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60 of 66 people found the following review helpful:
4.0 out of 5 stars
"The older he gets, the more revitalised he sounds.", April 8, 2008
The prolific Nick Cave and the Bad Seeds have been refining and revitalising their music for decades but have not reached the end of their inventiveness yet. Severely cutting back on the trademark wailing violin and spooky piano - and with a noticeable dearth of songs about dead girls - "Dig, Lazarus Dig!!!" is rockier and funnier than the "Abattoir Blues/The Lyre of Orheus" offering Abattoir Blues / Lyre of Orpheus.
That 2004 dazzling double opus would have left lesser bands gasping for creative oxygen, but their thirteenth studio LP rather suggested a band with limitless artistic energy and endurance.
There's a sense of fun here - not always a mainstay of the previous 13 Bad Seeds albums - but we're back to Cave the poet, Cave the laconic chronicler, and he's being a bit more flowery about the rude stuff.
With much of the energy of the grungier "Grinderman" project Grinderman Cave et al explored last year, "Dig" is stuffed with all the literary, biblical and mythological jumble fans can usually expect.
If there is a trademark Bad Seed sound, it is most apparent in "Jesus of the Moon", in which Cave's talent for emotive narrative is accompanied by elegant flute.
As verbose and intellectual as it is scary and unsettling, "Dig" is a baffling, dark masterpiece in which Cave deliberately sets out not to deliver the sweet tones of the piano or the guitar chords which massage the pleasure centres of the psyche.
Instead we get rock constantly verging on dissonance, with squalls of sound and numbing basslines.
There are few musicians, who have never had a major record deal, yet command an ever-growing audience and, at 50, are unleashing music with all the vigour and imagination of their youth.
Nick Cave turned out astonishingly primal garage-rock with last year's Grinderman album.
Here, back with the Bad Seeds, he veers wildly between grooviness, beauty and ear-splitting white noise.
The narratives he delivers are fantastically weird: on the title track, the biblical Lazarus returns from the dead in sleazy, pre-Giuliani New York.
The song brilliantly repositions the myth of Lazarus in the moral swamp of 1970s N.Y.; with the Bad Seeds coming on like the Stooges after a funk injection, while "Moonland" is a Taxi Driver narrative with a man behind the wheel in lonely rage. "Albert Goes West" is a report of a psychotic episode which manages to rhyme 'vulva' with 'sucking a revolver'.
"We Call Upon the Author" is Cave addressing God, and chiding those who ask him to explain his songs. "I go guruing down the street", he wails, "Young people gather round my feet/Ask me things - but I don't know where to start".
Even when the maudlin "Hold On To Yourself" provides something musically straightforward - a theme which would not go amiss on the soundtrack to a spaghetti western - there is a din going on in the background which sounds like a colony of agitated bats.
Then listen to "Night Of The Lotus Eaters" and you have a clatttery blues riff around which there are guitar sounds which spookily resemble a creaking door. And then there is "Lie Down Here", whose intro sounds like a man involved in a fight to the death with feedback. This is one mean, ornery album. But it is not in the mould of the primeval Grinderman project.
It's much cleverer than that. "Dig" is, by Cave's own testimony, more expansive, teasing us with glimpses of psychedelia. You could draw comparisons as diverse as Tom Waits and The Fall, but "Dig" is simply great on its own terms.
It is a confident album by musicians who are not simply singing the songs they know will sell and it is an interesting, exciting and often irreverent offering. Adult, funny, packed with Freudian allusion and apocalyptic dread, it really is magnificent stuff.
Download : "We Call Upon the Author", "Midnight Man" and "Jesus On The Moon".
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14 of 15 people found the following review helpful:
4.0 out of 5 stars
A darkly funny album which takes the usual Nick Cave skill in an unusual direction., June 8, 2008
Evidently reinvigorated by his mid-life-crisis stint in punk-rock incarnation Grinderman, Nick Cave returns with Dig, Lazarus, Dig!!! - a thrilling, sprawling album.
Its themes of sex, death and religion, and its cast of strange shadowy creatures occupying a rich and looming musical landscape are familiar, but there is definitely a new energy at play.
The magnificent "Jesus of the Moon" - one of several tracks where Cave trades his preacher-man delivery for that of a storyteller - is among the finest moments of his career, and there's much more to rave about besides. Now 50 and no longer the menacing figure he was during the decades he maintained a heroin habit, Nick Cave has become a prodigious artist(responsible for soundtracks, screenplays and essays as well as his solo material) who ranks alongside the likes of Bob Dylan and Tom Waits.
The backdrops to these narratives and speculations range from churning rock'n'roll vamps, barrages of distorted guitar noise and hypnotic chants, to the shimmering mandolin and viola, caressed with tender breaths of flute, that multi-instrumentalist Warren Ellis conjures up for the beautiful "Jesus of the Moon".
There's more than enough on here - the wonderfully morbid lyrics, the almost animal guitar sounds and, of course, that voice - to savour.
"Jesus of the Moon" has some of the Bad Seeds signature sound.
The track would fit in better on "The Good Son" than it does surrounded by rock 'n' roll tunes like the title song.
"Night of the Lotus Eaters" has a distinctive Grinderman feel and "More News From Nowhere" more obviously presents the band's earlier musical characteristics.
"Dig" is a confident album by musicians who are not simply singing the songs they know will sell and it is an interesting, exciting and often irreverent offering.
My favourute tracks are : "Jesus of the Moon", "We Call Upon the Author", "More News From Nowhere", "Dig, Lazarus, Dig!!!", and "Today's Lesson".
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
great new album, June 18, 2008
Perhaps re-energized by the Grinderman project, this album finds Nick Cave and company picking up the pace a bit from the last few Bad Seeds albums.
I disagree with the (semi) negative reviews. I appreciate the fact that he mixed things up a bit and think the song-writing and lyrics are still top notch.
Can't wait for the tour!
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