing one can feel for something one hasn't actually experienced. ZOOT SUIT MURDERS takes people back to the duck tail era if they knew it, produces saudade in the rest of its readers. Sanchez will often accumulate 100 pages of hand written notes - phrases, sentences, half sentences - while searching for a voice. He does not begin writing a story until he has found that voice and is thinking in it. This is one of the secrets to his powerful ability to lure his readers into time and place and make the present recede.
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4 of 6 people found the following review helpful:
5.0 out of 5 stars ZOOT-SUIT MURDERS MATCHES BEST OF WAR NOVELS, February 11, 2004
By 
max marquez (Los Angeles California) - See all my reviews
This review is from: Zoot-Suit Murders (Paperback)
I was attracted by the cover quote on this book by the famous Los Angeles Times book critic Robert Kirsch(he reviewed for over 25 years). Kirsch claimed that, "ZOOT-SUIT MURDERS matches the best of the war novels and may be the best of the home-front novels of World War II." Having read virtually every book about Los Angeles set in this period, and having many releatives who lived through this time, some were service men, others were Zoot-Suiters, I agree completely. Here's why: Sanchez is not pandering to any predictable ethnic notions, he tells a complex story about a time in our history when to be different was to be suspect of being un-American, he goes beyond types and has his characters acting with believable motivations, from corrupt politicians to young Mexican-American kids caught in the racist hysteria of the time. The title itself is greatly ironic, for it points up the fact that the Zoot-Suiters murdered no one, they themselves were murdered by the yellow press of the time. Bravo to Sanchez for getting it right.
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