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Art and Architecture in Medieval France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries (Icon Editions) 0th Edition

4.5 out of 5 stars 6 customer reviews
ISBN-13: 978-0064300223
ISBN-10: 0064300226
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Product Details

  • Paperback: 432 pages
  • Publisher: Westview Press / Harper and Row (July 12, 1972)
  • Language: English
  • ISBN-10: 0064300226
  • ISBN-13: 978-0064300223
  • Product Dimensions: 7.1 x 1 x 9.2 inches
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,356,246 in Books (See Top 100 in Books)

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Format: Paperback
I have used _Monastery and Cathedral_ as a teaching text and as a guidebook. It's worth lugging through France, even by train: photos are b/w but well chosen & informative, and follow the text well. Stoddard gives good contextual background and is clear in his description and explication of the most important medieval churches in France. Could do more with sculpture and symbolism: the main focus is architecture. But his section on treasures, manuscripts & stained glass is a good start. I'm about to use it as a text for an on-site summer course: it's a tried and true old friend.
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By L on February 27, 1999
Format: Paperback
Professor Stoddard's opus Art and Architecture in Medieval France : Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries is still a viable and valuable work to study for any student of the Gothic era. The information provided allowed me to understand the cathedrals of France clearly and was an indispensible aid when I was lucky enough to visit several of the cathedrals addressed. While not a "light" read, Dr. Stoddard is the standard for the era. I envy any student of his, those lucky gargoyles!!!
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Format: Paperback
I've now slogged through four books on Middle Age church architecture and this one is by far the best. The book is written clearly and not unnecessarily burdened with "professor-speak." At the same time, it provided more information, and more interesting information, than the other three books combined.
A couple of cautions: the book focuses on Gothic architecture; Romanesque architecture is discussed more as an introduction to Gothic architecture. And it doesn't have a glossary, which is a downside for readers not familiar with architectural terms.
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